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      海南 大興寺의 石造浮屠群 考察 = (A) study on the stone stupas of Tae Hung temple

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      https://www.riss.kr/link?id=T153950

      • 저자
      • 발행사항

        광주 : 全南大學校 敎育大學院, 1985

      • 학위논문사항
      • 발행연도

        1985

      • 작성언어

        한국어

      • 주제어
      • KDC

        624 판사항(3)

      • 발행국(도시)

        광주

      • 형태사항

        36 p. : 삽도 ; 26 cm.

      • 소장기관
        • 강남대학교 도서관 소장기관정보
        • 강원대학교 도서관 소장기관정보
        • 경상국립대학교 도서관 소장기관정보
        • 단국대학교 퇴계기념도서관(중앙도서관) 소장기관정보
        • 동국대학교 WISE캠퍼스 학술정보원 소장기관정보
        • 동국대학교 중앙도서관 소장기관정보
        • 동아대학교 도서관 소장기관정보
        • 이화여자대학교 도서관 소장기관정보
        • 전남대학교 중앙도서관 소장기관정보
        • 충남대학교 도서관 소장기관정보
        • 충북대학교 도서관 소장기관정보
        • 한국학중앙연구원 한국학도서관 소장기관정보
        • 홍익대학교 중앙도서관 소장기관정보
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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The appearance of stupas dates back to the Three- kingdoms period according to historical records, but the works to be were made from the middle 9th century, Yomˇgoˇ-Hwasang Tower dated in 844 is assumed to be the oldest stupa work in Korea. It is a round octahedron, whose style was followed in the works of the following periods. The Silla and Koryoˇ periods produced excellent works and styles of stupa art encouraged by the prosperity of Buddhism. But during the Chosoˇn dynasty, stupa art gradually declined owing to the suppression of Buddhism. The remaining stupa works of the Shilla period, clearly datable, are 8:Yoˇmgoˇ- Hwasang Tower, Choˇgin - Soˇnsa Tower, Choˇlgam - Soˇnsa Tower, Bojo-Soˇnsa Tower, Chijuˇng - Daesa Tower, Chuˇnggak - Daesa Tower, Suchoˇl - Hwasang Tower, and Ching-yoˇng - Daesa Tower.
      The method of expression reached its climax in the Koryoˇ period. Representative works include the Yidae stupa (collection of Ewha Women's Univ.), Kap Temple stupa, and Wonjong - Daesa -Hyejin Tower at Ko dal Temple. The works mentioned above belong to the initial stage of the Koryoˇ period. Politically, this period was a period of agitation in which Koryoˇ developed and the style of stupa work reached its climax. In the latter part of Koryoˇ, the stupa style seemed to favor length because of the long of towers. This style was succeeded by that of the Chosoˇn dynasty.
      Even though Buddhism was generally suppressed throughout the Chosoˇn dynasty, a few kings protected Buddhism. Therefore, Buddhist temples could be sustained through the hard times. Many stupa works by Buddhist priests exist in Buddhist temples at present. The turning point of the Imjinoaeran, marks a turning point in the Chosoˇn dynasty style. The works of the former period followed the style of Koryoˇ and yielded relatively excellent works. Furthermore it produced a new style, 'Oval tower'. This type of stupa includes Hakjojoˇnnggok-Hwasang Tower, and Hoiamsaji stupa.
      In the latter period, the style found in Shilla and Koryoˇ became decadent and childish, and examples of this decadent stupa work of the latter part of the Chasoˇn dynasty are placed in Taehuˇng Temple. Particularly, the stupa of Choˇnghoˇdang, Soˇsan-Daesa(the great priest), which contains such non-Buddhistic elements as a crab and a frog, explains quite well the latter Chosoˇn dynasty's settled stupa. Fifty five stupa works are placed at Taehuˇng Temple area.
      Finally, a scrutinizing study was made of the Choˇnghoˇdang, Soˇsan - Daesa stupas.
      번역하기

      The appearance of stupas dates back to the Three- kingdoms period according to historical records, but the works to be were made from the middle 9th century, Yomˇgoˇ-Hwasang Tower dated in 844 is assumed to be the oldest stupa work in Korea. It is a...

