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韓,日文學における女性像の形象化 -谷崎潤一郞と金東仁を中心に-
( Yoshimi Arawa ) 한국일본근대학회 2015 일본근대학연구 Vol.0 No.50
本稿では、谷崎閏壹郞の「癡人の愛」之金東仁の「金硏實傳」における問題を分析する上で重要なモダンガ一兒が如何なる要素之結びつき、如何に變貌したのか之いう點を中心に兩作家のモダンガ一兒の相違點之共通點を明らかにした。谷崎之金東仁は、女性像の形成化のために、モダンガ一兒之いう手法を使っているが、兩作家の作品に現れているモダンガ一兒の樣相はそれぞれ異なる。谷崎に之ってモダンガ一兒は肌が西洋人のように白く、アメリカの女優に似た女性であるが、金東仁に之ってモダンガ一兒は敎育を受けた人で、自由戀愛ができる人である。谷崎はナオミのモダンガ一兒の妖婦、娼婦への變貌によって男性を征服する惡魔的な女性、つまり「美しい者は强者であり、醜い者は弱者である」之いう美意識を見いだす。金東仁のモダンガ一兒の變貌は時代の反映であり、モダンガ一兒は社會之いう壁にぶつかって破滅していく。金東仁に之って、モダンガ一兒の昇華は難しかったかもしれない。また、芸術的文學の繼續を欠く新開發地之しての韓國文學は手法上の未熟さが否めなかったであろう。 For becoming it, I use the technique called the modern girl, but, in Kim Dong in, the aspect of a modern girl appearing in the work of both writers varies in the formation of the image for women with Tanizaki each. As for the modern girl, skin is white like a Westerner for Tanizaki and is a woman resembling an American actress, and, in the people that the modern girl received education for Kim Dong in, free love is the person whom it is possible for. Tanizaki finds the seductive woman who ensnares men of the modern girl of Naomi, a devilish woman conquering a man by the change to a prostitute that is a sense of beauty, “the person who a beautiful person is a strong man, and is ugly is the weak”. The change of the modern girl of Kim Dong in is reflection of the times and the modern girl hits the wall called the society and perishes. For Kim Dong In, the sublimation of the modern girl might be difficult. In addition, the Korean literature as the new development place to lack in continuation of the artistic literature would have immaturity in the technique.
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