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박신미(Shinmi Park) 한국복식학회 2015 服飾 Vol.65 No.5
The aim of this paper is to analyze the relationship between the inspirations and designs of Dries Van Noten``s women``s collections from 1994 S/S to 2014 F/W. From the research purpose the following questions arise: how are the brands of Dries Van Noten developed and what are the important features? What are ‘the roots of inspiration’ for Dries Van Noten``s women``s collections from 1994 S/S to 2014 F/W, and what are the aesthetic criterions of Noten``s works? How are the roots of inspiration categorized, what are the features of each category, and how do these roots of inspiration influence the Noten``s designs? The paper is a practical reference of how ideas turn to practical works and what is the relationship between inspiration and design. Researchers utilized a qualitative research method to provide a systematic review of the previous studies. To sum it up, roots of inspiration of Dries Van Noten``s women``s collections can be classified into seven categories: ``ethnic``, ``trend & style``, ``flowers``, ``artists``, ``interpretation``, ``fabric & pattern`` and ``multiple contents``. Through the roots of inspiration, sensibility of Belgium, inquiry of ethnic & oriental, Artists, England, longing of street fashion, 1920``s & 1950``s trend & style of French high fashion, romanticism, atmosphere of medieval, gypsy, punk and hippie are extracted and applied to the designs through cross impact. The identities of Dries Van Noten``s women``s collections are fusion and harmony of cross culture and diversity.