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      • 옴므파탈 트렌드의 개념적 접근

        한금주 ( Keum Joo Han ),이혜주 ( Hye Joo Lee ) 중앙대학교 생활문화산업연구소 [ 구-생활과학연구소] 2010 생활과학논집 Vol.29 No.-

        This study is reseached on the concept of ``homme fatale`` Trend which has been appealed 2009~2010 as a new trend in Korea. The ``homme fatale`` character has been much more popular after the motion picture media like movie and TV drama had delt with ``homme fatale`` character with interesting story making. The ``homme fatale`` concept is quite recent case, in this paper, the ``homme fatale`` concept has been drawn through ``femme fatale`` image concept. The result was researched as Sexuality, Duality, Cruality, Authoritarianism tas the concept of ``homme fatale`` Trend

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        한국 뮤지컬 관람객의 관람동기가 몰입 및 재 관람의도에 미치는 영향

        한금주 ( Keum Joo Han ),정연자 ( Yeon Ja Jung ) 한국동양예술학회 2015 동양예술 Vol.29 No.-

        This study attempted to analyze the relationship between a musical audience’s commitment and motivation to watch a performance and intention to revisit and to provide basic data for the promotion of musical performances by confirming differences in the characteristics of the audience. For data collection, a questionnaire survey was utilized for men and women in their 20s or older who watched a musical at least once in the past one (1) year. In terms of statistical analysis, frequency analysis, reliability analysis, factor analysis, multi-regression analysis, t-test and ANOVA were carried out using the SPSS program. The results of this study found the following: First, interest in musical performers/ production companies and cultural life had an effect on both affective and calculative commitments. Second, escape from daily routine, interest in musical performers/production companies, cultural life and commitment influenced the audience’s intent to revisit. Third, depending on the frequency of watching a musical, differences were found in escape from daily routine, interest in musical performers/production companies, friendship/human relationship, affective commitment and intent to revisit. Fourth, depending on the person accompanying the individual to the musical, differences were observed in interest in musical performers/ production companies, friendship/human relationship, affective commitment, calculative commitment and intent to revisit. These results provide data on the characteristics of the musical audience and suggest that it is necessary to encourage people to watch a musical through promotional strategies that stimulate their cultural desire in the musical industry.

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