The word “Damjang” is used same as “Wall” at dictionary definition, defined as “something enclose around house by piling up soil or stones”, and its Chinese character is “墻” meaning surrounding. It is particularly important at the ea...

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https://www.riss.kr/link?id=T10955208
청주 : 淸州大學校 大學院, 2007
2007
한국어
525.9 판사항(4)
충청북도
169p. : 삽도 ; 26cm
참고문헌: p. 151-155
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The word “Damjang” is used same as “Wall” at dictionary definition, defined as “something enclose around house by piling up soil or stones”, and its Chinese character is “墻” meaning surrounding. It is particularly important at the ea...
The word “Damjang” is used same as “Wall” at dictionary definition, defined as “something enclose around house by piling up soil or stones”, and its Chinese character is “墻” meaning surrounding. It is particularly important at the earth environment that distinct area, protects privacy, forms space, and expresses vertical texture in the aspect of functionality. The wall with these primary functions became has several different characteristics due to various effects including natural environment and civil environment, and its functions have been expressed in various ways as well.
Formative differences of bordering signs at traditional residence have been found as similar cultural zone upon expansion of human exchange between Korea and China due to changes of social environment around 1990s, and questions about this motivated us to carry out this study. Since the wall has been studied relatively a lot centering round palaces, temples, and high-class residences in Korea, its characteristics are known prominently. In contrast, pecific studies such as block piling techniques for the wall in China have been studied a lot, whereas its characteristics have not been studied so actively. Hence, this study aims to understand fundamental cultural difference between Korea and China and search for the applicability to the modern gardening system from resultant differences of the characteristics, by comparing and analyzing characteristics of the representative traditional garden of Jiangnan Region in China and those of wall at high-class residences in Honam Region in Korea those maintains original form well.
The study obtained following results from investigation/analysis through the references and site investigation intending to implement the purpose above.
First, mountains at Honam Area in Korea and plains at Jiangnan of China took important roles in determining arrangement, size, form, and space openness along with climate condition, and especially directly affected size and form of the wall.
Second, in Chosun Dinasty that was Yangban bureaucratic state keeping to agriculture-centric economic system, economic factor proportional to the social standing took important part in high-class residences and middle-class residences were differentiated in the formative aspect. In contrast, unique form and highly artistic level of the garden in Jiangnan reached to the highest level following concentration of the wealth by feudalist rulers, thereby directly affected to the decorative techniques regarding wall.
Third, unique naturalism and Confucian Idea in Korea decisively affected to the controlled form of wall decoration itself, whereas literati representing Confucianism and their poetic sentiment and meaning of the drawing decisively affected to the wall decorations of various techniques in China.
Fourth, legal regulations other than natural environment, civil environment, and cultural idea significantly affected as well, so it took decisive roles in both Korea and China, in which formal country, there was regulation in the decoration and height of the wall since United Shilla Era, and in which latter country, there was no regulation on the height of the wall other than building type and color by class.
The findings above are resulted from compounded working of natural/civil, and legal factors, and resultant differences of the wall design between Korea and China could be reflected on the modern gardening methodology and creative design, and their construction techniques and principles will be critical foundation of understanding background of traditional garden in both countries.
목차 (Table of Contents)