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    1980년대 이후 패션에 나타난 초현실주의 표현에 관한 연구 = (A) Study of Surrealistic Expression Described in Contemporary Fashion Since 1980s

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    https://www.riss.kr/link?id=T11206128

    • 저자
    • 발행사항

      대구 : 경북대학교 대학원, 2008

    • 학위논문사항

      학위논문 (석사) -- 경북대학교 대학원 , 미술학과 , 2008. 2

    • 발행연도

      2008

    • 작성언어

      한국어

    • 주제어
    • DDC

      750 판사항(22)

    • 발행국(도시)

      대구

    • 형태사항

      61 p. : 삽도 ; 26 cm.

    • 일반주기명

      참고문헌: p. 58-59

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      • 경북대학교 중앙도서관 소장기관정보
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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Surrealism, not restricted from any rules and traditions but tried to produce a new appreciations in the world of dream and unconsciousness, also has affected fashion.
    In this study, as theoretical basis upon Surrealism, the aesthetics and expressive methods of Surrealism have examined, the characteristics and ideas of the style have investigated through the works of Surrealism fashion.
    the purpose of this study is to open new horizon in the plastic art, to examine the characteristics of Surrealism fashion closely which is being lighted up again newly in the recent culture that is in a state of flux, and further to contribute to the creation of future plastic art by analyzing Surrealism once again which is considered to have affected most in the aspects of aesthetics and expressive methods from the early of 1930s up to recently, to understand and develop the relation of modern art and fashion.
    Modern society is so diversified and relativized that no value can take up a predominant or superior position. This social characteristic affects fashion; as a result, fashion designers have tried to express cultural diversity and complexity in their fashion. This spreads more widely when personal aesthetic self-consciousness increases more and more. In this study, the characteristic elements of symbolic objects, double image, trompe-l'?il, d?paysement, in Surrealism are classified according to the application of contemporary fashion.
    By the result observed through this study, the symbolic objects, double image and trompe-l'?il technique of Surrealism fashion created by Elsa Schiaparelli who was strongly influenced by Surrealism in 1930s have been succeeded with its inspiration of Surrealism by the experimental and avant-garde fashion designers recently and we are able to know that it is being created again by new senses. Particularly, d?paysement has been designed in the Surrealism fashion and varied differently by fashion designers in accordance with their intentions.
    This study on the relation between Surrealism and fashion ultimately presents the trend of contemporary fashion and the direction of plastic art in the future.
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    Surrealism, not restricted from any rules and traditions but tried to produce a new appreciations in the world of dream and unconsciousness, also has affected fashion. In this study, as theoretical basis upon Surrealism, the aesthetics and express...

    Surrealism, not restricted from any rules and traditions but tried to produce a new appreciations in the world of dream and unconsciousness, also has affected fashion.
    In this study, as theoretical basis upon Surrealism, the aesthetics and expressive methods of Surrealism have examined, the characteristics and ideas of the style have investigated through the works of Surrealism fashion.
    the purpose of this study is to open new horizon in the plastic art, to examine the characteristics of Surrealism fashion closely which is being lighted up again newly in the recent culture that is in a state of flux, and further to contribute to the creation of future plastic art by analyzing Surrealism once again which is considered to have affected most in the aspects of aesthetics and expressive methods from the early of 1930s up to recently, to understand and develop the relation of modern art and fashion.
    Modern society is so diversified and relativized that no value can take up a predominant or superior position. This social characteristic affects fashion; as a result, fashion designers have tried to express cultural diversity and complexity in their fashion. This spreads more widely when personal aesthetic self-consciousness increases more and more. In this study, the characteristic elements of symbolic objects, double image, trompe-l'?il, d?paysement, in Surrealism are classified according to the application of contemporary fashion.
    By the result observed through this study, the symbolic objects, double image and trompe-l'?il technique of Surrealism fashion created by Elsa Schiaparelli who was strongly influenced by Surrealism in 1930s have been succeeded with its inspiration of Surrealism by the experimental and avant-garde fashion designers recently and we are able to know that it is being created again by new senses. Particularly, d?paysement has been designed in the Surrealism fashion and varied differently by fashion designers in accordance with their intentions.
    This study on the relation between Surrealism and fashion ultimately presents the trend of contemporary fashion and the direction of plastic art in the future.

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    목차 (Table of Contents)

    • I. 서론 1
    • II. 초현실주의와 복식미학 4
    • 1. 초현실주의 미학 4
    • 1) 검은 유머와 객관적 우연 10
    • 2) 페티시즘 12
    • I. 서론 1
    • II. 초현실주의와 복식미학 4
    • 1. 초현실주의 미학 4
    • 1) 검은 유머와 객관적 우연 10
    • 2) 페티시즘 12
    • 2. 초현실주의 예술사조와 복식의 전개 17
    • 1) 예술로서의 복식 17
    • 2) 복식미학 20
    • 3. 초현실주의 작가와 현대패션 23
    • III. 1980년대 이후 패션에 나타난 초현실주의 재해석 27
    • 1. 1980년대 이전의 초현실주의 패션 디자인 27
    • 2. 1980년대 이후의 초현실주의 패션 디자인 32
    • 1) 상징적 이미지의 오브제 34
    • 2) 이중 이미지와 트롱프뢰유(trompe-l'?il) 39
    • 3) 일상용품의 전위 43
    • 4) 복식의 전위 45
    • 5) 성의 양면성과 페티시즘 50
    • IV. 결론 55
    • 참고문헌 58
    • Abstract 60
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