Ezra Pound의 시어 이론

현영민 충남대학교 미국학연구소 1984 美國學論文集 Vol.5 No.-

20세기에 접어들어서는 Ezra Pound가 이 주장의 계열에 속하는 시인이자 비평가로서 Imagism의 시 이론을 내놓아 시어에 대해 일대 혁신을 꾀하였다. 이 Imagism 이론이 주창된 이래 이 이론에 대한 많은 논의는 있어왔으나, 이 이론이 일상 언어를 시어로 써야한다는 그의 주장과 어떤 상관관계가 있느냐에 대해서는 별로 주목하지 않았다. 따라서 이 글에서 필자는 Ezra Pound의 Imagism 이론을 중심으로 한 그의 시어 이론을 고찰함으로써 일상 언어를 시어로 사용해야 된다는 그의 이론의 근거를 해명코자 한다.

안면부에 발생한 비특이성 염증

현영민,박래정,정환석,최순철,박태원,유동수,Hyun Young-Min,Park Rae-Chung,Jung Hwan-Sug,Choi Soon-Chul,Park Tae-Won,You Dong-Soo 대한영상치의학회 1997 Imaging Science in Dentistry Vol.27 No.1

Patient with complaints of swelling, pain in the maxillaly region and discomfort visited Seoul National University Dental Hospital in August last year. Clinical examination and diagnostic imagings implied he was suffered from fungal hyphal infection but no causative fungus was found by the histopathologic and microbiologic investigation. Therefore he was diagnosed with nonspecific inflammation. But as yet, we do think this case is very similar to some kinds of mucormycosis. So we presented this case for more thorough discussion.Followings are founded in the examination. 1. Patient had suffered from Diabetes mellitus and complained of stuffness, headache, swelling in buccal cheeks and paresthesia And we found more maxillary bony destruction and ulcer with elevated margin in the palate by clinical examination. 2. In the first visit, Plain films revealed general bony destruction of the maxilla, radiopaqueness in the sinonasal cavities. or and MRI showed soft tissue mass filled in the paranasal sinus except frontal sinus and bony destruction in involved bones. 3. No causative bacteria and fungus was found in the biopsy and microbiologic cultures. 4. Caldwell-Luc operation and curettage were carried and antJbiotics were taken for 4 months. But now he was worse than in the past 5. In the second visit, involvement of orbit, parapharyngeal sinus, clivus, cavernous sinus and middle cranial fossa were seen clearly in the or and MRI.

바빌로니아와 이집트의 신화적 상상력과 영시

현영민 미래영어영문학회 2013 미래영어영문학회 학술대회 자료집 Vol.2013 No.06

Adam, Christ, and the Emersonian Poet

현영민 한국현대영어영문학회 2010 현대영어영문학 Vol.54 No.2

As a Transcendentalist, Ralph Waldo Emerson, secularizing Christ as a type of the poet, assimilated the Christian theology of the Incarnation of the Word into his aesthetics. Trained to become a Unitarian minister, Emerson abandoned his pulpit a few years after he was appointed a minister and turned to philosophy and literature. In so doing, he assimilates the Christian doctrine of the Incarnation, developing his trinitarian poetics, poetics of the identity of Nature (the Bible) as the text, Beauty (God) as the author, and the Poet (Christ) as the reader. This poetics of Emerson aims to defamiliarize the reader’s habitualized angle of vision and leads him into a new being who can see through the surface of things the divine glory of the ordinary and the common and to realize the identity of God as author, Nature as the text, and Man as the reader.

로벗 프로스트 시의 초월주의적 비전

현영민 한국영어영문학회 2002 영어 영문학 Vol.48 No.2

성경적,신화적 지팡이와 시인의 펜

현영민 한국현대영어영문학회 2013 현대영어영문학 Vol.57 No.1

Hyun, Young Min. “A Biblical and Mythical Staff and the Poet`s Pen”. Modern Studies in English Language & Literature 57.1 (2013): 261-80. In the Bible and Greek myths, Gods are represented as holding staffs in their hands. Like them, their messengers, such as Moses in the Bible and Hermes in Greek myths, are also described as holding staffs in their hands. God`s holding of the staff is associated with his representation as a shepherd, for he is the ruler of all peoples in the world. Likewise the kings in the Bible and Greek myths are described as shepherds, for they are chosen by God as rulers/shepherds of his peoples/sheep. Such staffs in the hands of Moses and Hermes are related with their lives as shepherds, for they are used in shepherding cattle or sheep in the pasture, or carrying out their duties as messengers of God. Thus the shepherd`s staff in the Bible and Greek myths are symbolic of the poet`s pen, and ultimately the divine inspiration. Psalm 23 of the Bible and “The Pasture” of Robert Frost in modern poetry are discussed in terms of their identification of the shepherd`s staff with the poet`s pen. (Chungnam National University)

