This study focuses on Tang poetry art songs and examines the phenomenon of “same text, different musical settings” (tongshi yiqu). Taking two representative works, Farewell to Dong Da and Jinse, as case studies, the research explores how ident...

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https://www.riss.kr/link?id=T17567975
경산 : 영남대학교 대학원, 2026
학위논문(박사) -- 영남대학교 대학원 , 음악학과 음악학 실기전공 , 2026. 8
2026
한국어
경상북도
135 ; 26 cm
지도교수: 김정아
I804:47017-200001027991
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This study focuses on Tang poetry art songs and examines the phenomenon of “same text, different musical settings” (tongshi yiqu). Taking two representative works, Farewell to Dong Da and Jinse, as case studies, the research explores how ident...
This study focuses on Tang poetry art songs and examines the phenomenon of “same text, different musical settings” (tongshi yiqu). Taking two representative works, Farewell to Dong Da and Jinse, as case studies, the research explores how identical poetic texts are interpreted through different musical compositions.
First, the study outlines the artistic characteristics of Tang poetry and its integration with music, providing a historical overview of the development of Chinese art songs. It then analyzes the original poetic texts and compares different musical settings by various composers, focusing on melodic structure, formal design, and emotional expression. Through this analysis, the study reveals how composers reinterpret poetic meaning and create diverse musical expressions based on the same text.
Furthermore, from a vocal performance perspective, this research discusses the differences between traditional Chinese vocal techniques and Western vocal approaches, highlighting their respective expressive features and stylistic characteristics.
The findings suggest that the “same text, different musical settings” phenomenon reflects not only the diversity of musical interpretation but also the creative transformation of traditional poetry within modern Chinese art songs.
목차 (Table of Contents)
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