麗末 鮮初 寫經書體에 대한 硏究 = A Research on the Late Goryeo and Early Joseon Calligraphy Style of Transcribed Sutra

다국어 초록 (Multilingual Abstract)

Transcribed Sutra-copying -- language it remains as it is. Which is a name for classifying with version printed in the Buddhist scripture in the meaning called Woodblock Print Sutra manufacture by the substantial necessity that calls it the Transcribed Sutra. When a printing way is discovered and extensive printing of the Buddhist scripture is attained came to have a meaning as an expedient, which it comes to disappear and Buddhist loads with a charitable deed. So Transcribed Sutra is which put all a person's corporal, mental, material ability and true hearts gradually. Which comes to develop by carrying out the charity of the sutra.
Although the record about Transcribed Sutra manufacture has appeared well in reference record of "Goryeosa","Goryeosa julyo" and etc., by which many sutra-copying was manufactured in the royal family and for which is carried out and we can fully understands sutra-copying manufacture of the source from after the king ChungRyul also by Goryeo history and how much with a national enterprise. Followed the Goryeo style also in Joseon when continue at the Goryeo time and Buddhism began to receive oppression, as it was and the Transcribed sutra were carried out to it in early stages. Which can find that the quantity becomes less gradually and the form also comes to collapse.
Folding Book, Hand scroll although of Goryeo could roughly divide the Buddhist scripture according to the form. But Transcribed Sutra is drew fundamentally the contents of the cover with which the beginning lotus flower and creep was drawn, Illustrated -Manuscript of Sutra, gold, silver, or ink on which it can divide in the portion of a sutra text. Although there is no place where a true heart and fall behind also in terms of the part, which is in these three portions inside of Transcribed Sutra, it is concluded that it is important Transcribed Sutra it is. And copy writing of the Buddhist scripture, which can be referred to as being the very thing. Those manufactures are since such the Buddhist scripture should render the true heart and must have used it with the highest style of handwriting Existing. So a sutra-copying style of handwriting is a number used as the portion, which leans many virtuous, deeds most in.
In this thesis, I looked at the beginning and development process of Square Handwriting which started in China in order that style-of-handwriting change of Transcribed Sutra realized in the paper of a book in the printed style may be known, and was often seen whether it was used for unification Silla and Goryeo by such style of handwriting, having flowed into them however. The style of handwriting manufactured by the Early Goryeo was also studied together.
The reason of we must be observed about Transcribed Sutra left behind on Goryeo time, they say that there is much staying ink on white paper although considerable quantity remains also in which the Transcribed Sutra were carried out to you by gold and silver on paper. Therefore, China and Japan have a high level but the grade level which they cant follow, and such Transcribed Sutra and others is telling worth of Goryeo transcribed sutra into the world. It seemed to have extended its the power of brush freely so glue that made from ox hide, which mixed silver powder with gold dust, might be attached to a brush so like writing ink on white paper completely. It means having had the capability, which can extend and go, a writer which debuts coverizing, compensation zing, and the highest style of handwriting near miraculous together passing through its Skill.
The Early Joseon case to which Buddhistic influence declined rapidly by the Buddhism controlled policy is which the subject of the founding of the country Buddhism as usual by the wandering people of Goryeo by the relation which is the aristocrat of Goryeo, and followed in the Transcribed sutra Buddhist service.
Which the subject of the founding of the country regard Buddhism as important. As usual by the wandering people of Goryeo by the relation it is the aristocrat of Goryeo to the Korean Buddhist service by. It is. It turns out to be that Buddhism was regarded as usual in Transcribed sutra that of the source of royal family is still transmitted although Buddhism was oppressed politically.
If the feature of Transcribed sutra is often seen, it will be the portion which must also mainly note the point that collective manufacture which the man of that Transcribed sutra of rain increased and many acts as the chief mourner of the bliss of the dead of canvas UNI at once, and a prayer can be performed.
This is although Buddhism control was politically carried out by paying Buddhism-atmosphere by proxy, of course, even for individuals, a royal family is the bliss of the dead that work was performed through Buddhism those days, and is as social as a Buddhist duty. Atmosphere is reflected.
Transcribed sutra of The Goryeo time is, whose Goryeo, which received continued interference, and oppression of the original country was the cultural product large No. 1 which endures China to only. Moreover, when seeing Transcribed Sutra of Early Joseon in the viewpoint of the product of the serious faith which royal families and people made in the situation of the Buddhism suppressed socially, Transcribed Sutra calls it the most splendid faith-inheritance of my race with a showy work of art on an originality target most. So research of such Transcribed sutra style-of-handwriting research is the important fine-arts historic-relics theme without never overlooking.
Therefore, research to Transcribed sutra style of handwriting If realized systematically, I will consider by the helpful large thing also in the history field of fine arts which should become a large key to joint presumption of Transcribed Sutra and others to whom solidarity is not revealed, and is different.

목차 (Table of Contents)

• 목차
• Abstract
• I. 머리말 = 1
• II. 中國 書體의 流入과 高麗寫經書體 = 5
• 1. 楷書의 定立科程
• 2. 唐代 楷書의 受容과 羅末麗初의 書體
• 3. 松雪體의 受容과 高麗末期 寫經書體
• III. 高麗時代 寫經書體의 變遷과 樣式分析 = 16
• 1. 高麗 初 寫經書體
• 2. 忠烈王·忠宣王代 寫經書體
• 3. 忠肅王代의 寫經書體
• 4. 恭愍王 以後 寫經書體
• IV. 朝鮮時代 初期 寫經과 書體 = 40
• 1. 朝鮮 初 佛敎的 雰圍氣와 寫經
• 2. 王室發願寫經書體
• 3. 個人發願寫經書體
• V. 맺음말 = 50
• 參考文獻
• 圖版目錄
• 表目次
• 圖版