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沖縄 · 八重山諸島に伝承される <イニガダニアヨー>系歌謡の諸相
大城學,石川?吉 중앙대학교 일본연구소 2014 日本 硏究 Vol.0 No.36
The 〈Inigadaniayo〉 based song, it is a general term for a group of songs sung in the epic form the growth method of millet and rice. This paper, one that aims to clarify the aspects of 〈Inigadaniayo〉 based song that is handed down to the Yaeyama Islands of Okinawa, will be discussed from the perspective of “the nature of the subject of the representation” about the role of singer and function of song. Previous Studies on the song of the same system, there is a Shigeru Ishigaki (1976) and Yasuhiko Miyara (1982) so far. Both paper presents a discussion and important perspective in considering the song of the same strain. Reveal the subject separators and first song of the same strain, especially the latter, have discussed the relationship of ritual songs incidental to the song and song of the same strain. However, both papers, to the extent that you make the description of some will be given the special terms and subject matter of the song of the same strain, the analysis has not been performed and expressions structure of the song, function, for the role of singing principal. Therefore, in this paper, again, we tried to analysis of the role of singing mainly the function of the song along with the reveal aspects of the song of the same strain. As a result, the song of the same system, it is classified as ①Song of instruction format and ②Song of passive form from the side of the form of expression, and was led to the following conclusion from the point of view of Masami Tamaki (1999) and “The nature of the subject of the representation” The song of ①Song of instruction format, at instruction format of the foregoing, Raihouzin speaker, social for the protection and growth method of millet and rice you want, is one that gives the blessing and instruction to the (people of the village) growers are listeners, and is a song that has a function of Raihouzin reach out to the people it positioned. Therefore, I can be responsible for the singer the song is that populations responsible for speak the word of Raihouzin. On the other hand, ②Song of passive form, positioned to be the song that has the function of people to represent the secular and men to make millet and rice from now to ask the patron and respectable growth of millet and rice to Raihouzin it is possible, I can be said that the singer responsible for the song, and the population plays a role to reach out to Raihouzin.
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