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유복모,김충평 한국정원학회 1987 한국전통조경학회지 Vol.2 No.6
The following conclusions have been observed after a close study of the Daewoong-Jeon, the Dabo-Tap and the Scoka-Tap by means of aerial and terrestrial photogrammetry. Relative positions and compositive ratio of pagoda were analysed with topographical and contour maps obtained by photogrammetry. 1. After aerial photogrammetric analysis of the relative position of Bulkuk Sa, it was found that the center of North Gate of Daewoong-Jeon, the front line of East-West corridor and the foundation stone of south corridor formed an equilateral triangle. The concept of 60° from this equilateral triangle became the standard for the compositive ratio of the Dabo-Tap and the Scoka-Tap. 2. The center of the Daewoong-Jeon, the Scoka-Tap and the Dabo-Tap were found to be at an equal distance from the garden lantern, which proves that this has been used as the control point in the positioning of the Daewoong-Jeon, the Scoka-Tap and the Dabo-Tap. 3. The compositive ratio of the Scoka-Tap was found to be such that the end points of Hadae-Jeoseak and the center of 1st storey Oksin-Sangdan formed an equilateral triangle and also that the end points of 1st storey Okgai-Scok and the center of Sangdae-Kapscok and the end points of 2nd storey Okgai-seok and the canter of Sangdae-Kapseok formed two wore equilateral triangles. Also the lengths of 1st, 2nd and 3rd Okgai-Seok were in the ratio of 8:7:6, the traditional pagoda ratio. 4. Dabo-Tap is unique in that the wooden pagoda form was applied to the stone pagoda. In case of the compositive ratio, 45° concept was added to the 60° concept of the equilateral triangle which is the basic concept of the total compositive ratio.