뮤지컬 무용교육현황 및 작품분석을 통한 안무교육의 필요성

임란정 ( Ran Jung Lim ),손각중 ( Gak Jung Son ) 대한무용학회 2014 대한무용학회논문집 Vol.72 No.1

The purpose of this study is suggesting an educational Necessity for the dance choreography professionalism in musical works. The contents of this study are; (1) Analysis of the literature on dance in musical performance, (2) drawing of dance movement characteristics required for actual musical site analysis, and, (3) suggestion of choreography educational Necessity for dance choreography used in musicals. The contents of theory education, practice education and creation education to be included in the professional choreography education for musical are suggested as following by considering above characteristics of choreography.

성재 유중교의 음악해석법

임란경(Lim, Ran-kyoung) 한국음악문화학회 2015 한국음악문화연구 Vol.7 No.-

유중교는 주자의 악론을 계승하면서도 스스로 동제(東制)라 표현한 독자적인 음악론을 지닌 것으로 평가되고 있다. 그런데 유중교의 현가궤범 에 수록된 악곡 중 제사 아악은 그 선율 배열이 전거와 다르게 되어 있다. 유중교는 우행 4구, 좌행 4구로 된 악보를 읽을 때 우행의 4구를 차례로 읽고 좌행의 4구를 차례로 읽는 기존 방식이 아닌, 우행의 제1구를 읽고 난 뒤 좌행의 제1구를 읽고 그 다음에 우행의 제2구와 좌행의 제2구를 차례로 읽는 방식을 취하고 있다. 이렇게 악보 해독을 다르게 함으로써 세종의 아악 선율도 전혀 다르게 인식하고 있다. 만약 유중교가 의도를 가지고 선율의 배열을 바꾼 것이라면, 즉 편곡을 한 것이라면 이에 대한 설명이 있어야 하지만 『성재집』 어디에도 관련 서술이 없고, 『오례의』를 전거로 하여 악보를 옮겨 정리하고 있기 때문에 의도를 가지고 제례 아악을 편곡한 것이라고는 보기 어렵다. 따라서 유중교가 당시의 아악 선율을 실제와 다르게 이해했을 가능성이 있다. 그러나 유중교는 아악보의 해석 방식에 있어서 선율의 내구(內句)와 외구(外句)를 대비하여 봄으로써 시의 대구 개념을 음악에 도입하여 해석하고 있으며, 아악 선율의 짜임에 대해서는 오행(五行)을 도입하여 해석하고자 하는 모습을 보이고 있어 그의 음악해석법이 주목된다. Ryu, Joongkyo is evaluated as a musician who had independent music theory that he referred to as Dongje(東制) while succeeding music theory of Zhu Xi. However, among musical pieces included in Hyeonga Gwebeom(絃歌軌範) of Ryu, Joongkyo, royal ancestral ritual music has different melody arrangement compared to Scores in the Annals of King Sejong(世宗實錄樂譜), National Book on the Five Rituals(國朝五禮儀) and Akhak Gwebeom(樂學軌範). When reading a score that consists of four phrases on the right line and four phrases on the left line, Ryu, Joongkyo uses a method of reading first phrase of the right line, first phrase of the left line, second phrase of the right line, second phrase of the left line and so on instead of using the conventional method of reading four phrases on the right line and four phrases on the left line. Melody of royal music for King Sejong is recognized on a completely different level by changing the method of interpretation in this way. If Ryu, Joongkyo intentionally changed arrangement of melody to arrange music, there must be a description on this. However, Seongjaejip does not have any indication showing that he intentionally arranged scores of royal music included. It is unclear as to whether he read scores in a different way for a purpose or incorrectly understood melody of royal music at the time, but scores included in his Hyeonga Gwebeom indicate that royal music scores are interpreted in terms of inner phrase and outer phrase. Interestingly, Ryu, Joongkyo introduced the concept of antithesis in poetry to interpret movements and Five Elements to interpret melody structure.