      The appearance of stupas dates back to the Three- kingdoms period according to historical records, but the works to be were made from the middle 9th century, Yomˇgoˇ-Hwasang Tower dated in 844 is assumed to be the oldest stupa work in Korea. It is a round octahedron, whose style was followed in the works of the following periods. The Silla and Koryoˇ periods produced excellent works and styles of stupa art encouraged by the prosperity of Buddhism. But during the Chosoˇn dynasty, stupa art gradually declined owing to the suppression of Buddhism. The remaining stupa works of the Shilla period, clearly datable, are 8:Yoˇmgoˇ- Hwasang Tower, Choˇgin - Soˇnsa Tower, Choˇlgam - Soˇnsa Tower, Bojo-Soˇnsa Tower, Chijuˇng - Daesa Tower, Chuˇnggak - Daesa Tower, Suchoˇl - Hwasang Tower, and Ching-yoˇng - Daesa Tower.
      The method of expression reached its climax in the Koryoˇ period. Representative works include the Yidae stupa (collection of Ewha Women's Univ.), Kap Temple stupa, and Wonjong - Daesa -Hyejin Tower at Ko dal Temple. The works mentioned above belong to the initial stage of the Koryoˇ period. Politically, this period was a period of agitation in which Koryoˇ developed and the style of stupa work reached its climax. In the latter part of Koryoˇ, the stupa style seemed to favor length because of the long of towers. This style was succeeded by that of the Chosoˇn dynasty.
      Even though Buddhism was generally suppressed throughout the Chosoˇn dynasty, a few kings protected Buddhism. Therefore, Buddhist temples could be sustained through the hard times. Many stupa works by Buddhist priests exist in Buddhist temples at present. The turning point of the Imjinoaeran, marks a turning point in the Chosoˇn dynasty style. The works of the former period followed the style of Koryoˇ and yielded relatively excellent works. Furthermore it produced a new style, 'Oval tower'. This type of stupa includes Hakjojoˇnnggok-Hwasang Tower, and Hoiamsaji stupa.
      In the latter period, the style found in Shilla and Koryoˇ became decadent and childish, and examples of this decadent stupa work of the latter part of the Chasoˇn dynasty are placed in Taehuˇng Temple. Particularly, the stupa of Choˇnghoˇdang, Soˇsan-Daesa(the great priest), which contains such non-Buddhistic elements as a crab and a frog, explains quite well the latter Chosoˇn dynasty's settled stupa. Fifty five stupa works are placed at Taehuˇng Temple area.
      Finally, a scrutinizing study was made of the Choˇnghoˇdang, Soˇsan - Daesa stupas.

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      목차 (Table of Contents)

      • 목차
      • I. 序論 = 2
      • II. 우리 나라 浮屠의 發生과 樣式變遷 = 4
      • 1. 統一新羅의 浮屠 = 4
      • 2. 高麗時代의 浮屠 = 6
      • 목차
      • I. 序論 = 2
      • II. 우리 나라 浮屠의 發生과 樣式變遷 = 4
      • 1. 統一新羅의 浮屠 = 4
      • 2. 高麗時代의 浮屠 = 6
      • 3. 朝鮮時代의 浮屠 = 8
      • III. 大興寺 浮屠群 = 12
      • 1. 八角圓堂式 = 13
      • 2. 石鐘形 浮屠 = 14
      • 3. 異形 浮屠 = 16
      • IV. 淸虛堂塔과 碑 = 19
      • 1. 淸虛堂과 大興寺의 關系 = 20
      • 2. 淸虛堂塔 = 22
      • 3. 淸虛堂碑 = 24
      • V. 結論 = 26
      • 圖版 = 28
      • 參考文獻 = 34
      • 英文抄錄 = 35
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