한국 전통가사의 기원과 특성에 관한 연구

다국어 초록 (Multilingual Abstract)

This study is intended to consider the origin and the characteristics of Korean traditional sacerdotal robe from the viewpoint of art history.
To that end, the origin and the components of the Indian sacerdotal robe was first reviewed and summarized. Sacerdotal robe was originated from the dressing for practicing asceticism in India which was then accommodated by Buddhism, and the preconditional understanding of such origin will help better understand the sacerdotal robe. The transition of Indian sacerdotal robe and the changes in China were also evaluated. Sacerdotal robe was used as ordinary dressing for practicing asceticism in India which was then changed to ceremonial dress which was limited in use after the Buddhism spread all over the Chinese culture. Sacerdotal robe is no longer a simple clothes but now serves the sacred religious dress symbolizing the Buddha.
Approaching to sacerdotal robe will play the bridge role in linking the Korean traditional sacerdotal robe to that of Indian Buddhism as well as will bring us the clear recognition of the original, changes and the implicit spirit and symbolism.
Based on above, review of sacerdotal robe represented in documents and paintings and the actual sacerdotal robe was summarized hereon. Because of lack or insufficient data on sacerdotal robe available to date, the study had to heavily rely on data contained in documents or painting. Then classification by time and individual analysis were followed before proceeding with the symbolism analysis of the such major characteristics as Cheon Wangmoon, Il Wol Gwangmoon, Beomjamoon, Sumisan
moon and Yeonhwamoon. The characteristics differentiated from Chinese sacerdotal robe are the factors representing the features and importance of Korean traditional sacerdotal robe, which was, in other word, further developed independently while accommodating the foreign elements, attempting to reestablish its own character. It also has more symbolism and own philosophy compared to sacerdotal robes in other countries.
Korean traditional sacerdotal robe is our own and unique cultural asset we are very proud of. The clothes tend to change continuously as time goes by and Korea’s Buddhist sacerdotal robe has still been in process now. The changes will have its appropriateness and validity when they are based on own tradition, Thus right understanding, succession and development for clarifying the value will have the historical meaning as well as is worth the value of the study beyond the viewpoint of the art history.

목차 (Table of Contents)

• Ⅰ. 머리말 = 1
• 1. 연구목적 = 1
• 2. 연구범위와 방법 = 6
• Ⅱ. 인도가사의 기원과 구성요소 = 13
• 1. 가사의 의미와 기원 = 13
• 1) 가사의 의미 = 13
• 2) 가사의 기원 = 16
• 2. 가사의 종류와 구성요소 = 22
• 1) 가사의 종류 = 22
• 2) 가사의 구성요소 = 29
• Ⅲ. 한국 전통가사에 대한 검토 = 33
• 1. 인도가사의 변천과 중국적 변화 = 33
• 1) 인도불교에서의 가사 변천 = 33
• 2) 중국의 가사 수용과 변화 = 37
• 2. 한국 전통가사의 시대적 특징 = 43
• 1) 문헌자료 = 43
• 2) 회화자료 = 54
• 3) 실물자료 = 66
• Ⅳ. 조선시대 전통가사의 상징적 특징 = 71
• 1. 실물가사의 분석 = 71
• 1) 16세기 말 ∼ 17세기 (4종) = 71
• 2) 18세기 ∼ 19세기 (7종) = 77
• 3) 19세기 말 ∼ 20세기 (9종) = 85
• 4) 전승에 의한 가사 (4종) = 94
• 2. 貼 문양의 상징적 특징 = 99
• 1) 天·王紋 = 99
• 2) 日·月紋과 梵字紋 = 106
• 3) 須彌山紋과 蓮花紋 = 120
• 3. 한국 전통가사의 중요성과 의의 = 124
• Ⅴ. 맺음말 = 127
• 【참고문헌】 = 130
• 【표 목록】 = 143
• 【도판목록】 = 143
• 【도 판】 = 149
• 【ABSTRACT】 = 161