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1970년대 한국패션 고찰 - 사회적 환경이 반영된 디자이너들의 국내외 활동과 연대별 디자인 특성을 중심으로 -
박신미(Shinmi Park) 한국복식학회 2024 服飾 Vol.74 No.2
This study aims to analyze Korean fashion designers domestic and international activities in the 1970s, as well as the characteristics of their work based on media materials. It also extracts the objective facts about contemporary Korean fashion history and establishes them as historical records. The research questions are as follows. First, who were the designers who continued to work until the 1970s among the first-generation and second-generation Korean fashion designers, and who were the third-generation Korean fashion designers emerging in the 1970s? Second, which domestic and international exhibitions and fashion shows reflected the social environments of the 1970s, and what were the activities of the participating designers? Third, what were the distinguishing characteristics of these designers’ works, and what were the distinguishing characteristics of fashion in the 1970s displayed in major fashion shows? Fourth, what facts about the history of contemporary Korean fashion are revealed through this study, particularly by comparing different media sources? The research methods used in the study included a literature review and content analysis. As a result, the third-generation designers who dominated the Korean fashion industry in the latter half of the 20th century emerged during this period. This was when their earlier movements and the exchange between the first- and second-generation designers established the basis for the Korean fashion industry at the end of the 20th century.
박신미(Shinmi Park) 한국복식학회 2015 服飾 Vol.65 No.5
The aim of this paper is to analyze the relationship between the inspirations and designs of Dries Van Noten``s women``s collections from 1994 S/S to 2014 F/W. From the research purpose the following questions arise: how are the brands of Dries Van Noten developed and what are the important features? What are ‘the roots of inspiration’ for Dries Van Noten``s women``s collections from 1994 S/S to 2014 F/W, and what are the aesthetic criterions of Noten``s works? How are the roots of inspiration categorized, what are the features of each category, and how do these roots of inspiration influence the Noten``s designs? The paper is a practical reference of how ideas turn to practical works and what is the relationship between inspiration and design. Researchers utilized a qualitative research method to provide a systematic review of the previous studies. To sum it up, roots of inspiration of Dries Van Noten``s women``s collections can be classified into seven categories: ``ethnic``, ``trend & style``, ``flowers``, ``artists``, ``interpretation``, ``fabric & pattern`` and ``multiple contents``. Through the roots of inspiration, sensibility of Belgium, inquiry of ethnic & oriental, Artists, England, longing of street fashion, 1920``s & 1950``s trend & style of French high fashion, romanticism, atmosphere of medieval, gypsy, punk and hippie are extracted and applied to the designs through cross impact. The identities of Dries Van Noten``s women``s collections are fusion and harmony of cross culture and diversity.