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하정의 ( Jeong Eui Ha ) 문창어문학회 2010 문창어문논집 Vol.47 No.-
This study has the purpose of looking into the aspects of modernity shown in the sijo 『Namhwoon teapyeong songs』, which was compiled aiming at commercial potential and popularity in the 19th-century social change imminent to the modern age. The 19th century was the period for wrapping up the middle age and setting the scene for the modern period with too complex aspects to illuminate socially and culturally from a single angle of view. That is, it was the period of going through epochal changes from middle into modern times, such as developing commerce and industry, forming classes of new merchants and rich farmers, shaking status system, etc. 『Namhwoon teapyeong songs』is a commercial block book compiled in such socio-cultural environment. Investigating the modern nature of this collection of songs will be significant in approaching complicated and multifacetedhistory of sijo literature in the 19th century, together with the future course of sijo chang (traditional narrative songs) contrasted with melody chang, exclusive belongings to upper-class culture. The result of this study can be summarized as the following: First, Chapter II dealt with the social and cultural backgrounds that brought the 『Namhwoon teapyeong songs』into being. First, through socio-cultural changes in the latter 19th century, the motive to form the 『Namhwoon teapyeong songs』was diagnosed in detail. Then, culture of publishing commercial block book was discussed in the historical context of literature, illuminating the modern meaning of literary commercialization. Second, in Chapter III, as a prerequisite for grasping the modern aspects shown in the sijo 『Namhwoon teapyeong songs』, the term of``modern age/modernity``was defined, establishing the preconditions for detailed analysis of the work (subjectivity, actuality, rationality, popularity and traits of prose). In full-dress discussion, based on the preconditions presented earlier, composition of 『Namhwoon teapyeong songs』was divided into works of accommodation, modification and first productto consider the modern aspects. Unlike other collections of songs, 『Namhwoon teapyeong songs』was the one reflecting the active attitude of stressing the populace`s autonomous will of practice and individual awareness in adaptation and creation. It was also seeking for freedom in expressing personal emotions and desires with concrete perception of reality. Besides, publishing a block book based on commercial potential and popularity, use of conversational style exposing the atmosphere of the scene as it was, and open attitude of acceptance oriented toward traits of prose are interpreted as a head start for aiming at modern times shedding the middle age. Seen from above, 『Namhwoon teapyeong songs』is considered in an important position to reveal the modern meaning of 19-century sijo literature in the sense that it aims at the new, generally taking off the earlier formality of sijo literature and reflecting open thinking.
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