건축 가설공사의 COST DOWN 기법 연구

최장순,김삼능,장화정,이재영,Choi, Jang-Soon,Kim, Sam-Neung,Jang, Hwa-Jung,Lee, Jae-Young 한국농촌건축학회 2003 농촌건축 : 한국농촌건축학회논문집 Vol.5 No.3

This study is to find out the betterment way of cost down in the architectural temporary work. To do so, it is more important to check every case above all and find and choice optimum way fitting a scene of a construction field. In addition, in case that the way to apply in proportion to a given condition is complicated, the way to find out cost down way is to adopt the individual peculiarity instead of the generality. Hereupon this study is rather to find out the better way to reduce such as material and manpower cost than to leave matters not to be settled to get the best way in the existing temporary work. So this study is composed with finding the existing problems, fixing the focus about the developmental way to reduce cost in the exterior and interior temporary work, presenting the new construction way and describing the merits and attentions of an improved exterior and interior temporary work.

구릉지형 목조주택의 시공기법 개발

최장순,Choi, Jang-Soon 한국농촌건축학회 2002 농촌건축 : 한국농촌건축학회논문집 Vol.4 No.3

This study aims at the development on the wood-frame house construction method in hilly areas. To obey the trend of public opinion to prohibit the troublesome development on a large scale in preparing housing sites, the small housing site development in hilly areas is on the rise and consequently wood-frame house which harmonized natural topography, geographical feature and environment in hilly areas is needed. The main contents are how to make housing sites, how to make roads, how to make pedestrian ways and surroundings of water to run downhill, how to locate house, how to make between road and house, how to view inner and outer and how to make retaining wall on the wood-frame house construction method in hilly areas.

강릉지역 전(田)자형 민가의 주생활 변화에 따른 주거공간의 변형

최장순,Choi, Jang-Soon 한국농촌건축학회 2018 농촌건축 : 한국농촌건축학회논문집 Vol.20 No.2

The vernacular houses with 田-shaped floor plan at Gangreung have been played important roles in tracing the vernacular living cultures including housing life. But due to the adoption of convenient facilities in vernacular housing lives caused by modernization and urbanization, many changes and transformations have happened at residential space of vernacular houses. This thesis targets to extract basic data to prepare and prevent various problems in process of renovation, extension and function change as installing housing life facilities, and to identify the changes and transformations of them to prepare the proper balances between their original form preservation and residents' convenience living. The results are as follows. The inner wall removal of rooms, the fuel change of cooking and heating, the leveling change of kitchen floor made possible the sedentary lifestyles. And its residential rooms were transformed from two row to one row by inner wall removal, the fuel heating change, the heating method change and the heat insulating materials. The residential extension materials were changed from the traditional materials such as soil, wood, etc to the modern materials such as cement block or brick, sandwich panel, etc. And the modern materials were used and attached to widen residential spaces to the vernacular house because of the easiness of execution. So, it is necessary for 田-shaped floor plan vernacular house owners to distribute printed execution guide book to prevent and minimize the various problems to be shown by extension, renovation and function change.

강원도 정려의 건축적 특징

최장순(Choi Jang-Soon) 대한건축학회 2009 대한건축학회논문집 Vol.25 No.5

The purpose of this study is to analysis the architectural features of Jeongryeo(a symbolic house which was erected to honor good deeds of loyal retainers, filial sons, obedient grandsons, righteous men, virtuous women and so on) at Donghae and Samcheok in Gangwondo. The results of this study are as follows. ㆍThe Jeongryeos of upper area were becoming to appear at king of Sunjo, were built more 40% of all at king of Gojong, and were built many of them under the rule of Japanese imperialism. ㆍThe kind of Jeongryeos of upper area are in the order of Hyojagak, Yeolneogak, Hyoyeolgak, and etc. ㆍThe location of Jeongryeo in the relation of village is mainly located at village outskirts, and the lacation of it in the relation of road is mainly looking up to it. ㆍLayout of Jeongryeo is to surround it of basic plan type with three side stone wall or two side stone wall and one back side stone retaining wall. But there are special plan type with Hongsal gate or a two-pillar gate in front of a basic plan type. ㆍThe type of ground platform is a single one. Its material is a natural stone, but lately changes with a concrete. The foundation stones are used with natural stones, but are changing with the round well-cutting stone through rebuilding or repairing of Jeongryeo. ㆍIn the composition of wall, Hongsals at the front of a Jeongryeo to see well and to sanctify is used, and wood plates at the two sides and rear side of it to obtain easily in the surrounds are used. ㆍGongpo is used in the order of Choikgong, Eeikgong and Mindori type. ㆍDancheong is used in order of Morodancheong, Gachildancheong and Geukgidancheong.

