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양균원(Kyoonwon Yang) 한국영미문학교육학회 2012 영미문학교육 Vol.16 No.1
This paper is intended to examine how Jorie Graham’s poetry becomes difficult in its effort to find final grounds of being through analyses of her two poems: one is “On Difficulty” from The End of Beauty (1987) and the other the title poem from Region of Unlikeness (1991). And it also aims to shed light on how she consistently keeps her sense of “the invisible” even when under the pressure of “hybrids” of things far away from their “region of likeness.” Graham has shown failures in abstracting conclusive bases of identity from any kind of being in the world. Through her conscious confrontations with the failures, she composes herself to decline any reliable vision of identity. This attitude is projected into her poetic self as well as into the world. She acknowledges that things come into being by establishing temporary relations among one another, and does accept it as an unavoidable aspect of reality, not as a chaotic phase which she has to be overcome. The land, where Graham arrives in Region of Unlikeness, is filled with a variety of floaters on the surface of time. Her poetry does not try to discover why things are there. Rather, it performs the process of asking and finding the why. She is intellectual and audacious in her manipulating of the language so as to embody the process, which results in new difficulty in her poetry.
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양균원(Kyoonwon Yang) 한국영미문학교육학회 2017 영미문학교육 Vol.21 No.2
This study aims to give a close reading to Charles Wright’s “Scar Tissue” by examining what his landscape represents and how his lines express the rhythm corresponding to longing and despair. Landscape is as spiritual as ordinary in his poetry. His lines are close to prose and still remain verse lines. By using what he calls the super-line and the half-line, he makes the long line “sinuous” or “dropped” to delve into possibilities of vision. For Wright’s vision does not disappear but stays “just out of reach,” and inevitably inflicts harm upon his mind. His quest is revealed by landscape’s image, not by its symbol or allegory. Wright shows a shadowy disposition against final transcendence, while consistently aspiring for spirituality. The vision, glimmering on the verge of vanishment, leaves a deep scar and becomes the right place for a skeptical transcendentalist. His landscape can be referred to as “metaphysics of the quotidian” as it is more than what it looks like and yet keeps its austere and immediate dailiness.
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양균원(Kyoonwon Yang),방민호(토론자) 한국현대문학회 2007 한국현대문학회 학술발표회자료집 Vol.- No.-
이효석의 단편 「풀잎」은 월트 휘트먼의 시집 『풀잎』과 제목이 같다. 또한 이 작품은 부제에서 휘트먼의 존재가 “인류의 행복”이라고 밝히고 있고 본문에서 그의 시 세 구절을 낭독하고 있기도 하다. 이 글은 휘트먼이 이효석에게 끼친 영향의 양상을 규명하기 위해 첫째, 이효석 단편의 두 주인공인 준보와 옥실의 사랑의 방식을 살피고 둘째, 준보가 낭독한 휘트먼의 시 세 구절을 보다 넓은 원문의 맥락에서 그 본의를 들춰 비교한 후 셋째, 새 사랑의 방식의 관점에서 「풀잎」과 『풀잎』의 차이를 따져본다. 이효석의 「풀잎」은 휘트먼의 『풀잎』에 고무되어 새 사랑의 방식을 보여주고 있지만 그 주인공들이 휘트먼의 사랑에서처럼 자연의 강건함과 자유로움을 누리고 있지는 않다. 이러한 부분적 실패는 이효석이, 일제 강점기의 억압적 분위기에서, 사랑 외의 것들로서 삶에 필수적인 것들, 예컨대 자유와 평등의 가치 등에 대해 충분한 관심을 기울이지 못한 데서 비롯된 것으로 보인다. 휘트먼의 사랑이 우주 만물들 간의 강하고 평등한 연대를 확인해주는 동안에 이효석의 사랑은 혼전 성관계와 여성에 대해 주어져온 관습적 편견을 극복하는 데 온 힘을 소진하고 있다. "Leaves of Grass," a short story of Hyosuk Lee's, with the same title as that of Walt Whitman's collection of poetry, is subtitled "Mankind has the happiness to have Walt Whitman." and contains three citations from Whitman. This article aims to reveal the way Whitman has influence upon Lee by examining 1) the characteristics of love affairs of Joonbo and Shil, two protagonists of Lee's story. 2) three translated citations from Whitman from a wider original context, 3) "The Song of Myself" by Whitman, and 4) the differences, which Whitman's and Lee's protagonists reveal in their pursuit of love. Lee's "Leaves of Grass" embodies a new way of loving as encouraged by Whitman, but does not appear to achieve the enjoyment of Whitman's love as free and strong as nature. This partial failure seems to result from the circumstances under which Lee could not exert his full strength to consider other necessities than love, such as people's freedom and equality, in the milieu of the oppressive censorship during the Japan's occupation. While Whitman's love affirms the strong connection among all the elements of the universe, giving the ordinary the strength to become a democratic member of society. Lee's confines its momentum to the overcoming of the traditional prejudice against women and premarital sex relations.
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