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정옥임 ( Ok Im Jung ) 대한가정학회 2010 Human Ecology Research(HER) Vol.48 No.4
For a pattern to be a scientific and reasonable drafting method. it should be based on the human body, have fewer measuring items, be easy to learn, and be able to make good-looking clothing that fits many people. Therefore, the height, foot length and circle radius in the Durumagi drafted in this study examined to improved the drafting method for Korean Durumagi. As a result, a pattern drafting method was developed in which Moo, Gutsup, Ansup and length of clothing were naturally derived according to the size of individuals.
정옥임(Ok Im Jung),김경희(Kyung Hee Kim) 한국복식학회 2002 服飾 Vol.52 No.7
This study as one of a series of systematic studies about dancing costumes will compare the costumes of the 16th, 17th century with their normal style of dress. In brief, this study wants people to know about 16th, 17th century court dancing costumes and to understand the culture in the 16th, 17th century. From the comparison between the court`s dancing costume and the people`s clothes, we could get the conclusion as follows. First, pourpoint, chemis, gown, chausses, etc that people wore were used for the court`s dancing costume. While people pursued the beauty with the ample silhouette, there were used wrinkles, slits, and tailored oblique line-clothes that gave vitality. Second, silk, linen, brocade, etc. that were used for people`s chemises were used for the dancing costume. The good quality and beautiful colors of the dancing costume, however, excelled than of the brilliant court`s clothes and the people`s clothes. Third, the hair style of dancers were very colorful. For example, there were many kinds of hats and furs, corals, etc. that were attached to them on the most of the long curly hair. In summary, for the court`s dancing costume, the same type of clothes was used like the people`s clothes. There, however, were differences. The slits, tailored oblique line- clothes and shortened skirt gave the activity. There were many decorations symbolizing the nobles` wealth and power. Especially the use of the decoration of hair and other stage properties was an effective means for expression. The use of personified masks also contributed to the development of the court dance.
여성의 신체이미지에 따른 의복행동과 메이크업의 상관성 연구
정옥임(Ok Im Jung),김경희(Kyung Hee Kim),김정숙(Jung suk Kim) 조선대학교 교과교육연구소 2003 敎科敎育硏究 Vol.24 No.1
This study aims to review how body-cathexis influences clothing behaviors and make-up. The results of data analysis is as follows : First, body-cathexis was compared between demographical groups and there is a significance according to age, marriage, and average expenditure on clothing and make-up. That is, body-cathexis varied according to age, marriage, and expenditure on clothing and make-up. Second, As a result, the preferred color of clothing is black and white, and warm colors are preferred dependant on body-image. Third, the degree of correlation is above average 0.6 in every item except place of purchasing. And frequency of clothing behaviors and make-up was analysed and the result is as follows: women put more importance on clothing behaviors than make-up and it was proved that they prefer clothing as a means of changing style. Fourth, behaviors to improve body-image were analysed and the result is as follows: most women try to improve body-cathexis through clothing and make-up. Also, they try to promote their satisfaction actively through cosmetic surgery and diet.
전통한복 원형제도법에 내재된 원(圓),방(方),각(角)의 상징성
정옥임 ( Ok Im Jung ) 대한가정학회 2011 Human Ecology Research(HER) Vol.49 No.4
The basic framework of traditional Korean clothing construction consists of circle, square and triangle. This composition principle has been presumed to be associated with the Cheonbu concept of the Dangun era wherein nature and human being are considered united. The Cheonbu concept is represented by circle, square and triangle which constitute Cheonbuin, the images and meanings of heaven. It contains profound philosophy wherein a circle symbolizes heaven and represents number one, a square symbolizes earth and represents the number two, and a triangle symbolizes human beings and represents the number three. Circles, squares and triangles have been used as various symbolic meanings both in the east and west and constitute the framework of Hanbok construction while connoting the Cheonbu concept and symbolism of the Cosmo-tree. From this point of view, the unity of human beings and heaven in Cheonbugyeong is symbolically inherent in Hanbok. Therefore, Hanbok with the basic framework of circles, squares and triangles can be considered a positive creation that created a composition principle of body-nature-clothing.
정옥임 ( Ok Im Jung ) 대한가정학회 2010 Family and Environment Research Vol.48 No.2
Hanbok Chima, a Korean skirt, with large-volume should have an archetypal drawing model for appropriate cultural and historical accuracy. In order to develop new Hanbok Chima archetypal drawings we drew a skirt by connecting height with a design structure adopted from Jeogori, a Korean jacket. As a result, an archetypal drawing was developed from which circumference of lower width of Chima, size of pleats in waist circumference, and length of Chima as well as a scheme of layering Chima and Jeogori can be obtained. In this drawing, width of Chima can increase or decrease naturally according to height. However, in case of same heights and different chest circumferences if 2.5cm of additional value is provided for every 5cm increase in chest circumference, Chima of any size can be made based on this drawing. In conclusion, given the demonstrated practicality of designing a Hanbok Chima with large-volume based on archetypal drawings, it is expected that the results of this study will provide useful scientific data for Korean costume designs.