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        이광수와 근대 우화의 소설적 전유

        이경돈(Kyoeng Don Lee) 한국현대소설학회 2007 현대소설연구 Vol.- No.33

        Cheonangi which was serialized in Dong-a daily newspaper from Jan. 5 in 1926 was a very special work in his genealogy. The work was only fable method and excluded for its incompletion. Cheonangi adopted the first person narrator I and the fly which told social conditions all over the world as main characters. Lee Kwang-soo posed himself as a critic in Chosun by radical satire on social problems making use of the fly summoned from the fable world. The fly had a ability like a superman and ethical innocence. But in Social Satire Eunpari, he lessened satiric peculiarities. Because he made I the narrator and protagonist, the fly was isolated. His try was very meaningful in his private history. Also, aiming at masses, like in Social Satire Eunpari he wanted to write modern novels which met the masses by radical satire, but his Ecriture to modern novels conflicted with fable world, after all narration was disrupted and finished incompletely.

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