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RISS 인기검색어
- 검색키워드
- 저자 : Nathan, Marco J (검색결과 624 건)
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Creative control: Morton Feldman, Lars von Trier, and Frank Zappa
Michel, Nathan John Princeton University 2007 해외박사(DDOD)
소속기관이 구독 중이 아닌 경우 오후 4시부터 익일 오전 9시까지 원문보기가 가능합니다.
This dissertation explores the relationship between creativity and control. How can the creative process be controlled? When does too much control make the creative process confining and predictable? When does lack of control dissolve creative activity into meaningless noodling? We look at three artists---Morton Feldman, Lars von Trier, and Frank Zappa---who struggle with these questions in different ways. Their work reflects this struggle. Morton Feldman values intuition over calculation. In many of his compositions---as well as in essays, lectures, and interviews---he rejects music that follows any kind of pre-compositional design too closely. Yet his piece Why Patterns? is full of precisely such pre-compositional design: first, in the layout of the score itself; second, in structural parallels between Why Patterns? and the Jasper Johns painting Scent; and third, in stretches of systematic, interlocked patterning, which pervade the piece. Chapter 1 explores the contradiction between Feldman's rhetoric and the reality of Why Patterns?. Danish director Lars von Trier works within the confines of strict, self-imposed rules; but his films push these rules to the breaking point---testing, along the way, the limits of both his characters and his audience. In his film, The Five Obstructions, von Trier tries testing the limits of his mentor, Jorgen Leth. Von Trier asks Leth to remake five times Leth's short 1967 film, The Perfect Human, under increasingly restrictive rules, or "obstructions", which von Trier himself devises. Chapter 2 examines the conflict between these two directors---a conflict rooted in opposing views of art and control. Chapter 3 examines Frank Zappa's record Uncle Meat, which jumps at will between music that is highly controlled---through traditional notation and careful studio editing---and music more spontaneously created---through improvisation and live performance. We focus, in particular, on conflicting themes of the organic and mechanical, which, throughout Uncle Meat, serve as metaphors for Zappa's own creative struggle between control and spontaneity. A concluding chapter considers Feldman, von Trier, and Zappa side-by-side. Two compositions of my own are also included with this dissertation: The Beast1 and The Beast Transcriptions. 1 Nathan Michel, The Beast. Sonig Records, 2005.
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From absence to impossibility : meaning through memory in Slaughterhouse-Five
Nathan R. Meendering 서강대학교 대학원 2019 국내석사
In this thesis, I read and analyze Kurt Vonnegut’s Slaughterhouse-Five through a cognitive analytical framework. In order to do this, I rely on Endel Tulving’s concept of episodic memory as “information about temporally dated episodes or events, and temporal-spatial relations among these events” (Tulving, “Episodic” 385). Tulving defines this concept to require autonoetic consciousness, which is “the kind of consciousness that mediates an individual’s awareness of his or her existence and identity in subjective time extending from the personal past through the present to the personal future” (Tulving, “Memory” 2). Applying this concept to Slaughterhouse-Five allows multiple new avenues of analysis: first and foremost, it allows the assertion that Billy Pilgrim is not traveling through time, but instead through memory. Furthermore, I argue that there are two distinct spheres of memory within which Billy operates in the novel, war memory and non-war memory. These two spheres–in combination with the presence or absence of autonoetic consciousness within them–will be examined and used to produce a metaphor based on the impossibility of Billy to create meaning from his war experiences. After establishing memory as a metaphor in the novel, this thesis closely examines Billy’s lack of autonoetic consciousness in war memory and his gain of it in non-war memory. This both strengthens and suggests a previously-unexplored dichotomy operating in the background of the novel, which can be seen through memory as a metaphor. This metaphor represents either the impossibility or potential for meaning to be able to be created from the assorted war or non-war experiences of Billy, and possibly through this character, Kurt Vonnegut. After examining and establishing three periods of analytical scholarly work related to Slaughterhouse-Five, I leverage this metaphor to suggest a new scholarly shift in regards to the novel. The way that Kurt Vonnegut forces Billy to experience his memories, denying him autonoetic consciousness as a remembrant, makes Billy’s war memories meaningless for him. Billy cannot connect and draw cause-and-effect relationships from his war memories because of the way that he experiences them. The meaninglessness of Billy’s memories, therefore, metaphorically represents the senseless nature of war and violence outside of the novel, seen through the way Billy, as a remembrant, remembers.
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(THE) QUEST FOR A BETTER TRADE STRATEGY FOR THE PACIFIC ISLAND COUNTRIES
NAMALIU, NATHAN BOXING 아주대학교 Graduate School of International Studies Ajo 2017 국내석사
International trade is a major contributing factor to the economic success of every country in the world today. While most developing countries have capitalized on the expansion and changing patterns of international trade, Pacific Island countries are at the crossroads on whether to tap into the benefits and opportunities of international trade or being left behind. Small country size and isolation from global economic markets are the two major constraints that contribute to these moderately weak economic and development growths of most Pacific Island Countries. However, the changing patterns, expansion and interconnectedness of global trade present Pacific Island countries with a unique opportunity to engage meaningfully and capitalize on these opportunities with Asia and other regions. Therefore, the first section of this paper will present a brief overview of how international trade has evolved over the years and its benefits. But the main focus of this study is to analyze and discuss the economic performance of Pacific Island Countries (PICs) at the regional and International level. Further, it identifies and analyses PICs comparative advantages. Also, it identifies the major impediments that have hindered the economic growth of most PICs. The study concludes with recommendations and proposals on alternative trade strategies for policy makers to consider in order improving trade performance and economic growth not to mention, to promote the region and to engage meaningfully in international trade.
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