Effects of Chloride and Crevice on Corrosion Resistance of Stainless Steels Buried in Soil within Seoul Metropolitan

현영민,Heesan Kim,김영호 대한금속·재료학회 2014 METALS AND MATERIALS International Vol.20 No.2

Field and laboratory tests were conducted to find the factors affecting corrosion of stainless steels in soil. During one-year exposure, corrosion occurred within a joint and on the surface of type 304 pipe with thejoint, which was buried at the site with a high chloride concentration of about 3680 ppm; however, corrosionwas not observed at any of the other sites independent of the stainless steel grade and the presence of joints. At some sites, a seasonal fluctuation of corrosion potential was observed in the soil though corrosion didnot occur. This observation may be due to the activity of sulfate reducing bacteria because a decrease ofcorrosion potential with the inoculated bacteria did not cause corrosion of stainless steels. These resultsindicate that both the level of chloride and the presence of crevices are the main factors affecting corrosionof stainless steels in soil but that the activity of bacteria is not. From measurements of pitting potential, aguideline for stainless steel use in soil is drawn as follows: Corrosion of stainless steels in soil occurs when thepitting potential of stainless steel under crevices in synthetic ground water that contains the same chlorideconcentration as the soil is less than the saddle potential. Finally, the guideline for stainless steels applicationswas provided in this paper according to this criterion.

T. S. 엘리엇은 왜 인도의 종교와 철학을 수용할 수 없었는가?

현영민 한국T.S.엘리엇학회 2003 T.S. 엘리엇 연구 Vol.13 No.1

T. S. 엘리엇의 시: "감히 복숭아를 따 먹어볼까?"

현영민 한국T.S.엘리엇학회 2002 T.S. 엘리엇 연구 Vol.12 No.1

T. S. Eliot's impersonal theory of poetry is closely related with his nature of a Catholic, Calvinistic, or Puritanical temperament, which became the basis of his religious and sexual imagination in his poetry. We should bear in mind that his concept of tradition expounded in his essay "Tradition and the Individual Talent" is inseparable from his belief in the Christian dogmatic belief in Original Sin, as he explained in After Strange Gods, a lecture delivered at the University of Virginia in 1933. Eliot interprets the Fall of man as originated in man's sexual passion which is symbolized in the act of eating the forbidden fruit in Genesis. This forbidden fruit is variously featured in Eliot's poetry as a peach in "The Love Song of J. Alfred Prufrock," or a fig in Ash-Wednesday, or an apple in Four Quartets. Man should continually avoid the bodily desires not to eat the forbidden fruit. To relieve himself from the fear of His punishment, he should continually humiliate himself before God. This religious myth is accommodated to Eliot's impersonal theory of poetry which asks of the artist a continual surrender or self-sacrifice. In Eliot's poetry, women are dismissed as a temptress to be avoided. By cleansing his desires by the burning spiritual fire, man is recreated. Therefore, Eliot's ideal woman is a lady of silences in white and blue dress like Virgin Mary, a lady like Dante's Beatrice, a lady like Poe's Helen or Annabel Lee, whose beauty cannot be defiled by man's animal desires. His poetic assimilation of his religious belief in terms of sexuality is inherited from the Puritan poetic representation of the abstract and spiritual value in terms of the concrete and sensual image, as seen in Jonathan Edwards, a last Puritan.

T. S. Eliot’s Impersonal Theory of Poetry and Original Sin

현영민 한국현대영어영문학회 2012 현대영어영문학 Vol.56 No.2

T. S. Eliot interpreted religion in terms of sex and sex in terms of religion. But so far no critic has seen his Impersonal theory of poetry as rooted in his religious sensibility nurtured by Christian doctrine of Original Sin. Therefore, this paper aims to examine the relationship between his poetic art of self-negation and the Christian doctrine of Original Sin, showing a new way of interpreting his poetry as a whole. The central doctrine of Christianity is associated with the concept of the Fall of man, resulting in the doctrine of Original Sin which argues the need of grace for his salvation. Original Sin signifies man’s sexual corruption, whose idea led to Eliot’s poetic theory of self-denial, which is interested primarily in how the poet’s feelings and emotions are expressed in a poem, that is, in the way they are transformed into an art object of not the personality, but the impersonality of the poet. That the characters in Eliot’s poetic works appear with the mask is a way of hiding or humiliating themselves. In this respect, Eliot’s Impersonal theory of poetry can be read as based on the concept of Original Sin closely related with man’s corrupted sexuality.