〈태백산맥〉과 반공이데올로기 연구 = Reseach on Taebak Sanmak and anti-communism ideology

다국어 초록 (Multilingual Abstract)

This paper analyzes the problem of ideology in movies through the relation between Taebak Sanmak(Mountain Range) and Anti-communism ideology. The reason Taebak Sanmak by Im, Kwon-Tak and Anti-communism ideology were selected to analyze the relation between movies and ideology is that Anti-communism and Im, Kwon-Tak, each represents a particular part of Korean society. Anti-communism has been, ever since the establishment of Korean government, the dominant ideology while Director Im, Kwon-Tak, with 94 movies to his credit since the his debut with 'Is Duman River flowing?' in 1962, is said to be one of the most prominent movie directors in Korea. His films reflect the compliance with and the process of friction in resisting the Anti-communism as a dominant ideology. On one hand, he complied with the establishment producing outstanding films containing anti-communism and security message. On the other hand, he produced films containing very Korean humanism as its theme while searching for the solution to the ideological confrontation. Im's themes appear to be ideology and humanism, and Taebak Sanmak is the crystallization of the themes.
The relation between Anti-communism ideology and Im, Kwon-Tak represents that between the most dominant ideology of a society and the most prominent director. As a social embodiment, Taebak Sanmak is said to be one of the most appropriate text for analyzing the relation between movies and ideology.
The purpose of this paper is not to discover the ultimate meaning contained in the movie and analyze the ideology, but describe the relation between the text and the ideology more dynamically and in detail.
Accordingly, in chapter 2, the composition of the dominant ideology will be investigated after the existing theoretical discussions on the relation between movies and ideology are examined. In chapter 3, Anti-communism ideology featured in Taebak Sanmak will be analyzed.
Chapter 4 will be a contextual approach on Taebak Sanmak. The conditions for producing the text, Anti-communism as a genre and Im, Kwon-Tak as a writer will be studied. In Chapter 5, the limits of objectivity and the humanism suggested in Taebak Sanmak will be examined.

목차 (Table of Contents)

• 目次 = ⅰ
• 제1장 서론 = 1
• 1. 연구목적 = 1
• 2. 논문구성 = 6
• 제2장 이론적 배경 = 11
• 1. 영화와 이데올로기 = 11
• 2. 한국영화와 반공이데올로기 = 16
• 제3장 〈태백산맥〉텍스트 분석 = 21
• 1. 내러티브의 반공이데올로기 분석 = 21
• 2. 원작 소설과 비교분석 = 49
• 3. 〈깃발없는 기수〉와 〈태백산맥〉비교분석 = 56
• 제4장 〈태백산맥〉컨텍스트 분석 = 60
• 1. 텍스트 생산조건 = 60
• 2. 반공이데올로기와 영화정책 = 63
• 3. 〈태백산맥〉과 반공장르 = 69
• 4. 임권택과 반공이데올로기 = 83
• 제5장 결론 : 〈태백산맥〉의 대항의 한계 = 92
• 1. 객관성의 함정 = 92
• 2. 인본주의의 한계 = 94
• 〈 참고문헌 〉 = 99
• Abstract = 102