제인 오스틴과 페미니즘: 『맨스필드 파크』

한애경 ( Ae Kyung Han ) 근대영미소설학회 2000 근대 영미소설 Vol.7 No.2

In this article, I try a feminist reading of Fanny Price in relation to a proper lady in the contemporary women`s conduct-book and theories of the female body. Fanny wants to listen without acting and speaking. Such an attitude is both what she wants and what is asked of her. Fanny has both a fragile body and a weak mind. She reveals her mind which she cannot express directly through the somatic symptoms of her body, such as headache and exhaustion These symptoms show the close relation between her body and mind. As she expresses herself more through her body rather than words, she seems to be a proper lady because of her silence and inaction. But there are two important episodes to prove that she is not always a passive heroine: 1) her objection to a play by the Bertram brothers and sisters and 2) her denial of Henry`s proposal. I think what this abrupt and incestuous marriage between cousins represents in spite of many controversies: 1) Austen`s concern is whether the traditional conservative order can be protected from the powers of the Crawfords such as Mary and Henry, 2) their marriage suggests an equal relation or a companionate marriage. Thus she becomes different from a proper lady in that she acts by her own will despite all dangers and criticisms.

MBTI를 활용한 일 병원 간호사의 성격특성과 직무만족도와의 관계연구

한애경(Han Ae Kyung),원종순(Won Jong Soon),김옥수(Kim Ok Soo),박미경(Park Mi Kyung),장정미(Chang Jung Mi) 기본간호학회 2005 기본간호학회지 Vol.12 No.3

죽음과 성장: 『미들마치』와 『미 비포 유』

한애경(Han, Aekyung) 신영어영문학회 2018 신영어영문학 Vol.71 No.-

This article adopts the perspective of Elizabeth Kubler-Ross, who proclaimed that the only purpose of life is growth, in analyzing the deaths and legacies of Edward Casaubon and Peter Featherstone in George Eliot’s Middlemarch (1871-72) and Will Traynor in Jojo Moyes’s Me Before You (2012). There are two deaths and subsequent legacies at the center of Middlemarch. The patriarchal Casaubon belittles his wife as an excuse for his egoism and incompetent scholarship during his life, and endeavors to control her freedom after his death through his conditions of inheritance. meanwhile, Featherstone directs most of his estate to his illegitimate child, Joshua Rigg, though he was expected to leave his relatives a considerable legacy. Thus the deaths in both cases frustrate the growth of their survivors. An imminent death is also at the center of Me Before You, in which Will, a wealthy general paralysis patient, falls in love with his poor care-giver, Louisa. While she tries to reverse his decision to be euthanized, he encourages Louisa to widen her horizons. After being euthanized in Switzerland, Will continues to support Louisa through his legacy, which covers college tuition and living expenses. In conclusion, these deaths and their consequences lead us to ask Kubler-Ross’ question: “How much do you love and serve others?”.

기동장애 노인의 신체 부위별 피부수분 상태와 피부표면 산성도

한애경(Han Ae Kyung),원종순(Won Jong Soon),김옥수(Kim Ok Soo) 기본간호학회 2010 기본간호학회지 Vol.17 No.3

Purpose: This study was performed to identify skin hydration status and skin surface pH according to the body parts of the aged with immobilization. Methods: The subjects were 101 aged patients in a hospital and a institution for the elderly in Seoul. Data for skin hydration and skin surface pH were collected using corneo-meter and skin pH-meter. The body parts of measurement were 10 parts; face, forearm, back of the hand, flank, upper abdomen, leg, back of the foot, heel, scapular, and sacrum. The data were analyzed by SPSS/WIN 12.0 program. Results: Skin hydration status were relatively low especially on lower extremity and back of body, and skin surface pH of scapular and sacrum were high. There was significant negative correlation between skin hydration status and skin surface pH on the 6 body parts. Conclusion: Skin hydration status and skin surface pH, especially on scapular, sacrum, and lower extremity need to be considered as important control factors for increasing skin health status of the aged with immobilization.

중학교 여학생의 비만도에 따른 식습관 및 신체활동

한애경 ( Ae Kyung Han ),윤현경 ( Heun Keung Yoon ),조윤희 ( Yoon Hee Cho ),박정모 ( Jeong Mo Park ),김미원 ( Mi Won Kim ) 경희대학교 동서간호학연구소 2012 동서간호학연구지 Vol.18 No.2

< 미들마취 > : 환상 / 현실 , 꿈 / 좌절

한애경(Ae Kyung Han) 문학과영상학회 2001 문학과영상 Vol.2 No.1

In this article, I will analyze how the two main characters, Dorothea and Lydgate, become frustrated within their societies, despite the high ideals for achievement. Their ideals and frustration are clearly the primary thematic elements in both this work and the motion picture. At first, Dorothea seeks a worthy life. She, a modern Theresa, tries to serve her society by marrying the ideal husband. She ultimately marries Casaubon, a pastor of Lowick, and 27 years her senior. Unfortunately, she is frustrated with her so-called happily married life and with the academic work of her husband. Her marriage with Casaubon, a modern-day Milton, becomes a major disillusion. Also, his academic project The Key to All Mythologies is a fruitless and vain failure. When she is finally freed from her unhappily married life by Casaubon`s death, she marries Will again. Secondly, Lydgate, who is an ambitious doctor with a desire for medical development, has a dream to practice his revolutionary medical techniques. Furthermore, he actually seems to have such abilities. Like Dorothea, however, Lydgate`s dream also fails through both his marriage and his work. His wedded life with Rosamond is regarded as a perfect union, but it becomes a disaster, and his medical ambitions become degenerated. So, Lydgate too regards his life as a failure, although he makes a living as a doctor and is able to provide well for his family. This film is worthy enough to invest the six and half-hours necessary for a complete viewing. Because the primary themes, the ideals and frustrations of Dorothea and Lydgate within their society, is extremely moving and impressive in the motion picture as well as in this work.

