妓房춤에서 舞臺舞踊으로의 轉移 過程 考察 = Influence on Korean dancing in the course of dancing development from room dancing to performance dancing

다국어 초록 (Multilingual Abstract)

Ⅳ. A conclusion and a suggestion
As you see the text, korean modernization had been in progress since Kanghwado treaty in 1876. After Kabo reformation, union between korea and japan in 1910 fell into the colony of japan.
We had political, social and cultural anomie and violence since korean war in 1950 facing a divided country so there was enough time to conserve traditional culture, to raise and systematize.
However we settled and fixed subjectivity and identification according to not only democracy in 1970ies but also rise of koreanology in 1960ies. We began to establish the traditional culture and art for the review and abject.
Government found and set the traditional folk dance, hold folk dance contest and founded mental center. These things made a developing
addition of koreanology.
The progress of transfer from kisaeng dance to stage dance made a growth.
Dance changed the performance of special class into the performance of everyone could share with.
Dance is larger any other art and is related with the life of people.
Particularly, Korean dance is based on the oriental philosophy which is made by harmony of nature and profound spiritual background.
Korean dance is consist of not only circle comprehending the universe and but also movement within stillness.
There's karma stop in movement an there's lively movement in stop.
This tells the life of people implicated.
Even though the transfer from kiseang dance to stage dance went into sudden change because of historical turbulence, as I mentioned it before, korean dance is always with mental mind because it is life itself.
Therefore it is necessary for everybody to develope the performance of stage dance.

목차 (Table of Contents)

• 목차
• ABSTRACT = ⅰ
• Ⅰ. 序論 = 1
• 1. 硏究 目的 = 1
• 2. 硏究 方法 = 2
• 3. 硏究의 制限點 = 2
• Ⅱ. 本論 = 3
• 1. 韓國舞踊의 起源과 發展 = 3
• 2. 妓房춤의 展開過程 = 4
• (1) 妓女의 始原 = 4
• (2) 妓女制度와 妓女의 生活相 = 5
• (3) 妓房춤의 展開 = 7
• 3. 妓房춤에서 舞臺舞踊으로의 轉移 = 9
• (1) 藝妓組合에서 券番으로 = 9
• (2) 西歐식 劇場舞臺의 登場 = 11
• (3) 藝妓組合의 舞臺 活動期 = 13
• (4) 妓房舞에서 오늘날의 韓國舞踊으로 = 24
• Ⅲ. 結論 및 提言 = 28
• 參考文獻 = 30