뮤지컬 작품 특성에 따른 무용 안무교육이 나아갈 방향에 관한 연구

임란정 ( Lim Ran Jung ),손각중 ( Son Gak Jung ) 한국무용예술학회 2014 무용예술학연구 Vol.48 No.3

The purpose of this study is suggesting an educational direction for the dance choreography professionalism in musical works in consideration of the expanding musical market in Korea. For this, this study selected global and domestic musical works, in which dance element has heavy weight. After verifying the characteristics of dance movement in the works, this study suggests a systematic education program for professional dance choreography. The contents of this study are; (1) theoretical approach on dance in musical performance, (2) drawing of dance movement characteristics required for actual musical site analysis, and, (3) suggestion of choreography education program to secure professionalism in dance choreography used in musicals. The contents of theory education, practice education and creation education to be included in the professional choreography education for musical are suggested as following by considering above characteristics of choreography. Based on the education content above, following stepwise education course is suggested. The stepwise education course consists of basic step, intensification step and site adaptation step. At the basic step, students will receive theory education and practice education. In the intensification step, theory education, practice education and creation education can go on in parallel. At the site adaptation step, the education content suggested from the aspect of creation education will be given.

음악부문 유성기 음반에 수록된 불교 독경 연구

임란경 한국고음반연구회 2008 한국음반학 Vol.- No.18

통합상황 내의 활동중심 미술프로그램이 발달장애유아의 표현언어발달에 미치는 효과

임란순(Nan-Soon Lim),조광순(Kwang-Sun Cho) 한국언어치료학회 2001 言語治療硏究 Vol.10 No.1

찬불가에 대한 소고

임란경 ( Rankyoung Lim ) 전남대학교 예술연구소 2016 藝術論集 Vol.18 No.-

20세기 초 불교의식의 근대화 및 포교를 목적으로 찬불가가 태동되었지만, 근대화는 곧 외래음악의 수용이라는 관념 속에 태어난 초기 찬불가는 종교적 정체성과 민족성의 상실이라는 문제를 껴안고 있었다. 이에 불교계는 `전통`이라는 이름하에 범패, 염불, 국악에서 찬불가의 정체성을 찾고, 그 미적 의의를 모색해 왔다. 서양풍의 찬불가로부터 벗어나 전통음악을 바탕으로 한국적인 찬불가를 만들고자 하는 불교계의 노력들은, 마치 서구화된 감수성을 지닌 대중들의 음악취향을 되돌리기 위해 애써온 국악계의 여러 시도들과 맥을 같이하는 듯하다. 그러나 찬불가는 종교음악이라는 특수성을 지니고 있기에 국악계와는 다른 관점에서 그 정체성을 찾고 불교적 아름다움을 추구해야 한다고 본다. 현재 한국 불교에서 찬불가라는 음악은 포교의 수단이자 법회의식에서 음악적 공명(共鳴)을 이끌어냄으로써 신도들의 종교적 신심을 고양시키는 데 목적을 둔 음악이라 할 수 있다. 이에 대중이 쉽게 따라부를 수 있되 종교적 신심을 불러일으키는 선율을 지향하고 있다. 그러나 종교적 신심을 불러일으키는 음악이 어떤 음악인지 구체적으로 형상화한 논의는 찾기 어렵고 여전히 추상적인 문제로 남아있다. 이제는 찬불가의 형식미에 대한 논의뿐 아니라 찬불가의 텍스트와 음악적 내용에 어떻게 불교의 진수를 담아낼 것인가에 대해 고민해야 한다. Buddhist hymns came into birth for modernization and proliferation of Buddhist consciousness in the early 20th century. In the early period, Buddhist hymns, which were born being recognized as outside music, encompassed such problems as loss of religious identity and national traits. Hence the Buddhist circle sought for the identity of the Buddhist hymns and its aesthetic meaning from Buddhist chant(beompae), Buddhist prayer(yeombul), and national classical music under the name `tradition`. Such efforts of the Buddhist circle to create Korean Buddhist hymns based on traditional music by moving away from western style Buddhist hymn seemed in tune with the various attempts of the national classical music circle that had been paying efforts to return the musical preference of the public at large that had already been westernized. However I believe Buddhist hymn, since it carries a particular nature a field of religious music, should seek for its identity and the Buddhist beauty from a perspective different from that of the national classical music circle. At the moment, in Korean Buddhism, the music Buddhist hymn is a measure for proliferation of the religion and field of music to promote the religious faith of the believers by inducing musical harmony in Buddhist rites. Hence Buddhist hymn seeks for melody that can arouse religious faith while being sung with ease by the public at large. However it is not easy to find a specifically formularized discussion what music is a music that can arouse religious faith, and this discussion still remains as an abstract matter. Now is a time when we should agonize how to capture the pith of Buddhism in the text of Buddhist hymns and the musical contents as well as discuss the form aesthetics of Buddhist hymns.

