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- 저자 : 孫裕澤 (검색결과 5 건)
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Wallance Stevens의 詩論 : "Notes"를 中心으로
孫裕澤 水原大學校 1983 論文集 Vol.1 No.-
He [major man] is not, as some critics have suggested, a hero or a giant who epitomizes a kind of Nietzschean U‥bermensch, the apocryphal new man. As a personification of a force rather than a person od a thing, major man is similar to Stevens's other personifications. The poet's tendency is to personify ideas and abstractions to give them a kind of human stance in his poems. Personification is a feature of Stevens's later poetry that mitigates and makes human poems that would otherwise be unbearably abstract and lifeless. Hines에 의하면 major man은 Stevens가 “Notes"의 추상성을 피하기 위하여 추상적 개념을 의인화시킨 것이다. Hines에 따라 major man을 추상적 개념의 의인화로 볼 때, major man은 구체적인 사례(Singular)보다는 추상적인 것, 다시 말하면 현실보다는 상상력의 영역에 존재한다고 볼 수 있다. 따라서 major man이 상상력ㅇ에 내포된 잠재적이고 창조적인 힘의 의인화이기 때문데 major man은 또한 ”the happy fecundity, flor-abundant force"라고 불리워질 수 있는 것이다. 그런데 여기서 허구를 거듭 구성할 수 있는 mojor man의 능력이 “무 heroic part, of the commonal"이라고 묘사된 것에 유의할 필요가 있다.
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孫裕澤 水原大學校 1985 論文集 Vol.3 No.-
Keats's poetry is characterized by the frequent uses of sensory images. The conflicts or anti-theses between this and other worldly orientation, introduced through these images, deepen as his poetry proceeds from early through middle to late period. In proportion to the depth of the conflicts of sensory images, the inner structure of his poetry is directed toward downward movement. This thesis examines not only the degree of conflicts between sensory images but also the direction of inner structure of Keats's poetry which results from the conflicts. In part Ⅱ, the objects of our examination are "Sleep and Poetry," and "In drear nighted December" as the representative poems of the early period; in part Ⅲ, the object is "The Eve of St. Agnes" as the representative poem of the middle period; in part Ⅳ, "To Autumn" as the representative one of the late period. In conclusive part, this thesis relates the downward movement of Keats's poetry with the "Negative Capability" as mentioned by him in one of his "Letters," thus showing the final destination of the pursuit of Keats's aesthetics implied in his remark, "Beauty is truth, truth beauty."
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孫裕澤 水原大學校 1988 論文集 Vol.6 No.-
The present writer divided Yeats's poetic career into three periods : early, transition, and late periods. The transion period covers the period during which Yeats published In the Seven Woods (1903), The Green Helmet and Other Poems (1910), and Responsibilities (1914). This is also the period when he actively participated in "theater business" for Irish Literary Revival. The basic pattern of Yeats's poetry is considered in this paper to be the juxtaposition of antithetical pairs such as face and mask, natural an supernatural, material and spiritual. The purpose of this paper is to examine how the tension between the opposites gains momentum, or grows in intensity in his late period, that is, after the transition period. In Part One of this paper, the poetic tendencies of Yeats's early and transition periods are schematically surveyed. In Part Two, some of his late poems are examined in view of the conflicts or reconciliation of antithetical pairs. "What is the ultimate destination of Yeats's aesthetic quest?" is the question to be dealt with in the conclusive part of this paper.
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孫裕澤 水原大學校 1989 論文集 Vol.7 No.-
This paper is an attempt to ascertain the relationship of Romanticism to modern poetry, or its continuous influence on modern poetry. For this purpose, in Chap.Ⅱ, the present writer traces the theoretical background of Romanticism. And then, he examines, in view of such a theoretical survey, the characteristic tendency of some major Romantic poets in the 19th century. in Chap.Ⅲ, some later poems of W.B. Yeats are analyzed with respect to their implicit Romantic elements as have been examined in Chap.Ⅱ. In the conclusive part of this paper, the present writer demonstrates that Yeats broadened the horizon of Romantic scope by turning his attention to "here and now."
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