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권미라(Mee ra Kowen) 한국임상모래놀이치료학회 2015 상징과 모래놀이치료 Vol.6 No.1
In this study, the researcher considered the symbolic meanings of the skeleton in Korean folk tales, and analyzed how the skeleton has been developed into a symbol of rebirth in art, heritage, and religion. Also, the researcher interpreted the symbolic meaning of the skeleton, which appeared in the client’s sand-picture, through the lens of analytical psychology. Mankind, from ancient times, has connected the death of unconsciousness as a cooperator of salvation in moments of exhaustion, crisis, and desire in the conscious life. The appearance of the skeleton in tales and rituals represents not the end of life but rather coexistence with death, which cannot be detached from life. Through sandplay therapy, the researcher desired that the client solve the fear of meeting the unconsciousness that represents death, and encounter the archetypal meaning of the skeleton that exists in the client’s soul.
모래놀이치료에서 치료자의 공동전이 경험에 대한 현상학적 연구
권미라(Kowen, Mee Ra) 한국임상모래놀이치료학회 2020 상징과 모래놀이치료 Vol.11 No.2
In this study, we examined the co-transference experiences of sandplay therapists. We applied the descriptive phenomenological method developed by Amedeo Giorgi. To begin with, we interviewed seven therapists and analyzed the data. Of the 800 semantic units identified, we used 540 of them, excluding the repetitive, or those deviating from context. By comparing these items, we identified 116 meanings. We structured three components and 10 sub-components based on the central meanings. The components comprised the co-transference experience, while the sub-components contained 48 semantic units. In our interviews, we noted that the participants were placing their clients’ sand scenes in the center of their statements. Thus, the pairs had fused with the sand trays and healed each other’s wounds. The total structure of empathy and healing made up co-transference.
권미라(Kowen, Mee Ra) 한국임상모래놀이치료학회 2019 상징과 모래놀이치료 Vol.10 No.1
The symbolism of the willow, with its healing energy for addiction, can be considered in terms of its religious, folkloric, and mythological aspects as in Marion Woodman’s book The Ravaged Bridegroom -Masculinity in Women. This study concerned the healing process of a female client formerly obsessed with an addiction not separated from the Self. The client grasped the willow as a symbol of female energy and subsequently was reborn with renewed feminine vitality. The female healing energy of the willow connected her abandoned body to her soul. The vitality of the willow empowered the client to heal her animus of addiction, learn what her body wanted from the boundary of life and death, and realize what her soul desired. Her body, through consciousness raising, truly embraced the deity, or Self, which she had struggled unilaterally before to connect with herself. The totality, created by archetypes, meant a deep base of personality, accepted consciousness and unconsciousness and transcended the ego.