상징폭력을 넘어선 새로운 대안적 공동체의 모색: 『로몰라』와 『데니엘 데론다』

한애경 ( Ae Kyung Han ) 한국현대영어영문학회 2015 현대영어영문학 Vol.59 No.4

In this article, I analyse George Eliot`s Romola (1863) and Daniel Deronda (1876) on the ground of French sociologist Pierre Bourdieu`s concept of “Symbolic Violence.” I focus on three points: 1) the two heroines, Romola and Gwendolen reveal voluntary conspiracy to symbolic violence in their respective marriages; 2) both of them each deny their voluntary conspiracy in these relationships; and 3) they each search for a new community as an alternative to their unhappy married lives. Romola marries Tito, and Gwendolen bends to family pressure and marries Grandcour, which suggest their voluntary conspiracy to the invisible symbolic violence. However, they realize that their married lives are the beginning of conflict. Tito not only is an immoral coward who betrays some people, but also a patriarchal husband, and Grandcourt is a man of supreme will of dominance. So Romola pose questions the institution of marriage through her escape from her husband twice, and Gwendolen asks Deronda the way to overcome her will to kill the dominating Grandcourt. After the sudden death of their husbands, Romola and Gwendolen form a new matriarchal community. Romola enjoys her free life, though her new community without men is unrealistic and isolated from the world. Although Gwendolen`s society is also isolated from society, it seems to be more realistic than Romola`s. (Koreatech)

여성의 몸과 히스테리: 『대니엘 데론다』

한애경 ( Ae Kyung Han ) 근대영미소설학회 2001 근대 영미소설 Vol.8 No.1

In this article, I will analyze the psychological conflict inscribed in the body of Gwendolen through her hysteria In that the female body has meaning as a place where psychological conflict is inscribed in recent discourses of the female body. Besides the three episodes in Gwendolen`s childhood that suggest her hysteria in the first stage, there are three episodes wherein she can be insisted as a hysteric: her hysterical fit and paralysis before her marriage, the first night of her marriage, and the drowning of Grandcourt after her marriage I find the cause and symptoms of hysteria, the response of criticism and tolerance to hysterical patients, a return to a family recommended as a cure of hysteria, and the relation between hysteria and feminism in these episodes. Her hysteria in these three episodes, reflects the conflict between her desire of great achievement and reality (in the first episode), her fear of a destiny of women after her marriage and her conflict between her curiosity and her fear about sex (in the second episode), the conflict between her will to power and her frustration of this will, and one between her many guilty feelings resulting from her immoral marriage and her justification of this marriage as a right one (in the third episode). In this context, the female body is a place of symbolization in that the mind is inscribed and her hysteria shows the female body "verbalized". The ending in this work seems to suggest a successful return to her society as an "angel in the house" by Deronda She seems to almost recover hysteria by her will to live and to be "one of the best of women" - and by her warmer attitude to her family. However, her hysterical response in this ending, is different from a successful return to "angel in the house" It suggests that the return of a female hysterical patient of excessive energy and intellectual desire to her family without financial and social alternative such as fortune and job, may not be a complete solution. Eliot draws the psychological conflict of Gwendolen through her psychological disease penetratingly, and then suggests that this return to her family is not always a complete solution through her hysterical fit in the ending This is the most important achievement that this work has in relation to the recent discourses of the female body and hysteria.

영국 제국주의와 영국소설: 『맨스필드 파크』, 『제인 에어』, 『대니얼 데론다』

한애경 ( Ae Kyung Han ) 근대 영미소설 학회 2005 근대 영미소설 Vol.12 No.1

This article examines how the Britain`s imperial century (1815-1902) rises, prospers, and falls as a "metaphor" in the three literary texts of Victorian England. I survey not only the responses of the gentry of the British colony, but also the influence of the British imperialism on colonies such as the Antigua sugar plantation, the West Indies, and Jamaica. In the beginning of Britain`s imperial century, England tries to hide her colonies, even though the financial and social wealth of England comes from them. Jane Austen suggests the anxiety of colonizer through the confusion caused by the absence of Sir Bertram from England in Mansfield Park. In its middle period, the imperialism is transformed from the "dominant" stage of imperialism into a "hegemonic" stage. Charlotte Bronte presents Jane as an ideal woman against the anxiety of the counter invasion of the other by tracing the close relation between the British empire and her major characters in Jane Eyre. In its end, George Eliot describes the total corruption of English high society and of the British imperialism as a `metaphor` in Daniel Deronda. This study presents us a brief mapping of the British imperialism.

잭 클레이톤 감독의 <위대한 개츠비>와 "미국의 꿈"

한애경 ( Ae Kyung Han ) 근대 영미소설 학회 2010 근대 영미소설 Vol.17 No.3

In this article, I try to analyze why The Great Gatsby, the film (1974), is estimated as a failure compared with The Great Gatsby, the book. I analyze the main reason for its failure as the following: 1) the disappearance of deep contemplation and meditati