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패션 필름의 커뮤니케이션 특성에 관한 연구 -Chanel, Prada, Kenzo, Alexander Wang을 중심으로-
허예은 ( Ye Eun Huh ),전재훈 ( Jae Hoon Chun ),하지수 ( Ji Soo Ha ) 한국의류학회 2016 한국의류학회지 Vol.40 No.2
The 21st century is the age when the revolution of digital technology enables two-way communication and when emotional values are emphasized. Thus, it exerts influence on the fashion industry and fashion communication. Along with fashion shows, advertising and displays, many fashion brands have increased the use of fashion films. For that reason, this study examines the characteristics of fashion films made by fashion brands, based on the frame work of persuasion communication. For the research, literature reviews and internet website research were done and films of Chanel, Prada, Kenzo and Alexander Wang were analyzed. The definition and types of fashion films were redefined as terminology varied throughout previous studies prior to analyzing each case. As a result, a fashion film would be redefined as ‘a digital image which a fashion brand publishes to consumers for the promotion of brand comprehension’. Also, five fashion film types, ‘short film’, ‘campaign film’, ‘animation film’, ‘brand film’ and ‘show film’ were redefined. The analysis provided three communication characteristics: reliability, engagement and intuition. First, reliability is attained when a fashion brand (sender) delivers brand message to consumers (receiver) consistently and unitedly. Second, engagement is attained when the type of fashion film (channel) delivers creative image features such as format, music, video technique to attract consumers`` interest. Lastly, intuition is attained when a fashion brand (sender) delivers a message akin to brand identity and deepens consumers`` understanding. In addition, this study tried to identify the unique usage tendency of brands that could serve as practice gui-delines for other fashion brands.
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