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문애희(Moon Ai-Hee) 한국중동학회 2004 韓國 中東 學會 論叢 Vol.24 No.2
`Abd al-Ra?m?n Mun?f belongs to hybrid cultural minorities who have shown up not only their own country"s issues but also common backgrounds of Arab society.<BR> 「The Trees and the Assassination of Marz?q」deals with the intellectual"s sense of loss and this protagonist, Mans?r shows his deep concerns about history and feels depressed since he was dismissed from the university. He thinks that the modern history should be written again and his wish for changing the world reflects many Arab intellectuals" sense of loss. Through the text, his anguish is developed into his insanity especially when his colleague Marz?q is assassinated. Here the text describes Marz?q as Mans?r"s soul. The protagonist"s feeling of responsibility for his duty and his struggle for keeping the history true succeed in appealing to any national readers.<BR> This text is relatively different from the main stream of the Arabic novels by his immediate predecessors. First, the oral narration is apparent. And it shows, in its introductory part, the literary moods of the J?hiliyya poetry‘s introduction part which is called Nas?b. When Mans?r leaves his homeland in the beginning of the text, nostalgia prevails like most of Nas?b of the poetry in the period of J?hiliyya.<BR> Secondly, Mans?r meets Ily?s who has experienced many kinds of jobs in the city and their meeting resembles the role of the narrator and the hero in the Maq?mah genre of the Arabic literature. They meet when the protagonist travels and Ily?s is a kind of a vagrant but also a man who knows something special like heros in the Maq?mah. Ily?s tells him his episodes like the heros in the Maq?mah. When the protagonist justifies behavior of Ily?s and starts their friendly departure, it can also be comparable with Maq?mah"s basic scheme.<BR> Thirdly, the protagonist"s failure of writing the true modern Arabic history and failure of Ily?s to keep his trees alive are deployed as parallel lines and a journalist makes the text the incomplete frame story in the part of the conclusion. These narratives draw attention to the texture of 「Alf Layla wa Layla」especially on the points of the connection method between the protagonist"s experiences and the sub anecdotes.<BR> The combination of a classical format in the text and the cultural codes like desert, thorn, trees as nostalgia for the past suggest that the writer tries to approach to the indigenous narrative. By comparison with other intellectuals and the mixing of the modes in Mun?f"s novels, this thesis follows his creative characteristics.<BR> The text can be regarded as the writer"s focus on forming the ideological viewpoint of the intellectual through his ontological crisis. Although the text is not considered as his mature artistic stage, it shows a good starting point to form the Arabic counternarrative.