國立公園 利用者 意識 및 利用行態 分析 : 智異山 東部圈을 중심으로 on the East area of Mt.Chiri

박명안,사공영부 진주산업대학교 산업과학기술연구소 1996 산업과학기술연구소보 Vol.- No.3

지리산국립공원의 동부권을 이용한 이용자들의 설문조사를 분석한 결과 지리산국립공원의 이용자 意識 및 利用行態를 고찰하면 다음과 같다. 利用者 屬性은 남자가 69.8%, 20代와 30代가 75.1%로서 사무직이 41.1%로 나타났으며, 중류계층이 64.0%로서 주 이용계층을 형성하였다. 公園利用形態的 特性은 단체(42.8%)가 1일(57.9%)이용을 하는 것으로 나타나며, 가을(48.6%)의 이용이 많은 경향을 보였다. 公園의 利用動機와 目的은 건강을 위해 체력단련과 기분전환을 위한 등산(42.8%)과 자연감상(20.5%)으로 나타나 도시생활에서의 건강과 스트레스 해소를 위한 것으로 생각된다. 이용자들의 국립공원에 대한 認識은 65.5%로 나타나 공원을 인식하고 있었으며, 도시락 준비(41.7%)를 하여 주말에 주로 이용하는 것으로 보이며, 남은 오물처리는 휴지통 이용(37.8%)이나 되가져가는것(43.9%)으로 나타나 自然環境 保護에 대한 意識이 상대적으로 양호한 경우였다. 공원이용에 대한 전체적인 滿足度는 90.4%로 나타나 양호한 장소로 평가되었다. 그러나 만족도의 빈도가 높을수록 공원에 대한 수요가 증대되면서 공급의 불균형으로 인해 國立公園의 自然生態界는 갈수록 황폐화 될 수 있는 要因으로 작용할 수 있다. This paper analyzes some characteristics of those who visit the eastrn part of Mt. Chiti National Park. 69.8% of the visitors were male: 75.1% were in the thirties of age: 41.1% were white-collar workers; 64.0% were middle-class people. 42.8% visited the Park as a group ; 57.9% stayed at the park for a day; and 48.6% came in autumn. Their main motive for visiting the Park was health and relaxation; 42.8% came for climbing and 20.5% for sighseeing. 65.5% showed a high appreciation of the National Park. 41.7% came on weekends bringing lunch with them. The consciousness of nature preservation also appeared to have improved; 43.9% brought their refuse back to home. 90.4% expressed a general satisfaction after the visit

不動産컨설팅報告書 作成技法에 關한 硏究

임명종 건국대학교 1997 政治論叢 Vol.32 No.-

청신경종의 진단과 치료

안명수,최창락 한국의학사 1984 診斷과治療 Vol.4 No.4

觀光農園의 利用行態 調査硏究

朴明雁,상공영보 진주산업대학교 1994 論文集 Vol.33 No.-

This study is to investigate the user Behavior ofthe four Tourism Farm which were sampled by random among the central government helped 31 ones, 1994, Gyungnam province. The study results are as follows. 1. The number of men(60%) are higher than of women(40%), the twenties and the thirties(80%) are higher than the number of any other classes. 2. The number of self drivers are most frequert, taking the average one hour thirty minutes. these results tell us that the number of user is on the rise with the help of the car supply and the good road condition. 3. The family tourists(31.5%) are wost common, experiencing the field learing with their child. Some of them only enjoy see sighting, others stay a day or a few days. The visiting motivation is made by the information of the other visitors(54.3%), and the first visitors(61.8%) 4. The degree of preference or tourism Farm is very high,for example. The level of satisfaction 88.8%, the degree of recognition 88%. As a result we need to made on effort to build the facilities in the right site. The space which the visitors experience the mood of the country.

