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Korean art song and cultural interactions-Sang-geun Lee and his generation
( Dorte Schmidt ) 이상근기념사업회 2016 이상근 연구 Vol.2 No.-
The aim of this paper as an opening for more specialized discussions on the songs of Sang-geun Lee is to differentiate, if not complicate the image and to propose the historical perspective as a possibility of dealing with songs like these in the context of a global historiography of music. I will try this in three courses: first I will follow the attribution "Korean" and look at nationalization of art in a global world, i.e. a world under the conditions of migration of people as well as concepts and the art works themselves, and consider the tension between universalisms and essentialisms in the genre within this framework. Then I want to look especially at the generation of Sang-geun Lee and their specific relationship to art song, and last but not least I will shortly try to discuss a musical example based on this findings.