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      전쟁 경험의 재구성을 통한 국가 만들기 -역사/다큐멘터리/기억- = The Korean War Documentary: History / Documentary / Memory

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      https://www.riss.kr/link?id=A101892347

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The Korean War was an explosion of unresolved problems connected to ideology, politics and society. Considered from a cultural viewpoint, the Korean War produced a foundation that was important for constructing state identity in South and North Korea. Both Korean governments tried to create a state or state identity directly after liberation from Japaness colonial rule. Nevertheless there was a feeling of shared Korean culture regardless of the division of South and North Korea among the public. But after the Korean War, the division was finalized and Koreans had to choose which state to settle in. Charles Tilly described this as ``a state was made through war``. After the Korean War, the South Korean government took the role of a bulwark against communism, increased the role of the state in society and developed a pro-American line. The North Korean government assumed a broad anti-imperial sentiment, accelerated the Kim Il Sung ideology and the socialist revolution, for example through agricultural cooperative farms. Movies contribute to form the memory and history of communities. During the Korean War both South and North Korean filmmakers were mobilized by their governments and made many documentaries, newsreels and feature films. Filmmakers called ``war filmmakers`` made movies in Deagu and Busan in South Korea. Right after the beginning of the war, Kim Il Sung enlisted the help of filmmakers and the resulting films moved many people to volunteer for the army in North Korea. Because they were of prime important documentaries and newsreels were made with support by the government and army. As official government narrative the Korean War documentary was different in the two Koreas. This article follows White`s assumption that history is a narrative that has been made by someone, not a mere representation of facts. I try to map the mirror image between the South Korean documentary, A March of Justice and the North Korean documentary, A War of Justice and analyze the relationship of war documentary and state-identity.
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      The Korean War was an explosion of unresolved problems connected to ideology, politics and society. Considered from a cultural viewpoint, the Korean War produced a foundation that was important for constructing state identity in South and North Korea....

      The Korean War was an explosion of unresolved problems connected to ideology, politics and society. Considered from a cultural viewpoint, the Korean War produced a foundation that was important for constructing state identity in South and North Korea. Both Korean governments tried to create a state or state identity directly after liberation from Japaness colonial rule. Nevertheless there was a feeling of shared Korean culture regardless of the division of South and North Korea among the public. But after the Korean War, the division was finalized and Koreans had to choose which state to settle in. Charles Tilly described this as ``a state was made through war``. After the Korean War, the South Korean government took the role of a bulwark against communism, increased the role of the state in society and developed a pro-American line. The North Korean government assumed a broad anti-imperial sentiment, accelerated the Kim Il Sung ideology and the socialist revolution, for example through agricultural cooperative farms. Movies contribute to form the memory and history of communities. During the Korean War both South and North Korean filmmakers were mobilized by their governments and made many documentaries, newsreels and feature films. Filmmakers called ``war filmmakers`` made movies in Deagu and Busan in South Korea. Right after the beginning of the war, Kim Il Sung enlisted the help of filmmakers and the resulting films moved many people to volunteer for the army in North Korea. Because they were of prime important documentaries and newsreels were made with support by the government and army. As official government narrative the Korean War documentary was different in the two Koreas. This article follows White`s assumption that history is a narrative that has been made by someone, not a mere representation of facts. I try to map the mirror image between the South Korean documentary, A March of Justice and the North Korean documentary, A War of Justice and analyze the relationship of war documentary and state-identity.

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      참고문헌 (Reference)

      1 이영일, "한국영화전사" 소도 2004

      2 정종화, "한국영화 성장기의 토대에 대한 연구: 동란기 한국영화제작을 중심으로" 중앙대 첨단영상대학원 2002

      3 정민현, "한국 국민의 정체성에 관한 연구-한국전쟁시기를 중심으로" 동국대학교 2007

      4 배희철, "주체의 기록영화" 문학예술종합출판사 1999

      5 황재헌, "조선전쟁도발의 흑막" 금성청년출판사 1995

      6 사회과학원력사연구소, "조선전사 27-현대편, 조국해방전쟁사3" 과학백과사전출판사 1981

      7 "조선전사 27-현대편, 조국해방전쟁사3" 과학백과사전출판사 1981

      8 김선려, "조선문학사-11 해방후 편(조국해방전쟁시기)" 사회과학출판사 1994

      9 국립출판사, "조국통일민주주의 전선 문헌집" 국립출판사 1954

      10 폴 비릴리오, "전쟁과 영화" 한나래 2004

      1 이영일, "한국영화전사" 소도 2004

      2 정종화, "한국영화 성장기의 토대에 대한 연구: 동란기 한국영화제작을 중심으로" 중앙대 첨단영상대학원 2002

      3 정민현, "한국 국민의 정체성에 관한 연구-한국전쟁시기를 중심으로" 동국대학교 2007

      4 배희철, "주체의 기록영화" 문학예술종합출판사 1999

      5 황재헌, "조선전쟁도발의 흑막" 금성청년출판사 1995

      6 사회과학원력사연구소, "조선전사 27-현대편, 조국해방전쟁사3" 과학백과사전출판사 1981

      7 "조선전사 27-현대편, 조국해방전쟁사3" 과학백과사전출판사 1981

      8 김선려, "조선문학사-11 해방후 편(조국해방전쟁시기)" 사회과학출판사 1994

      9 국립출판사, "조국통일민주주의 전선 문헌집" 국립출판사 1954

      10 폴 비릴리오, "전쟁과 영화" 한나래 2004

      11 김동춘, "전쟁과 사회" 돌베개 2000

      12 소희조, "위대한 수령님께서 개척하신 주체영화예술(2)-조국해방전쟁시기 영화예술사 조직령도"

      13 수잔 헤이워드, "영화사전" 한나래 1997

      14 미셀 푸코, "사회를 보호해야 한다" 동문선 1998

      15 한국정신문화연구원, "북한 해방 8년사 연구" 백산서당 1999

      16 김하영, "북한 체제의 초기 집단정체성 형성에 관한 연구" 북한연구학회 9 (9): 23-50, 2005

      17 김양섭, "박상규 1922년 6월 30일생" 눈빛 2005

      18 한림대학교 아시아문화연구소, "미군정기 한국의 사회변동과 사회사 1" 한림대학교아시아문화연구소 1999

      19 로동신문, "로동신문"

      20 독립신보, "독립신보"

      21 김계중, "다큐멘터리의 새로운 역사" 비즈앤비즈 2011

      22 빌 니콜스, "다큐멘터리 입문" 한울 2005

      23 한국정신문화연구원 한민족문화연구소, "내가 겪은 해방과 분단" 선인 2001

      24 김일성, "김일성 저작집 6권" 조선로동당출판사 1980

      25 한영호, "기록영화해설문의 본질적 기능과 그 역할" (2) : 2000

      26 김기봉, "‘역사란 무엇인가’를 넘어서" 푸른 역사 2000

      27 Robert A. Rosenstone, "Visions of the Past: the Challenge of Film to Our Idea of History" Harvard University Press 1995

      28 Arthur G. Neal, "National Trauma and Collective Memory" M.E. Sharp 2005

      29 Ali A. Mazrui, "Cultural Amnesia, Cultural Nostalgia and False Memory: Africa`s Identity Crisis Revisited" SAPINA and ISAP 2000

      30 존 톨랜드, "6.25전쟁" 바움 2010

      31 박찬웅, "6.25 일지" 아우내 1994

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 유지 (등재후보2차) KCI등재후보
      2002-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2000-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.8 0.8 0.84
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.87 1.29 1.221 0.13
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