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- 저자 : ( Sunghee Pak ) (검색결과 4 건)
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Education in Deception: Ben Jonson’s Advocacy of Theatre in The Alchemist
( Sunghee Pak ) 한국영어영문학회 2020 영어 영문학 Vol.66 No.2
During the early seventeenth century, adversaries of theatre, including religious and political authorities, condemned it as an immoral and sinful activity. Ben Jonson, who occasionally was admonished for the content of his plays, advocated the educational benefit of theatre through his play The Alchemist (1610). In this play, Jonson demonstrates that theatre can perform a socially positive function by educating the audience through pleasant entertainment. In this paper, I view Jonson’s The Alchemist as his advocacy of theatre: the work teaches about the characteristics of harmful deceptions, showcasing the deceptive use of language and the danger of excessive greed. By providing these as examples, the playwright familiarizes the audience with common deceptions and expects them to learn how to discern lies and ultimately to protect themselves against ill-intended deceptions in their real lives. In so doing, a capable audience can transform Jonson’s play into a profitable disguise. In order to investigate Jonson’s argument and strategy, I first evaluate the objections to theatre put forward by the anti-theatrical parties, particularly in relation to their religious ideas, before analyzing Jonson’s response to such criticism. Then, I will turn to The Alchemist to discuss how Jonson displays language as a tool for trickery, while demonstrating greed and ignorance as characteristics of the gullible. I will also examine Jonson’s argument, which promotes theatre as a profitable disguise in fluctuating early modern London society, along with his vision for an ideal audience.
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Pak, Sunghee 한국현대영미드라마학회 2021 현대영미드라마 Vol.34 No.3
This paper explores the concept of human identity in relation to the physical presence of the body in contemporary postdramatic theatre through the lens of Heiner Müller’s Hamletmachine (Die Hamletmaschine, 1978). While many playwrights and theatre practitioners have sought unified plots and well-developed characters since Aristotle, from the twentieth century and onwards, there have been continuous attempts to break out of such a convention. One of the examples is the trend of postdramatic theatre, which pushes theatre performances beyond the bounds of scripted dramas. Hamletmachine, which has neither logically constructed plot nor clearly recognizable characters, is one of the plays that can be effectively examined in light of such a trend as an application of postdramtic theories reveals the work’s message with a magnified emphasis. In his play, Müller disturbs the traditional concept of a human as a unity of soul and body by merging multiple voices into one physical body as well as separating one being into multiple bodies. The plurality of the body and the voice on stage destabilizes the concept of a unified identity, questioning the essence of a human being; the blurred definition of humanity, which resonates with the notion of the posthuman, demolishes the idea of absolute answers and forces the audience to engage with multiple possibilities of interpretation.
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Kaon BSMB-parameters using improved staggered fermions fromNf=2+1unquenched QCD
Choi, Benjamin J.,Jang, Yong-Chull,Jung, Chulwoo,Jeong, Hwancheol,Kim, Jangho,Kim, Jongjeong,Kim, Sunghee,Lee, Weonjong,Leem, Jaehoon,Pak, Jeonghwan,Park, Sungwoo,Sharpe, Stephen R.,Yoon, Boram American Physical Society 2016 Physical review. D Vol.93 No.1
<P>We present results for the matrix elements of the additional Delta S = 2 operators that appear in models of physics beyond the Standard Model (BSM), expressed in terms of four BSM B-parameters. Combined with experimental results for Delta M-K and epsilon(K), these constrain the parameters of BSM models. We use improved staggered fermions, with valence hypercubic blocking transfromation (HYP)-smeared quarks and N-f = 2 + 1 flavors of 'asqtad' sea quarks. The configurations have been generated by the MILC Collaboration. The matching between lattice and continuum four-fermion operators and bilinears is done perturbatively at one-loop order. We use three lattice spacings for the continuum extrapolation: a approximate to 0.09, 0.06 and 0.045 fm. Valence light-quark masses range down to approximate to m(s)(phys)/13 while the light sea-quark masses range down to approximate to m(s)(phys)/20. Compared to our previous published work, we have added four additional lattice ensembles, leading to better controlled extrapolations in the lattice spacing and sea-quark masses. We report final results for two renormalization scales, mu = 2 and 3 GeV, and compare them to those obtained by other collaborations. Agreement is found for two of the four BSM B-parameters (B-2 and B-3(SUSY)). The other two (B-4 and B-5) differ significantly from those obtained using regularization independent momentum subtraction (RI-MOM) renormalization as an intermediate scheme, but are in agreement with recent preliminary results obtained by the RBC-UKQCD Collaboration using regularization independent symmetric momentum subtraction (RI-SMOM) intermediate schemes.</P>
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Improved determination ofBKwith staggered quarks
Bae, Taegil,Jang, Yong-Chull,Jeong, Hwancheol,Jung, Chulwoo,Kim, Hyung-Jin,Kim, Jangho,Kim, Jongjeong,Kim, Kwangwoo,Kim, Sunghee,Lee, Weonjong,Leem, Jaehoon,Pak, Jeonghwan,Park, Sungwoo,Sharpe, Stephe American Physical Society 2014 PHYSICAL REVIEW D - Vol.89 No.7
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