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은희경 소설에 나타난 고백의 서술전략 연구-「빈처」와「딸기도둑」을 중심으로
박현이(Park Hyun-I) 한국비평문학회 2004 批評文學 Vol.- No.19
In this thesis, this paper took a deep consideration to explain confessional narratives method on Eun Hee-Gyeong's short-stories. Especially, <A Poor Wife 빈처> and < A Women That Steal Strawberries 딸기도둑> are appear first-person confessional narrator.<br/> In summary, two narrator appear in the formet text. One narrator is a husband, and the other narrator is a his wife writing a diary. First of all, this paper analyzed confessional narrative-strategies focused on the wife writing a diary. The early part of text is revealed severance the lack of communication between the wife and her husband. But, the wife and her husband a progressively turn of thought and communicate with each other by diary. Her diary is a vehicle of their inner-communication.<br/> Self-confessional narrator appears in the latter text. Generally, confessors confess in order to admit a crime or reflect themselves. But, confessor, Eun-Hyae, in A Women That Steal Strawberries rather criticize and overthrow a criterion or discipline than reflect herself.<br/> So far, this paper disclosed feminine narrators in two fictions didn't go through a process of social identification but a process of social dis-identification. Feminine characrer of confessional narrator didn't subordinate herself to social community. On the contrary, feminine narrator free herself from consciousness of community by confessional narrative-strategies 'writing a diary' and 'confessing self-confession', Ultimately, process of self-identity of confessional-narrator is not assujettissement process but deterritorialisation process.<br/> In conclusion, the study of confessional narrative-strategies latent in confessional feminine-fictions provided opportunities to differently apptoach.