TV드라마의 형식미학 고찰 : <내 이름은 김삼순>을 중심으로 = Formaesthetics Review of TV Drama : Focusing on <My Lovely Sam soon>

다국어 초록 (Multilingual Abstract)

In this study, we tried to find out the Formasthetik that as a TV drama, < My lovely Sam soon>(hereafter"Kim Sam soon"), which has been broadcasted and the talk of the town, has. It is evaluated that the drama "Kim Sam soon" did get out of the existing story scenario, as she is loved by Hyun Jin hun who is representative of a shinning knight on a white horse. However, unlike the characters who were stereo-typed in the past, the "Kim Sam soon"character which bases on reality is the one that expresses very well the discrepancy between a reality and an ideal. The author secures not only the realty of character that "Kim Sam soon" represents but also the fantasy that most of people have through a drama. The author tried to make sure of the fantasy of the first love and 'a shinning knight on a white horse' through the character 'Jin hun,' and the fantasy of the frist love and women through 'Yoo Hee jin.' Especially, as "Kim Sam soon" and "Yoo Hee jin" use the same name "Hee jin" that drama director desires, it shows the invisible trouble and discrepancy between the ideal character and the 'I' in reality. In addition, the drama arrests the viewers' attentions into it with the routine and detailed set-ups and episodes that we may have experienced. The author and drama director express the ideal and imagination as a part of reality, composing the imaginations and dream scenes of "Kim Sam soon" with reality and the same method, and not classifying the margin of the reality and imagination. Through this directing method, the author eventually shows that the reality and illusion of "Kim Sam soon" are not different from our those ones in routine life, and it completes the formula: "Kim Sam soon" equal to routine people."
Moreover, using a diverse directing shot, the character 'Hee jin' cautiously provides that it may be another self existing in the interior of "Kim Sam soon."
After all, through this procedure, we can make a conclusion: 'Hee jin = Sam soon = routine people, and with this, we could realize that it makes the viewers watching the drama absorbed in it more and more.
Generally, the space of Tv drama is usually described as one taking responsibility of the public domain for a man and the other taking responsibility of the private one for a women. But, the drama "Kim Sam soon" describes the work, the restaurant for Sam soon and Jin hun, as the dual space which play a private and public area, and this leads to its high completeness. In addition, it takes its conclusion with open structure. The ending scene is directed connecting a hope or imagination scene to a reality one. The author, through Sam soon's dream, the view of reality, and her narration, winds up with the drama through the present progressive form, not keeping in the systematic frame, 'marriage.' Besides it, the author uses the novel and juncture which can be helpful to the daring sexual description and the prologue of the drama focusing on a 'reality,' as well as tries a spoof on the drama with the joyword or the dialogue in it and makes the disconnected and communicated structure with the reality.
The drama "Kim Sam soon" is the one properly showing the routine and desire of normal people who watch TV dramas, featuring its basis on fantasy. It allows the people watching the drama to peep at her routine life and fantasy, however, the reason why the prologs of Sam soon which has been composed of the reality and nowness attract viewers is that the fantasy and fantasy of Sam soon are not different from those of theirs. The drama "Kim Sam soon" is based on the grammar of the existing drama ,but it tries closer access to viewers through the detailed view grammar and the change in characters.

목차 (Table of Contents)

• Ⅰ. 서론 = 1
• 1. 문제제기 및 연구 목적 = 1
• 2. 연구사 검토 및 연구방법 = 4
• Ⅱ. 본론 = 10
• 1. 현실과 환상의 경계에 서있는 드라마 = 10
• 1-1. ‘김삼순’ 속에서 ‘희진’ 꿈꾸기 = 10
• 1-2. 영상에 감추어진 욕망 = 19
• 2. 모순(矛盾)된 인간의 전형 = 28
• 2-1. 착한 여자 콤플렉스 벗어나기 = 28
• 2-2. 모순된 감성의 시각화 = 31
• 3. 현재성(Nowness) 확보하기 = 39
• 3-1. 공간 문제와 열린 결말 = 39
• 3-2. 성담론과 패러디 = 44
• 3-3. 현재의 ‘나’ 발견하기 = 47
• Ⅲ. 결론 = 51
• 참고문헌 = 55
• ABSTRACT = 59