공연 <햄릿> 무대 감독 제작 노트 : 제작발표를 중심으로 = Play <Hamlet> stage manager production note : Focusing on Production and Representation

다국어 초록 (Multilingual Abstract)

In the goal of this study, producing perfomance, rather than the consideration on the general theory of stage manager's role, participating in an active production process as a stage manager not only to make progress but also to direct totally from pre-production until post-production will be able to be a performance in-depth. Accordingly, Through participating in the total process of performance, it can elicit practical aspects and rational and structured system.
For the achievement of this purpose, these ways as following present.
1. In the point of production process, process on practicing the stage manager's role is analyzed and got in shape theoretically.
2. Ways about actualizing the production as stage manager working in an active producing process and stage manager's role practicing process in performance process are presented.
3. After understanding problems through the result in practicing the performance, alternative plans are presented.
4. Stage manager's place as another area staff in the production organization is lead to be set.
Particitating in the play <Hamlet> in Lee HaeRang Art Theatre from December 24 in 2008 to December 27 in 2008 as stage manager directly is active study way.
This study will be helpful to create fixing developmental production system in workshop and theatrical company.

목차 (Table of Contents)

• Ⅰ. 서론 1
• 1. 연구의 목적 1
• 2. 연구의 방법 2
• Ⅱ. 무대감독의 실제 작업 수행 과정 3
• 1. 사전 준비 단계(Pre-Production) 5
• 1.1 제작팀 구성(Production Team) 6
• 1.2 시·청각적 대본 분석(prompt book) 10
• 1.3 기술 연습(Technial Rehearsal) 15
• 1.4 총 연습(Dress Rehearsal) 16
• 2. 공연 단계 26
• 2.1. 공연 전 준비 26
• 2.2 공연의 진행 30
• 3. 공연 후 단계(Post-Production) 35
• 3.1 무대 철거(Strike) 35
• 3.2 공연 후 평가 38
• Ⅲ. 결론 42
• 참고문헌 44
• 부록 47
• Abstract 61