Modeling the Multi-Dimensional Phenomenon of Fatiguing by Assessing the Perceived Whole Body Fatigue and Local Muscle Fatigue During Squat Lifting

임란아흐마드,김정룡 한국산업경영시스템학회 2018 한국산업경영시스템학회지 Vol.41 No.4

Whole body fatigue detection is an important phenomenon and the factors contributing to whole body fatigue can be controlled if a mathematical model is available for its assessment. This research study aims at developing a model that categorizes whole body exertion into fatigued and non-fatigued states based on physiological and perceived variables. For this purpose, logistic regression was used to categorize the fatigued and non-fatigued subject as dichotomous variable. Normalized mean power frequency of eight muscles from 25 subjects was taken as physiological variable along with the heart rate while Borg scale ratings were taken as perceived variables. The logit function was used to develop the logistic regression model. The coefficients of all the variables were found and significance level was checked. The detection accuracy of the model for fatigued and non-fatigues subjects was 83% and 95% respectively. It was observed that the mean power frequency of anterior deltoid and the Borg scale ratings of upper and lower extremities were significant in predicting the whole body fatigued when evaluated dichotomously (p < 0.05). The findings can help in better understanding of the importance of combined physiological and perceived exertion in designing the rest breaks for workers involved in squat lifting tasks in industrial as well as health sectors.

노인 복지관에 거주하는 노인들의 생활만족도에 관한 연구

박장근,임란회,김종도 한국사회체육학회 2002 한국사회체육학회지 Vol.18 No.2

An Investigation into the Extent of Satisfaction of Elderly Residents in Welfare Facilities for the Aged

Cultural Diversity and Change : Performing Modernity in Colonial Malaya in the 1920s and 1930s

Tan Sooi Beng,임란경 서울대학교 동양음악연구소 2005 동양음악 Vol.27 No.-

기능주도개발 Agile 방법을 사용할 때의 안전한 소프트웨어 개발에 관한 문헌연구

아딜라알바인 ( Adila Firdaus Arbain ),임란가니 ( Imran Ghani ),정승렬 ( Seung Ryul Jeong ) 한국인터넷정보학회 2014 인터넷정보학회논문지 Vol.15 No.1

Agile 방법론은 시간적 제약하에서도 효율적인 개발 프로세스로 빠르게 제품을 완성할 수 있는 방법으로 알려져 있다. 하지만 scrum, XP, DSDM 등과 같은 여타 Agile 방법들처럼 기능주도개발 (FDD) Agile 방법도 보안요소의 불가용성으로 인해 비판을 받고 있다. 이러한 이슈를 보다 자세히 살펴보기 위해 본 연구는 2001년부터 2012년사이에 나타난 연구들에 대한 체계적인 문헌연구를 수행하였다. 본 연구 결과, 현재 FDD 방법은 안전한 소프트웨어 개발을 부분적으로 지원하고 있는 것으로 나타났다. 하지만 안전한 소프트웨어 사용에 관한 상세한 정보가 문헌에 거의 나타나고 있지 않은 것으로 보아 이 분야에 대한 연구 노력은 거의 없어 보인다. 따라서 현재의 5단계 FDD 방법은 안전한 소프트웨어 개발에 충분하지 않음을 알 수 있고 결국, 본 연구는 FDD 방법에서 보안에 기반을 둔 새로운 수행 단계와 프랙티스가 제안될 필요가 있음을 보여준다. Agile methodologies have gained recognition as efficient development processes through their quick delivery of software, even under time constraints. However, like other agile methods such as Scrum, Extreme Programming (XP) and The Dynamic Systems Development Method (DSDM), Feature Driven Development (FDD) has been criticized due to the unavailability of security elements in its twelve practices. In order to examine this matter more closely, we conducted a systematic literature review (SLR) and studied literature for the years 2001-2012. Our findings highlight that, in its current form, the FDD model partially supports the development of secure software. However, there is little research on this topic, as detailed information about the usage of secure software is rarely published. Thus, we have been able to conclude that the existing five phases of FDD have not been enough to develop secure software until recently. For this reason, security-based phase and practices in FDD need to be proposed.