13. 문학정책과 문학적 상황

정창범 경남대학교 극동문제연구소 1987 북한사회의 구조와 변화 Vol.- No.-

에로티시즘論

鄭昌範 건국대국어국문학연구회 1987 겨레어문학 Vol.11·12 No.-

에로티시즘의 근원을 찾아 보려면 원시 시대로 거슬러 올라가야 한다. 원시인들은 일종의 성기 숭배 신앙을 가지고 있었다는 학설이 있지만, 돌이켜 생각하면 그것은 성기숭배 신앙이 아니라, 성기 찬미의 풍습이었다고 할 수 있다. 다시 말하면 당시의 성적 문란에서 오는 하나의 유행 현상이었다. 종교도 그것을 규제하기 위해서 발생한 것이라고 할 수 있다. 그리스 시대에 이르면 성을 철학적으로 밝히려는 프라톤 같은 학자도 나온다. 《심포지움》에 나타난 에로스 신에 관한 그의 의견은 에로티시즘에 관한 최초의 학설이다. 중세에 이르면 특히 기사 계급의 경우 그리스도교 윤리에 금욕주의적 태도를 보였으며, 그것이 르네상스에 이르러 단테에 의해서 프라토닉 러브의 정신으로 승화된다. 18,9세기엔 육체 찬미의 사상이 되살아나지만 그것은 어디까지나 정신적인 사랑이 뒷받침 되고 있다. 20세기에 이르러 프로이트의 정신분석학이 나오자 인간의 성은 정신적 바탕이 없이도 남녀 간에 교섭될 수 있는 것으로 보는 경향이 생겼다. 그것을 구체적으로 작품화한 작가가 곧 디 에치 로렌스이다. 그는 성을 인간 존재를 재확인하게 하는 하나의 생명력으로 보고 있다. 그후 오늘날까지 그의 모방자가 속출하고 있는 실정이다.

文學과 告發精神

鄭昌範 건국대학교 현대이념비교연구회 1983 現代理念硏究 Vol.1 No.-

藝術解釋의 방향

정창범 연세대학교 국어국문학과 1969 연세국문학 Vol.2 No.-

小說의 結末에 관한 硏究 : 原聖과 論理性 分析

鄭昌範 建國大學校 人文科學硏究所 1984 인문과학논총 Vol.16 No.-

In novels, a piece of work would be accomplished on the ground that three parts, i.e. the beginning, the middle and the ending were equally concerned about. As the finishing is most important in all matters, novelists should make an effort to settle a proper ending. We usually saw the improper ending-method such as dragging on, saying further needless parts, too fast coming to an end. And we meet the cases that the novelists who developed well the whole process with realistic view fell into subjective touch in ending part. There were the cases that the effect of work itself were destroyed because the ending were to be contradictory to inner logic of work. As these, the ending method should be matching with the horizon of expectation of the readers. With acknowledging above-mentioned fundamental logic, I tried to analyze the archetype and the logicality of the endine, the relation between the ending and the effect of the work, and the form of the ending of love stories, as manifested in the western masterpieces and Korean classic romances, in order to ascertain the importance of the ending method in novels.

桂 鎔 默 論 : 作品 傾向의 分析 an analysis of the tendency of his works

鄭昌範 建國大學校 人文科學硏究所 1975 인문과학논총 Vol.8 No.-

Mr. Kye Yong-mook (1904-1961) began his literary life with a poem Spring Has Come and a short story Exchange in the year 1924, and wrote, thereafter, about 40 short stories before his death. His literary life is, on the whole, devided into 3 periods. The first period (1924-1932) is regarded as a practice period, and short story titled A Tenant Farmer Choi represents the period. In the story, the writer satirizes the life of a tenant farmer exploited by a landlord under the Japan Imperial ruling. The second period (1935-1943) starts from short story entitled Idiot Adada and ends with right before the surrender of Japan Imperial regime to the Allied Forces. He exposes his prime ability and capability as a writer during period, cohere by his works persons of physical defect, the poor, boys, and women. The third period (1945-1961) rises from the rebirth of the Korean Language, caused by the Liberation from Japan Imperial ruling. As that result, the writer burns his full energy upon his works, wherefrom he creates his best writings such as They Number Stars and Wind Blows Itself, They Number stars describes an intellectual who does not manage to get a house to live in, and wanders about during the period in turmoil right after the Liberation from Japan. Wind Blows Itself pictures an oldman's wrath against a Pro-Japanese youth. In conclusion, we come to the aralysis that the writer Mr. Yong-mook Kye poured his painstaking (pains-taking) efforts so as to give the characteristics of arts to his works but results not in that much.

