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- 저자 : 신성균 ( Sheen Sung Kyoon ) (검색결과 3 건)
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검 프린트(Gum Bichromate Print)의 독성에 대한 대안적 프로세스: DAS를 이용한 4색 젤라틴 피그먼트의 적용
최수정 ( Choi Soo-joung ),신성균 ( Sheen Sung-kyoon ) 한국사진학회 2020 AURA Vol.0 No.45
Many artists use Gum Print's pictorial attributes in their photographic works by hand. However, due to the hazards of the dichromate used in this process, special attention is required, and studies on alternative materials are needed. Therefore, we conducted an experiment to find the appropriate ratio required for the preparation of the photoresist using DAS, a low-toxic material that can replace bichromate, and compared it with the gumprint by printing a photographic work based on the obtained data. As a result of the experiment, it was possible to obtain a quality equal to or higher than that of the gum print in color reproduction, and reproduce a faster and more detailed image. It is hoped that the results of this study will be used to expand the possibilities of artistic expression of traditional color processes, and to allow artists to devote themselves to the creation of artworks free from the dangers of harmful substances.
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양혜정 ( Yang Hye Jung ),신성균 ( Sheen Sung Kyoon ) 한국사진학회 2021 AURA Vol.- No.47
The Secret Obsession is a photographic work that expresses the inferiority complex of beautiful legs that women have with stockings as a medium. Stockings are more than a simple consumable and have a duality that makes them accept the inconvenience of wearing to supplement the desire for body beauty. Photographer Hyejung Yang deals with the subject of passion and obsession for beauty as a two-sided psychological action projected on stockings through this work. However, she no longer used stockings to symbolize the oppression or the complex produced by obsession. Instead, Yang tried to reproduce the psychological desire for a slender leg shape as a positive photographic image combined with joy and freedom. In the process of contemplating, photographing, cutting, attaching, and assembling stockings of various designs, the obsession that has been secretly working so far begins to appear healthy to the outside. It contains metaphorical, parody, and sometimes simile messages behind strong patterns, rhythms, decorations, and colors. Yang placed a mannequin with stocking on a background and objects that she separately produced, photographed with a digital camera, and edited with Photoshop.
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평면적인 피사체에 입체감을 부여하는 추상적 사진 표현에 관한 연구
김지영 ( Kim Ji Young ),신성균 ( Sheen Sung-kyoon ) 한국사진학회 2020 AURA Vol.0 No.44
Like painting, photograph as a planar art is to represent a three-dimensional space on a two-dimensional surface. In this process, some graphic methods such as overlapping, vertical, diminution, and aerial perspective are applied to give a sense of space. Once in painting, camera obscura, which became the prototype of modern camera, was used to apply realistic expression and the precise perspective. A three-dimensional object is concurrently expressed with a sense of space when represented on a photographic surface as perspective is naturally applied to it. However, a planar object has no way but to be shown in two-dimensional on a photograph. All objects are essentially not plane even if they look flat, but there are some occasions to feel a sense of space on the mental level. This experimental work aimed at representing planar objects on the depictive level with a sense of space so that it can work on the mental level as well. In the methodology, we used light and dark contrast according to the push and pull theory of Hans Hofmann and sharpness and blurriness in focus based on the nature of photographs of Stephen Shore. By applying various lights to our concept of the ‘Focus Gradient Plane’, we can express abstract planar image that gives a depth of space.
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