신도비와 신도비각의 건축적 특징

최장순(Choi Jang-Soon) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.3

The purpose of this study is to analysis the architectural features of Shindobi and Shindobigak which was erected to mourn for the achievements and the virtue of the deceased, to convey the deed's record of performances to the descendants, and to have considered to be the filial piety in Gangwondo. The results of this study are as follows. · The Shindobies of upper area were becoming to appear at king of Injo, were built an invariable ratio in period of successive kings, but many Shindobi and Shindobigak were built under the rule of Japanese imperialism and after 1945 liberation. · The location of Shindobi is mainly located in the order of the surroundings of a tomb, the entrance of a tomb, the surroundings of a Jesil and the entrance of a Jesil. · The basic plan of Shindobigak is one Kan, but in case the Shindobies were more, the plan of it became two, three or six Kans. · The type of ground platform is a single one. Its material is a long stone properly faced, but partly covered with a concrete. The foundation stones are used with the round well-cutting stone through rebuilding or repairing. · In the composition of wall, Hongsals at the front of a Shindobigak to see well and to sanctify were used, and the other walls of it were used Hongsals, soil wall, or Hongsals with soil wall. · Gongpo is used in the order of Choikgong, Eeikgong and Mindori type. · Roof types are used in order of gabled roof, hopped and gabled roof and hipped roof. · Dancheong is used in order of Morodancheong and Gachildancheong.