作中人物의 無力感 硏究 : 〈오브로모프〉의 肖像 with Special Reference to Goncharov's Oblomov

鄭昌範 건국대학교 인문과학연구소 1990 인문과학논총 Vol.22 No.-

It is the general tendency of most literal critics, as far as Goncharov's Oblomov is concerned, to follow Critic Dobloryubov's view on Oblomov and regard him only as a social type. It is of course true that the novel carries much that can justify Dobloryubov's view, but a close and analytical reading of the work also reveals its hero Oblomov to be such peculiar personality that defies a simple treatment of him as a social type of his times. The purpose of the present study is to investigate the peculiarity of personality in Oblomov, rather than the social circumstances in which he is depicted in the work. In the process of investigation, an attemt has been made to apply Seligman's psychological experiments to Oblomov's life. It has been found as a result that Seligman's method of psychological experiment can account for Oblomov's traumatic experience and mental helplessness, but that the symptons of the psychological phenomena are beyond the scope of a psychological treatment. The contemporary society can be characterized as one of mechanization and automation that renders unnecessary the originality, creativity individuality and hard work of most of its members. Increasing social welfare is making the situation even worse, so that it is possible that a large number of Oblomov's will be produced by the deprivation of the will, desire, ability, and hope that support man's existence in society. Another, subsidiary purpose of the present study is io bring out these aspects of our contemporary society. It is hoped that this study will help shed light on the understanding of such modern Korean writers as Lee Sang, Kim Yu-jung and Son Chang-sub who dealt with the helplessness in their characters.

作中人物의 深層分析 : 「無情」을 中心으로

鄭昌範 건국대학교 1977 學術誌 Vol.21 No.1

Lee Kwang Su (1892-1950?) has been tradionally regarded as a novelist who was mainly concerned with the enlightenment of the populace. In this paper I would like to analyze his novels from a psycho-analytrial viewpoint. In his thirst fill-length novel, Mujong, there appear more than light characters. The hero of the novel, Lee Hyung Shik, is what Jung calls an extroverted thinking type-an egoisht who suffers acutely from inferiority complex as well as messiah complex. His personality is the projection of the novelish himself. Yongche, the heroine of the novel, is attracted to this man not because she is in love with him but because she is told by her father as well as her friends that she must marry him. In other words, she is none other than a frail woman who has completely repassed Diana complex. Another character, Sun Hyung, becomes the object of Lee Hyung Shik's love. She is unable to accept his love with free, independent mind. As a result, she is always passive in her attitud toward him. However, she has a much more developed concept of the self than Yongche. Though not a heroine, Byung Uk plays a very important role in the novel. She urges Yongche to shed her dependent role and regain her lost self. She is a present-day advocate of women's liberation-a modernized woman who brings up Diana complex to the conscions level. Though Shin Ui Sun appears frequently, throughout the novel, he lacks individuality, and a result, play only a supporting role· As you can see easily from this brief analysis, Mujong is a novel that deals with men and women who surfer-acutely from a variety of complexes.

傳記의 文學性을 위한 試論

鄭昌範 건국대국어국문학연구회 1985 겨레어문학 Vol.9·10 No.-

社會主義 리얼리즘 硏究 : 本質과 實相

鄭昌範 建國大學校 人文科學硏究所 1987 인문과학논총 Vol.19 No.-

Soviet Communist Party Chairman Michail Gorbachev declaired his decision to lift the 30-year-old ban on Boris Pasternak's work. This is interpreted as a measure of easing the cultural policies that had oppressed the freedom of expression and creative writing in the Soviet Union. It is now curious to see what the future holds for the socialist realism that has blocked free developments of the Soviet literature since Stalin. Socialist realism came not as a result of voluntary discussions of Soviet writers, but was first conceived by Stalin and has since been a guideline for the Soviet literary activities imposed unilaterally upon writers. Writers who deviate from, or defy, the line have been mercilessly purged. Writers, oppressed as they have been, who have craved for freedom have ingeniously managed to extricate themselves from the line set by socialist realism. The criticism of Stalin by Khrushchev after Stalin's death created a measure of freedom felt by Soviet writers, but it did not go as far as to eliminate socialist realism from the scene. Upon Khrushchev's fall from power, Soviet authorities have tried first to silence, then expelled out of the country, those writers who struggle to give man living personality and criticise the communist system in their writings. North Korea, though influenced by socialist realism, has altered its substance, in the course of accepting it, by incorporating it into their ideology of government and forces it upon its writers. Futhermore, their claim is that great works of literature consist in loyalty to their supreme ruler. The literary theories compiled in North Korea genuinely reflect the ruling despot's ideas. Stalin himself who originated socialist realism could not have imagined that it might ever be so altered as is in North Korea. Considering that writers, in whatever country, are beings who have, as their attribute, a strong desire for the freedom of creative writing and the freedom of expression, socialist realism is nothing but the tragic factor that delays free literary development in the 20th century.