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황애평 경남대학교 가라문화연구소 1994 加羅文化 Vol.11 No.-
《四庫全書》是中國歷史上最大的一部叢書。據《四庫全書總目》統計, 타著錄書籍三千四百六十一中,七萬九千三百零九卷;存目書籍六千七百九十三種,九萬三千五百五十一卷,總計一萬零二百五十四種,十七萬兩千八百六十卷,幾乎囊括了淸代乾隆以前的主要典籍。 他的編纂, 卽是十八世紀封建世的産物,也是中國文化史上的重大工程。 淸王朝自率兵入關,建立對全國的政權統治之後,經過順治·康熙·雍正三朝的苦心精英,逐漸走上了一條穩定發展的道路。 乾隆繼位,在進一步加强專制統治,積極經營邊疆,努力發展經濟的同時,把注意力更多的轉向了文化建設事業。他一方面順應當時學風的發展,倡導文治,編纂書籍,優容漢學,령一方面則極力加强思想控制,肆意禁毁書籍,濫與文字寃獄《四庫全書》的編纂,正式封建世時期統治者這一文化兩手政策的集中體現。
양진연 ( Yang Jin Youn ) 경남대학교 가라문화연구소 2022 加羅文化 Vol.31 No.-
he purpose of this survey is to confirm the level of awareness of use, motivation for participation, and attractiveness of tourism based on the actual use of cultural and artistic facilities by residents of Gyeongnam. Data were collected using questionnaires for the survey method, and the survey subjects were set as residents of Gyeongnam(including Changwon city). As for the sampling method, a convenient sampling method was used, and a self-reported questionnaire method was adopted. The survey took about one month from August 2022 to September 2022, and 150 copies of the questionnaire were distributed, refined, and finally 122 copies were used as analysis data. SPSS ver. 20.0 program analysis results First, as a result of the survey on the use of cultural and art facilities by residents in the Gyeongsangnam-do, the facilities mainly used except for the Arts Center (Seongsan Art Hall, 315 Art Center) showed an even distribution without any difference by category. However, the preferred culture and arts facilities were identified as performance halls, concert halls, and exhibition halls, and the types of facilities they would like to use in the future were identified as performance halls, concert halls, and art galleries. Accompanying type was confirmed to visit with friends and family(relatives), and the influence of acquaintances, the Internet and SNS was the greatest for information. It was confirmed that the use period was not related to the season, and the importance of accessibility was confirmed as it was confirmed that the travel distance was mainly used for cultural and artistic facilities within a distance of 2 hours. As for the means of transportation, private cars accounted for more than 50%, followed by regular buses. Second, in the difference verification through chi-test analysis, differences according to gender and age were confirmed in the use of cultural and artistic facilities in Gyeongsangnam-do. Third, as a result of comparing countries and regions (Gyeongnam), the recognition level of cultural and artistic facilities was similar, and the recognition level of the Arts Center (Seongsan Art Hall, 315 Art Center) was high, but the recognition level of the same type as the museum was found to be low. Confirmed. For reference, the Arts Center (Seongsan Art Hall, 315 Art Center) showed the lowest value among the most used cultural and art facilities. Fourth, the motivation for participating in cultural and artistic facilities in Gyeongsangnam-do was confirmed as fun and new experiences. Fifth, the tourism appeal of cultural and artistic facilities in Gyeongsangnam-do was confirmed by their artistry and sophistication. Through this survey, it is necessary to establish a strategy to raise the level of awareness for the types of cultural and artistic facilities with a low level of awareness. It is necessary to pay attention to fun-oriented programs that can satisfy the needs of the participants and to create an environment where they can feel novelty. In addition, efforts should be made to maximize the artistry of cultural and artistic facilities and to maintain the integrity of programs and environments. Lastly, cultural and arts facility officials and experts suggest that a scientific understanding is needed through continuous environmental analysis of the facility environment for the development of culture and arts in Gyeongsangnam-do.
김원규 ( Kim Won-gyu ) 경남대학교 가라문화연구소 2016 加羅文化 Vol.28 No.-
This year, 2016 is the 20th since Derauchi Collection which were owned in the library of Yamaguchi Prefectural University in Japan, returned to Kyungnam University Museum. For the last 20 years, our museum has activated them to make their value higher through various activities like exhibition, publishing and academic workshops. We`ve also helped Korean people enlighten the value of our cultural assets which were gone out overseas. This essay is aimed at how much we could use them more progressively and mae their value inspired together for the future looking back on the last 20 years since Derauchi Collection returend to Kyungnam University in Korea.