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        “In Here, Life Is Beautiful”: Social Critique in the Musical Films Cabaret and Chicago

        ELDAKHAKHNY DINA MAGDY MOHAMED MOHAMED 문학과영상학회 2016 문학과영상 Vol.17 No.1

        The American Jazz-era musical films Cabaret (1972) and Chicago (2002) have enjoyed immense popularity worldwide from their release up until the present. While some believe that musicals provide little beside light entertainment, music and dance, this paper demonstrates how the two musicals deliver biting and enduring social critique. To that end, the paper first tackles the cross-cutting technique or associative montage through which both musicals use the stage to comment on reality either by means of representation or juxtaposition. Next the paper highlights how society’s passivity and complacence in the face of the show it sees onstage make it culpable in the rise of fascism, corruption and increased materialism which were prevalent in the roaring twenties and thirties. The paper finally turns its attention to an example of agency and positive social change, namely the rebellion of the central female figures against traditional patriarchal norms, which is once again facilitated through the stage and the medium of the non-traditional and subversive Jazz music of the flappers era.

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