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    고려의 향문화(香文化)와향로(香爐) = Goryeo Dynasty Incense Culture and Incense Burners

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The act of burning incense originated from Buddhist rituals and customs, and gradually formed its own culture. In the Goryeo Dynasty, in addition to religious and national rituals, incense came to be enjoyed more generally and widely. In particular, Goryeo literati enjoyed the elegant lifestyle of staying home and burning incense. This was part of a regional culture shared across East Asia. Such incense burning applied the same methods as were used during the same period in China. In collections of writings from the Goryeo Dynasty, it can be seen that incense methods such as gyeok-hwa-hoon-hyang (隔火熏香) and jeon-hyang (篆香) were used. A particular method of incense influenced the size and shape of the incense burner utilized. Small incense burners suitable for simple everyday incense were used, such as the hyangwan (香垸), a cup (wine glass)-shaped burner. White porcelain incense burners from Song were discovered in Gaegyeong, and celadon incense burners from Goryeo were made in the same shape. This phenomenon shows that there was great demand for ceramic incense burners in Goryeo in the 12th and 13th centuries. During this period, incense burners that imitated metalware were produced, and some applied the techniques and patterns of Goryeo celadon.
    The Goryeo Dynasty-era incense burner was basically a necessity for use in various rituals, but gradually came to be widely used also by individuals.
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    The act of burning incense originated from Buddhist rituals and customs, and gradually formed its own culture. In the Goryeo Dynasty, in addition to religious and national rituals, incense came to be enjoyed more generally and widely. In particular, G...

    The act of burning incense originated from Buddhist rituals and customs, and gradually formed its own culture. In the Goryeo Dynasty, in addition to religious and national rituals, incense came to be enjoyed more generally and widely. In particular, Goryeo literati enjoyed the elegant lifestyle of staying home and burning incense. This was part of a regional culture shared across East Asia. Such incense burning applied the same methods as were used during the same period in China. In collections of writings from the Goryeo Dynasty, it can be seen that incense methods such as gyeok-hwa-hoon-hyang (隔火熏香) and jeon-hyang (篆香) were used. A particular method of incense influenced the size and shape of the incense burner utilized. Small incense burners suitable for simple everyday incense were used, such as the hyangwan (香垸), a cup (wine glass)-shaped burner. White porcelain incense burners from Song were discovered in Gaegyeong, and celadon incense burners from Goryeo were made in the same shape. This phenomenon shows that there was great demand for ceramic incense burners in Goryeo in the 12th and 13th centuries. During this period, incense burners that imitated metalware were produced, and some applied the techniques and patterns of Goryeo celadon.
    The Goryeo Dynasty-era incense burner was basically a necessity for use in various rituals, but gradually came to be widely used also by individuals.

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    참고문헌 (Reference)

    1 강경남, "청자사자장식향로에 관한 시론적 고찰" 국립중앙박물관·한국고고미술연구소 11 : 15-39, 2010

    2 백은경, "원산도 인양 청자향로 연구" 국립해양문화재연구소 3 : 5-50, 2010

    3 이희관, "대섬 해저 인양 靑瓷火爐形香爐와 관련된 몇 가지 문제" 국립해양문화재연구소 4 : 7-74, 2011

    4 김경인, "고려시대 유입 송대 남방 백자 연구" 고려대학교 대학원 2022

    5 하수민, "고려시대 동아시아 훈의(熏衣)문화와 향재의교역 연구" 국립문화유산연구원 53 (53): 204-221, 2020

    6 권순형, "고려 전‧중기 향과 문화 생활" 한국문화연구원 25 : 7-35, 2013

    7 김윤정, "고려 12세기 瑞獸 소재 청자의 등장과 의미" 고려청자박물관 24-26, 2021

    8 김지은, "고대 香藥의 유통과 불교의례 -통일신라시대를 중심으로-" 경주사학회 (37) : 1-32, 2013

    9 이용진, "高麗時代佛敎香爐의 傳統性과 獨創性" 동악미술사학회 (13) : 151-180, 2012

    10 김현경, "高麗時代 靑磁佛具 硏究" 홍익대학교 2019

    1 강경남, "청자사자장식향로에 관한 시론적 고찰" 국립중앙박물관·한국고고미술연구소 11 : 15-39, 2010

    2 백은경, "원산도 인양 청자향로 연구" 국립해양문화재연구소 3 : 5-50, 2010

    3 이희관, "대섬 해저 인양 靑瓷火爐形香爐와 관련된 몇 가지 문제" 국립해양문화재연구소 4 : 7-74, 2011

    4 김경인, "고려시대 유입 송대 남방 백자 연구" 고려대학교 대학원 2022

    5 하수민, "고려시대 동아시아 훈의(熏衣)문화와 향재의교역 연구" 국립문화유산연구원 53 (53): 204-221, 2020

    6 권순형, "고려 전‧중기 향과 문화 생활" 한국문화연구원 25 : 7-35, 2013

    7 김윤정, "고려 12세기 瑞獸 소재 청자의 등장과 의미" 고려청자박물관 24-26, 2021

    8 김지은, "고대 香藥의 유통과 불교의례 -통일신라시대를 중심으로-" 경주사학회 (37) : 1-32, 2013

    9 이용진, "高麗時代佛敎香爐의 傳統性과 獨創性" 동악미술사학회 (13) : 151-180, 2012

    10 김현경, "高麗時代 靑磁佛具 硏究" 홍익대학교 2019

    11 "高麗史"

    12 박지영, "高麗 陽刻靑磁의 性格" 한국불교미술사학회 (29) : 45-86, 2007

    13 浙江省博物馆, "香遠益淸" 中國書店 106-107, 2015

    14 "香譜"

    15 "陶隱集"

    16 布宇洁, "陶瓷行炉研究" 中国社会科学院大学 2021

    17 "獨谷先生集"

    18 "牧隱集"

    19 최국희, "滿城漢墓출토 香具를 통해 살펴본 한대 香文化" 동양미술사학회 10 : 75-96, 2020

    20 "東文選"

    21 "東國李相國全集"

    22 "宣和奉使高麗圖經"

    23 刘静, "宋画香炉释意" 中国美术学院 14-21, 2016

    24 魏艺敏, "宋代陶瓷香熏炉造型特征研究" 景德镇陶瓷学院 2012

    25 "四家詩集"

    26 "及菴詩集"

    27 赵琳琳, "从宋画看宋代香具与香事活动" 青岛科技大学 2020

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