전공의 수련교육비용추계에 관한 연구

김경혜,Kim, Gyeong-Hye 대한병원협회 2005 대한병원협회지 Vol.34 No.5

이상적인 수술실 디자인 III

김경혜,Kim, Gyeong-Hye 대한병원협회 2004 대한병원협회지 Vol.33 No.4

존 드라이든의 작품에 나타난 작가의 가부장적 글쓰기 : 『사랑을 위하여 모든 것을』을 중심으로

김경혜 ( Gyeong Hye Kim ) 한국영미문화학회 2002 영미문화 Vol.2 No.2

버나드 쇼의 『시저와 클레오파트라』에 나타난 동양과 여성

김경혜 ( Gyeong Hye Kim ) 한국영미문화학회 2009 영미문화 Vol.9 No.1

For a long time Westerners have considered the Orient as unknown and mysterious, but Orientals soon came to be seen as weak and dependent, or feminine. The Oriental woman became a synecdoche for the Orient itself. We can find this theme in several British plays that deal with the Orient and Oriental women, including Shakespeare`s Antony and Cleopatra and Dryden`s All for Love. Both of these plays have Egypt as their setting and Cleopatra as a main character. For a better society, Shaw emphasizes the importance of education. In Caesar and Cleopatra, Shaw sees Egypt as a weak and dependent country which needs the help of Rome. Accordingly, he depicts Cleopatra as young and ignorant, needing to be educated in her role as a queen. Shaw finds possibilities for growth and independence in the Egyptians and Cleopatra, who recognize themselves as Egyptians and pursue their identity apart from the colonialization of Rome. Here the Egyptians attempt to resist and escape the oppression of Rome. Young, dependant and ignorant Cleopatra becomes independent and knowledgeable as the result of her education by Caesar and in the end she becomes a real Egyptian queen.

『안토니와 클레오파트라』에 나타난 페미니즘 전략과 그 한계

김경혜(Gyeong Hye Kim) 한국셰익스피어학회 2006 셰익스피어 비평 Vol.42 No.4

Shakespeare's Cleopatra has come into the spotlight as an ideal woman for feminists since the feminism gained power. The feminists worshiped and idealized Cleopatra who had power by her absolute beauty, brilliant wit and words, and dominated men. By dominating men, Cleopatra could preserve her own country and her position as a queen as well. Cleopatra made the most of her beauty as the first strategy and witty words as the second strategy for this purpose. Whatever the situation was, she always focused on expressing her own thoughts, not listening to others' advice. Even before the battle at Actium most generals of Antony gave some appropriate advice to her, but she wouldn't accept their advice, and finally she lost the battle against Caesar. In addition Antony killed himself by her trick. She lost everything - country, position and Antony. She tried to deal with Caesar by her own way, that is to say, her own strategies. It was impossible for her to induce and dominate Caesar, because his personality was quite different from Antony's. Some critics say Cleopatra won the transcendental love of Antony in other world. In this world, however, she was a loser. As a conclusion, Cleopatra as a queen tried to protect her country by dominating men. To do this she used witty words as well as her beauty. Just concentrating on expressing her thoughts, she failed to listen to others' advice. Finally she lost everything.

영국 극작가들의 여성관 연구

김경혜(Gyeong Hye Kim) 한국셰익스피어학회 2008 셰익스피어 비평 Vol.44 No.1

This article aims to compare viewpoints on women in the works of Shakespeare, Dryden and Shaw. These three playwrights wrote at different times - the Renaissance, Neo-classical and Victorian Periods - with different ideas about women. However, they all wrote plays based on Cleopatra's story, so their ideas on women can be revealed by comparison of their Cleopatras. Shakespeare had two viewpoints on women, one was conservative and the other was progressive. His Cleopatra is very aggressive and active, but she did not overcome the challenge of succeeding in a man's world. Shakespeare accepted women's positive aspects but refused too much challenge for his society's safety and well-being. Dryden, with a conservative viewpoint on women, created a Cleopatra who was quite different from the historical one. His Cleopatra was very passive and submissive, which were considered as ideal women's qualities at that time. Shaw presented the development of Cleopatra from a girl to a queen in his work. He believed that women's qualities could be progressive, and that women could even be better than men if they were educated. He had positive ideas about women and acknowledged their possibilities. In conclusion, we can see three playwrights' women in their plays. Shakespeare's Cleopatra was progressive as well as traditional. Dryden's Cleopatra was a traditional one who was quite different from an original one. Shaw had a progressive idea of women, so his Cleopatra showed possibilities and potentials as a queen as well as a woman.

팸 젬스의『두자, 피쉬, 스타스 그리고 비』에 나타난 여성 공동체속의 자매애에 관한 연구

김경혜(Kim Gyeong Hye) 한국현대영미드라마학회 1998 현대영미드라마 Vol.- No.8

『베니스의 상인』에 나타난 여주인공의 양성성에 관한 연구

김경혜(Gyeong-Hye Kim) 한국셰익스피어학회 2011 셰익스피어 비평 Vol.47 No.3

This study aims to present an ideal woman through Portia in The Merchant of Venice based on androgyny. In this play, Portia solves men's problems that nobody can, even the Duke of Venice. She can disguise herself as a man and take part in androgynous situations successfully. In Act 1, she is purely a traditional woman-subjective, passive, and obedient to her late father's will, and later to her husband Bassanio. Following the court scene, however, she has completely changed. Because of her disguise as a man, she can draw a man's qualities-intelligence, courage, fortitude, and combine them with her feminine qualities-wit, care, sympathy for others. With these combined qualities, she can sort out all problems that men face. In Act 5, when revealing her disguise and returning to a woman on the outside, she shows that she has men's merits by using her disguise and shows an ideal personality. She is no longer a passive and obedient woman. Through a disguise, Portia can keep and maintain the ideal balance of femininity and masculinity. So she has transformed from a passive and obedient wife into a partner of Bassanio. Some feminists highlight femininity and reject masculinity, but Portia shows that women need a balance of both qualities to be ideal women, therefore, women need to be androgynous to develop better personalities and to establish better positions in their families and society.

『오셀로』에 나타난 작가의 결혼관

김경혜(Gyeong Hye Kim) 한국셰익스피어학회 2018 셰익스피어 비평 Vol.54 No.3

Shakespeare, who lived during the Renaissance Period, had progressive ideas on marriage in a time when traditional ideas dominated. Shakespeare expressed his ideas on marriage in several of his plays. In Othello specifically, we can see how Shakespeare questioned the traditional ideas on marriage which forced women to obey and completely dedicate themselves to men-regardless of if they had a lot of problems or acted badly as husbands. He asked whether these traditional ideas were suitable for the new upcoming age. Desdemona was very active and challenged marital social norms with her love and marriage to Othello. However, after marriage, she completely changed and followed the patriarchal rules for wives to become submissive, obedient, and faithful despite whatever Othello did. Compared to her, Emilia and Bianca also followed their men’s orders just to please them but when they encountered their husbands’ problems or bad behavior, they refused to obey and follow them, unlike Desdemona. Shakespeare, who tried to follow progressive marital ideas, thought it was foolish to obey traditional marital ones by showing Desdemona’s marital life and her death. Shakespeare believed that for the new upcoming age, new ideas about marriage were needed to develop better relationships between husbands and wives. In this way, he used his playwriting to advocate for more progressive marital ideas.

Caryl Churchill의 Owners에 나타난 소유와 모성

김경혜(Gyeong-Hye Kim) 한국현대영미드라마학회 2000 현대영미드라마 Vol.- No.12