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모차르트의 ≪두 대의 피아노를 위한 협주곡 제10번 K.365≫의 형식 분석과 음악수사학의 연관성
이현자 ( Hyon Ja Lee ) 한국피아노학회 2011 피아노음악연구 Vol.5 No.-
The purpose of this study is to find out the musical form of Mozart`s double concerto K.365 in comparing with the form of the baroque ritornello concerto form. As a result of this analysis, the concerto K.365 is shown having the form of the concerto-sonata form as his mature concertos which have two expositions for orchestra and for solos. The contents in the form of the double concerto are consisted of dialogues between two pianos and the orchestra of an accompanying role. The patterns of the dialogues can be categorized as follow: 1. One`s statement and the other`s repetition 2. One`s question and the other`s answer·answers in same length having different meaning·answers in very short length of response·long answers adding the meaning to the other`s opinion 3. Two character`s sequences developing their meaning 4. Objection and defence 5. Agreement and reconciliation 6. Final conclusion Another discussion of this study is about the relationship between concerto-sonata form and the baroque rhetoric in order to grasp the meanning of the musical periods in K.365 concerto. The conclusion of this study is that the contents and the form of the concerto K.365 are quite matched to five stages of the rhetoric: ·orchestra exposition → inventio·solos exposition → dispositio·development → elocutio·recapitulation → memoria·coda, cadenza → executio or pronuntiatio Finally, an effort of seeking and hearing of the musical meanning in theoretical study is emphasized.