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RISS 인기검색어
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- 저자 : 김석란 ( Sulk Lan Kim ) (검색결과 1 건)
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신혜숙 ( Hea Sook Sin ),김석란 ( Sulk Lan Kim ) 대한무용학회 2006 대한무용학회논문집 Vol.49 No.-
In order to analyze the relationship between stress and dancing performance according to dancers` injuries, this study has carried out a survey with university students majoring in traditional Korean dance (91), ballet (91), and modern dance (95) as its subjects. The results of this study are as follows. First, as for experience of injuries by major, the most frequent situation where an injury occurs is the private practice, and class and performance follow it. As for main factors of injuries, the personal factor is the most frequent in traditional Korean dance, the technical factor and the personal factor in ballet, and the technical factor in modern dance. Second, as for frequently injured body parts by major, traditional Korean dance has the neck, the coccyx, the patella, the nervous sense paralysis, cramps in muscles, and bruised muscles as the most frequent injuries. Blisters, ripped off toenails, and Achilles` tendon damages are the most frequent injuries in Ballet, and thighbone damages and abrasions in modern dance. Third, the more experience with injuries a dancer, the higher stress has. Fourth, due to stress by dance injuries, dancers feel weary most frequently, and weakened will and a sense of burdening next most frequently. Through this study, we can realize that stress most greatly builds up when a dancer is injured, which causes to feel weary in dance performance. Thus, a dancer should always limber up before practicing in order not to be injured, and it is important for dancer to try to put himself at ease in order not to be stressed. Much research should be done on obviation of dancers` injuries.
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