영화 〈설화〉의 비주얼 리터러시 (visual literacy)와 영화공간에 대한 고찰

다국어 초록 (Multilingual Abstract)

Through visual literacy, the analysis of prolog about film Seol Hwa can reach the conclusion that the value of inherent space is interpreted by symbolic expression connected with `self identity` or `subject of the film`.
By analysing detailed scenes, we found symbolic meanings being contained in places where the hero is abandoned and also the real space in which we live, which is, a `city` as a place that has lost the subjectivity of individuals under the control of the dominant ideology of the state, I found the symbolic meaning of the remaining `countryside` of the possibility of restoring the wound.
The color symbol about city is expressed as an expression of sadness, anxiety and mourning. `Rural` is expressed in white, which is reminiscent of innocence and divinity. According to the change of emotion of the main character, a mixture of dark blue, orange and yellow are used.
The ideological analysis is the symbolic space in which the dominant ideology and discourse dominate the `world` that Lacan suggested in the world of psychoanalysis, and the reality of the subconscious in the symbolic world is the `stairway of the underpass` I have presented an analysis of imaginary space free from the oppressive call of dominant ideology.

참고문헌 (Reference)

1 (사)한국독립영화협회, "제41회 독립영화제프로그램 북"

2 정향국, "자기실현 특성에 의한 영화공간 연구 : 분석심리학의 상징 중심으로" 국민대학교 디자인대학원 2012

3 더즐리 앤드루, "영화이론의 개념들" 시각과 언어 1988

4 문은배, "색채의 이해와 활용" 아그라픽스 214-, 2005

5 유하네스 이텐, "색채의 예술" 지구문화사 1997

6 윤여진, "부산국제단편영화제, 4733편 응모‘역대 최다 접수"

7 최병근, "미장센 요소들의 창의적 기능에 대한 연구" 한국영화학회 (29) : 347-374, 2006

8 성하운, "“지원하되 간섭 없던 15년” 비약적성장 일군 단편영화제"

9 mosscow international film festival, "mosscow international film festival official catalogue"

10 Sharon Swainson, "Writter of 2015 Arpa International Film Festival Communications &Content Development team"

11 Seung Hwan Lee, "The Ideological Meaning of City Space in 1990`s Korean Popular Films -Focusing on 〈Se Chingu〉and " 6 : 360-, 2004