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廖瑩芝(Liao ying zhi) 한국외국어대학교 대만연구센터 2018 대만연구 Vol.- No.12
Thanatos, Drunk by the director Chang Tso Chi is one of the most awarded film in Taiwan of 2015. This film demonstrates the film auteur’s usual focus on the marginalized in Taiwanese contemporary society while applying his signature style of “imaginary ending” to transform the fact of death to a devise revealing the inner aspiration and complex of the protagonists. It is not simply the more defined techniques, nor the LGBT issues the current society eagers to deal with that makes this film stand out among others. Its implication of class issues through family tragedies deepens the characters’ struggles, and the innovative cinematic techniques of blurring the boundaries between realities and the memories visualize the protagonist’s visceral devastation. While death is still the most unbearable for the protagonist, this film further indicates the only path toward redemption is through confronting the cruelest past and the most desperate self. This essay scrutinizes how the family tragedies reflect class issues and the protagonist’s struggles, and further analyzes how the innovative cinematic language visualizes the protagonist’s deepest desperation and leads to his final redemption via the imagined memory of the death.
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