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- 저자 : 양영은 ( Youngeun Yang ) (검색결과 2 건)
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TAALES 프로그램을 활용한‘춤’,‘움직이는 몸’에 대한 다양한 글쓰기의 어휘적 특성 비교연구
양영은 ( Youngeun Yang ) 대한무용학회 2023 대한무용학회논문집 Vol.81 No.2
This study utilizes TAALES program to compare and analyze lexical features of the texts that focuses on describing and depicting 'dance' and 'moving body'. From diverse range of literature accumulated in Dance studies and Somatics, twelve texts are chosen as they provide writings that closely analyze and describe dance movements and moving body. The authors of the selected literature includes Jane Desmond, Geraldine Morris, Susan Leigh Foster, Ann Cooper Albright, Bonnie Bainbridge Cohen, and Youngeun Yang. In this study, three research questions are addressed. Firstly, what are the significant lexical features of each writing? Secondly, what are the specific lexical elements that show similarities or differences between literature? (3) Is it possible to distinguish certain types of writing through these lexical similarities and differences? If so, what are the lexical characteristics of each type? As the result, the use of polysemy was recognized as the main lexical features that differentiates each literature. Moreover, four types of writing were distinguished by sharing specific lexical characteristics among the literatures. Nonetheless, it is found that the four writing types were not precisely classified, rather these types formed an intersection with each other. This study contributes to the dance scholarship, by presenting the first linguistic and quantitative investigation that analyzes corpus document data on dance and moving body, using most recently developed computer language analysis tool.
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문화예술정책과 국립발레단의 상호작용으로 형성·변화하는 국가 정체성
양영은 ( Yang Youngeun ) 한국무용예술학회 2016 무용예술학연구 Vol.60 No.3
The Korean National Ballet (KNB), founded in 1962, is a pivotal, government-funded ballet company which acts as a national representative on both domestic and international stages. This study investigates how the KNB fulfills its role as a national organization, charged with representing Korean identity. Paul Gilroy’s work on camp-thinking provides the theoretical foundation for understanding the political reshaping of national identity, enabling the study to focus on the successive states’ cultural policies and its mutual relationship with the KNB. The central concern is to show how the shifting national images propagated by each state are further bolstered and reshaped by the KNB; especially through the formation of ‘Korean ballet’, a complex phenomenon interpreted through Homi Bhabha’s concept of post-colonial hybridity. Thus, this hybrid cultural phenomenon is argued as a new possible site of identification, and the KNB is nominated as a crucial institution in making and moving Korean national identity.
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