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Underbelly Inferno: Interfaces between Television and the Internet in Australian Dramatic Production
Ian Dixon 연세대학교 영어영문학과 BK21 Plus 사업단 2019 Situations: Cultural Studies in the Asian Context Vol.12 No.1
This paper investigates the persistence of television media in Australiain the wake of Web 2.0 through the two free-to-air television series,Guinevere Jones (2002) and Underbelly: Squizzy (2013), as both casestudies and textual analyses. The paper employs Margaret Wertheim’scomparison of Internet space to Dante Alighieri’s vision of the celestialrealm and Amedeo D’Adamo’s analysis of Dantean space in televisionas a uniquely active space that collapses past, present, and futureexperiences. Through Wertheim’s analysis of Dante’s first cantica—Inferno—I consider the fracturing of mainstream televisual culture. Bylooking at the changing fan-celebrity interactions bookending the middledecade of Internet distribution waves, I attempt to shed light on Internetculture through the depictions of otherworldliness in Guinevere andUnderbelly. Offering some concluding reflections on television’s Bazinian“window to the world,” the paper examines the transformations in onlinepractice and how this affected television production in the years between2002 and 2013.