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피핑톰 무용단의 작품에 나타난 초현실주의 특성에 관한 연구 - 가족 3부작 작품 「아버지」, 「어머니」, 「아이」를 중심으로 -
왕자목 ( Wang Zimo ),조은숙 ( Cho Eunsook ) 한국무용예술학회 2021 무용예술학연구 Vol.81 No.1
In order to study the surrealism in the Family Trilogy of the Peeping Tom Dance Company, this research centers on the video materials and literature materials of these three works. The Peeping Tom dance troupe in this study has been conveying a certain message to the audience through a surreal expression. The work 「Vader」 expresses the real human heart and the surrealism of desire through the combination of realistic and non-realistic dream scenes. 「Moeder」 also uses the combination of reality and non-reality to create a dream-like stage atmosphere. In addition, the work 「Kind」 also makes use of irrational violent scenes to show the audience an irrational surrealism stage scene that breaks away from moral constraints. This examination illuminates the Family Trilogy has the characteristics of surrealism, and also reflects the influence of surrealism on the style of dance works and has long-term significance for future dance creation.