재인청을 통한 김숙자 춤의 유형적 특성 연구 = Study on the Characteristics of Kim Sook Ja's Traditional Dance through Jaeinchung

다국어 초록 (Multilingual Abstract)

The concept of the traditional dance may refers to those ones that has more than 100 years of historic power of transmission preserving identity of national culture and it also may last long if they have back up from clear will and value of objective rather than habitual transmission in terms of transmission tasks.
Being a principle subject of such traditional dance transmission, deceased Kim Sook Ja, a holders of intangible cultural heritage "Dosalpuyi-chum" is an unique dancer accomplished recreation of traditional dance by regrouping Gyeonggi traditional dance through HwasungJaeinchung the center of artistic dance skill and talent.
Matter of factly, HwasungJaeinchung was an origin of cultural heritage which built the foundation of the national culture, where the supereme artisis at that period of time had received educations there or had direct or indirect connection with this place, and Kim Sook Ja was trained here through her father who had connection with Jaeinchung at the same time completed all training course from Gwonbun.
Thus, the dance left by her can be classified into jaein-line dance and Shamanistic-line dance, and most of those dances maintain their original forms unlike other dances of Gibang-line, while both of them were mixed the technique of Jaein and the restraint of shaman to be created and purified as being the truthful beauty of stage.
In fact, persons belong to Jaeinchung-the extremely lowest grade of people-were the persons to have implemented historical transmission of our traditional cultural heritage to be existed today, and their artistic value met new opportunities highilighted in the age that prevails multi-national culture, and the effort and will of Kim Sook Ja in the process of transmission to succeeding generation left tremendous significance in preserving traditions as being a truthful artist of this age.

목차 (Table of Contents)

• Abstract
• Ⅰ. 서론
• Ⅱ. 연구방법
• Ⅲ. 결과 및 논의
• Ⅳ. 결론
• 참고문헌

참고문헌 (Reference)

1 임학선, "화성재인청류 춤의 전승양상 및 무용사적 가치 연구" (31) : 2001

2 정병호, "한국의 전통춤" 집문당 1991

3 예술원, "한국무용연극영화사전" 1985

4 전경욱, "한국가면극의 기원과 발전과정 ‘동아시아 가면’" 고려대학교 민족문화원 2002

5 김헌선, "한국 화랭이 무속의 역사와 원리" 지식산업사 1997

6 이호승, "한국 줄타기의 역사와 연행 양상" 한국공연문화학회 14 : 387-426, 2007

7 윤미라, "진쇠춤" 삼신각 1992

8 정노식, "조선창극사" 동문선 1940

9 秋燁隆, "조선무속의 현지 연구" 1987

10 정성숙, "재인계통 춤의 특징과 무용사적 가치연구 : 한성준·이동안·김숙자 중심으로" 성균관대학교 대학원 2008

11 노동은, "무형문화재조사보고서 14편" 국립문화재연구소 2002

12 하주성, "경기도의 굿"

13 秋燁隆, "朝鮮巫俗の 硏究" 경성제국대학교 1938

14 김문애, "3인의 살풀이춤 연구" 도서출판 홍경 1996