찬디가르, 르 코르뷔지에 건축정신이 스며있는 도시

최장순(Choi Jang-Soon) 대한건축학회 2009 建築 Vol.53 No.5

초고층건물 집합체로서의 수직도시

최장순(Choi Jang-Soon) 대한건축학회 2008 建築 Vol.52 No.11

[포토 에세이]기둥이 자라서 주두가 하늘을 가린 카르낙 신전

최장순(Choi Jang-Soon) 대한건축학회 2005 建築 Vol.49 No.10

전통건축 - 어제와 오늘을 넘고, 내일을 향해

최장순(Choi Jang-Soon) 대한건축학회 2008 建築 Vol.52 No.3

송곡 이서우 영정각의 유래와 건축적 특징

최장순 ( Choi Jang-soon ) 한국계보연구회 2023 한국계보연구 Vol.13 No.0

영정각의 건립목적은 영정을 보관하고 제를 지내기 위한 공간으로 일반 건축과는 구별되는 독특한 건축양식이다. 즉 영정의 보존기능과 제를 지내기 위한 재실의 기능을 가진 건축으로 이해될 필요가 있다. 연구의 범위는 현재의 행정구역상 강원도 원주시 부론면 단강리에 소재하고 있는 송곡 이서우 영정각을 대상으로 하였다. 연구 방법은 현장답사를 통해 영정각에 대한 현장 배치와 평면조사와 함께 사진 촬영을 병행하였고, 인근에 거주하면서 영정각을 관리하고 후손 이운근 회장과 작실 마을에 거주하고 있는 이병완 선생과의 면담을 통해 진행하였다. 이에 따라 본 연구는 송곡 이서우 영정각에 대한 건축적 특징을 분석하기에 앞서 우선 송곡 이서우의 생애와 영정각에 대한 유래를 살펴보고, 다음으로 배치와 평면 유형을 분석하고, 그다음으로 건축적 특징을 조사 분석하였다. 이런 관점에 따라 송곡 이서우 영정각을 대상으로 배치유형과 평면을 분석하여 얻어진 건축적 특징은 다음과 같다. 1) 송곡 이서우 영정각은 18세기 말에 영정을 보관하고 시제를 지내기 위해 우계이씨 후손들에 의해 지어진 건물로 배치와 평면 유형이 一자형이면서 독립형으로 분류되며, 이러한 배치와 평면은 전국적으로 골고루 나타나는 유형이라 할 수 있다. 2) 영정각을 작실 마을 중심에 세움으로써 우계이씨의 대표 인물로 송곡 이서우를 각인시키는 역할도 하면서 후손들에게 자긍심을 심어주고 일깨우는 역할을 하는 그 중심에 영정각이 있었다고 볼 수 있다. 3) 영정각 대부분은 그 평면 구조가 중당협실형(中堂夾室形) 평면을 일관되게 유지하려는 속성이 있는 데 반해, 송곡 이서우 영정각의 평면은 제사의 기능에 중점을 두어 전면에 툇마루를 두고 내부에 마루방을 설치한 형태로 안팎 모두 마루로 구성되어 있다는 점이 특이한데, 이는 과거 영정각을 중심으로 근거리에 후손들이 거처하였기에 영정각 주변에 별도의 주거 기능이 없는 것으로 보인다. 4) 기단은 전면은 세벌대기단이고, 좌우 측면과 배면은 외벌대 자연석 기단으로 되어있다. 특히 전면기단의 하단은 자연석 기단으로 상단은 화강암 장대석기단으로 되어있고, 초석은 영정각과 사주문 모두 작은 건물임에도 잘 다듬어진 원형 정평주초로 되어있는 것이 특징이다. 5) 기둥은 모두 단면이 원형주로 같은 높이인 평주로 구성되어 있고, 기둥 하부는 마루 귀틀과 하인방으로, 중간에는 중인방으로, 상부에 상인방을 걸고 그 위에 창방을 걸어 기둥과 기둥이 서로 결구 되도록 하였다. 6) 기둥 위에 주두를 놓고 주두 밑에는 초익공과 이익공을 놓아 공포를 구성하였으며, 주두 위에 통장여와 굴도리를 얹고 그 위에 원형 서까래와 각형 부연을 설치하여 겹처마를 구성하여 지붕 기와를 받도록 하였다. 7) 도리가 5개인 5량집으로 판단되며, 평주 위에 동자주를 세워 중도리와 종도리를 받도록 하였으며, 중도리 밑에는 암수 한 쌍의 쌍룡을 조각한 보조 도리를 덧대 어려운 가운데서도 입신양명하여 가문을 일으키고자 하는 바램을 나타내었다. 8) 영정각의 지붕은 팔작지붕으로 겹처마이며, 대문은 규모는 작지만, 맞배지붕 겹처마로 되어있다. 9) 단청은 모로단청으로 양 휘 사이에 매화와 난초, 국화를 비롯한 사군자 일부와 덩굴문양, 양 벽면에는 좌청룡과 우백호를 상징하는 그림, 내부의 암수 한쌍의 쌍룡 등에 색을 입혀 장엄한 치장 목적보다는 방부 역할도 하면서 이들 그림이 가진 의미를 후손들에게 전달하고자 하였다. The purpose of constructing Yeongjeonggak is to store portraits and hold ancestral rites. It is a unique architectural style that is different from general architecture. In other words, it needs to be understood as an architecture that has the function of preserving the portrait and serving as a residence for ancestral rites. The scope of the study was Songgok Lee Seo-Woo Yeongjeonggak, which is located in Dangang-ri, Buron-myeon, Wonju-si, Gangwon-do, according to the current administrative district. The research method was a field trip to Yeongjeonggak, which included site layout, plan survey, and site photography. The study was conducted through interviews with descendants who live nearby and manage Yeongjeonggak. Accordingly, before analyzing the architectural characteristics of Songgok Lee Seo-Woo's Yeongjeonggak, this study first examines the life of Songgok Lee Seo-Woo and the origins of Yeongjeonggak, then analyzes the layout and plan type, and then examines the architectural features. According to this perspective, the architectural features obtained by analyzing the layout type and floor plan of Songgok Lee Seo-woo Yeongjeonggak are as follows. 1) Songgok Lee Seo-Woo Yeongjeonggak is a building built by the descendants of the Woogye Lee clan in the late 18th century to store the portrait and hold ancestral rites. The layout and plan type are ‘一’shaped and classified as independent, and this layout and plan is evenly distributed throughout the country. 2) By building Yeongjeonggak in the center of Jaksil Village, it can be seen that Yeongjeonggak was playing a role in imprinting Songgok Lee Seo-Woo as a representative figure of the Woogye Lee clan and awakening pride in descendants. 3) The floor plan of Yeongjeonggak focuses on the function of ancestral rites, with floors installed inside and outside. It is unique in that it is composed of floors both inside and outside. This is where descendants lived near Yeongjeonggak in the past. Therefore, it appears that there was no separate residential function around Yeongjeonggak. 4) The front of the stylobate is a three-lied stylobate, and the left, right, and back sides are made of one-lied natural stone stylobates. In particular, the lower part of the front stylobate is a natural stone stylobate, and the upper part is a granite long stone stylobate, and the column- base stones are characterized by well-finished circular plinths, even though both Yeongjeonggak and Sajumun are small buildings. 5) All columns are composed of circular wood columns with the same height, the lower, middle and upper lintels are connected with columns. 6) The capital was placed on top of the column, and a two Ikgong were placed under the capital to receive the weight of eaves. Tongjangnyeo and a Guldori were placed on top of the capital, and circular rafters were installed on top to receive the roof tiles. 7) Judging from the exposed beams, it is assumed to be a five-Guldori house. Short columns on Girders were received the middle and upper Guldori, and under the middle Guldori is installed with a pair of male and female dragons carved. Those are expressed clan desire to achieve success. 8) Yeongjeonggak is a Paljak-roof with double eaves, and the main gate, although small in size, is a gable roof with double eaves. 9) The Dancheong is Moro-Dancheong, with an oriental painting of plum-blossom, orchid, chrysanthemums, and vine patterns. The Left Blue Dragon and the Right White Tiger drawing on both walls, and the male and female pair of double dragons inside, rather than for solemn decoration purposes, served as preservatives and conveyed the meaning of these paintings to descendants.