咸安地方의 亭子에 關한 考察

사공영보,박명안 진주산업대학교 1991 論文集 Vol.29 No.-

事例 對象地인 咸安地方은 全體的으로 볼 때 背山臨水形으로 되어 있으며, 또한 河川은 南쪽에서 흘러 北쪽으로 流入되는 平野가 發達한 地理的 條件을 가지고 있다. 이로 인하여 江이나 河川의 범람으로 自然村落이 自然的으로 산골이나 산기슭에 發達하게 되어 典型的인 背山臨水形의 村落을 形成하여 亭子들도 역시 平地보다 산기슭이나 언덕, 江上이나 江邊의 높은 곳에 많이 立地하게 되었다. 特히, 自然景觀속의 亭子들은 立地한 位置로 볼 때, 獨立된 景觀的 亭子보다 마을과 인접한 中心型이나 境界型의 類型이 많이 分布하는데, 이것은 儒敎的思想을 背景으로한 修己空間의 性格을 强하게 나타내며, 또한 追慕의 空間으로서 그 機能을 다하게 된다. 본 硏究의 結果는 다음과 같다. 1) 立地的 特徵은 地形的 位置로 보면, 江邊(江上)과 丘上, 마을 주변의 산기슭에 立地하는 경우로 나타났다. 2) 空間的 構成에서 보면, 亭子의 規模는 3間×2間이 44.4%로 나타나 다른 地方과 유사한 規模의 分布를 보여주며, 2間×2間 크기의 亭子도 11.1%로 나타났다. 有無室型으로 볼 때, 有室型이 94.1%로 房의 요구도가 相對的으로 높게 나타났으며, 無室型은 5.6%로 極小數로 나타났다. 亭子의 坐向 決定에 미친 要因으로는 一般 住宅에서는 日照條件이 良好한 南向을 선호하지만, 亭子建築에서는 儒敎的思想을 背景으로 한 南向이 아니라 眺望의 對象이나 象懲性이 부여된 地形이나 對象을 向하여 向을 결정하는데, 咸安地方은 여항산(咸安의 鎭山임)과 伯夷山이 南쪽에 位置한 關係로 亭子들의 坐向은 南向을 선호하는 경우로 나타났다. 3) 亭子의 人工景觀 構成要素로는 池塘과 造景樹木, 石階, 石燈으로 나타나는데, 이들은 人爲的 造景要素로서 낮은 分布를 보여준다. 特히 造景樹木의 導入에서 過去에는 傳統樹種을 많이 活用하였는데, 最近에는 傳統樹種이 아닌 것으로서 무절제한 形態로 植裁된 것이 問題點으로 나타났다. 4) 亭子景觀의 外部空間構成에 依한 視覺的, 物理的인 要素를 距離別 領域으로 한 可視領域을 近景(背景), 中景, 遠京으로 區分한 結科, 空間構成要素로는 山(背景)에서 시작하여 마을, 江(河川, 溪流), 들, 野山, 遠山으로서 그 眺望의 對象으로 나타났다. This study is covering all the exting pavilions(Jungia) in Haman county that are name "Jung" and whose founders and establishment dates can be identified. The aim of this study is to make contribution to the site selection for paviloions through the analyses of the location, the architectural structure and the surrounding scenery of those pavilions. The research methods of this study were the literature survey and the field investigation. The conclusions of this study are summed up as follows ; 1) The particular use of each pavilion had a great influence on the selection of location. The pavilions erected to the memory of the dead amounted to 55.6% of all covered in this study. Those were mainly founded by their descendants. The establishment dates showed a wide range from the 16th till the 20th century. 33.3% of the pavilions were built in the 20th century, most of which were built to the memory of the ancestors. 2) As for the architectural structure of the pavilions, 44.4% were 3×2kans. The smallest ones, Kwangshim-Jung and Hawhan-Jung, were 2×2kans. Most of the pavilions were open to the south. But some were facing the west when the scenery in the west was beautiful. sometimes the symbolic configuration of the ground seemed to have influenced toe house exposure. As the landscape elements, ponds, trees, stone stairs, oddly shaped stones, and stone lamps were found. But such artificial elements were found on rare occasions. Most the pavilions were built in harmony with the natural scennery. 3) The scenery aruond the pavilion is usually divided in two : the artificial within the wall and the natural without the wall. A characteristic feature of the pavilions is that they have a mountain in the far background. The scenic pavilions located usually far from the village command a wide lookout in most cases. But those in the village or near the village have a command of narrow view. 4) The accessibility to the pavilion was determined by the exposure and the distance of the pavilion from the village. 22.2% of the subject pavilions were facing the north ; 16.7% the south. And 16.7% were located in the middle of the village. The exposure was not thought to have lage. The average distance was 400m or so. Most of the pavilions were located on a river or at the foot of a mountain.

산사나무 品種別 形態的 特性 比較에 關한 硏究

姜鎬哲,박명안 진주산업대학교 1999 산업과학기술연구소보 Vol.- No.6

This stud was carried out to compare with the morphological characteristics of the several cultivars in the C. pinnatifida. ‘Daekumsung’introduced from China is thornless cultivar and its fruit diameter is larger than 3 cm. Its fruit size was 3 times as large as general C. pinnatifida cultivars grown in Korea. Flower size of ‘Daekumsung’was 1.5 times as large as other cultivars and inflorescence length also was longer than others. And its shoot growth was stonger than any other cultivars. Other thornless strains were collected at Chuncheon, Kangwon and Suwon, kyeonggi and they were named as ‘No. 5’and ‘No. 6’, respectively. Another strain named as ‘No. 4’was collected Chungson, Kangwon. The strain have unigue feature, in that tree is dwarf, about 1m high and internode length is much shorter than other cultivars. Characteristics of leaf flower, and fruit were not different from those of other cultivars. Early matured strains, ‘No. 2’and‘No. 3’also were selected. Their fruits were colorized in July 24 and August 5, 12∼20 days earlier than August 26 of other cultivars. Therefore, they were very promise landscape materials, having red fruits in Summer season.

원측의 (圓測) 사상

조명기 ( Myng Ki Cho ) 진단학회 1949 진단학보 Vol.- No.16

공동체적 삶의 생존윤리에 관한 연구

이명희 ( Myng Hee Lee ) 한국윤리학회 2002 倫理硏究 Vol.50 No.1

형상안내형 범용형상자동면취기의 개발을 위한 기초연구

김상명(Sang-Myng Kim),정윤교(Yoon-Gyo Jung),조성림(Sung-Leem Cho) 한국기계가공학회 2012 한국기계가공학회지 Vol.11 No.3

Recently, the deburring process which is last process of manufacture is one of the important process for complete product. The manual deburring process can cause not only higher error rate but also irregular shape and quality of product. Therefore, Shape Guided Automatic Deburring Machine has been developed to resolve the above problems. But the Shape Guided Automatic Deburring Machine have been applied only to produce a circular product. Therefore, this machine is difficult to apply to products of various shapes. To solve this problem, we would like to develop Generalized Shape Guided Automatic Deburring Machine applicable to various shapes. To this end, we have done the modeling and design using CATIA program and have performed machine simulation.

민속예술을 통해 본 신명풀이의 존재양상과 성격

한양명(Han Yang-myng) 비교민속학회 2002 비교민속학 Vol.22 No.-

‘Sinmyung-Puli’(liberation or release of spiritual human nature) was the main substance of the folk-art experience, the measure of aesthetic judgement, and the purpose of action in art. Folk artists have taken aim at ‘Sinmyung-Puli’ as their object and have regarded their performances as successful by the degree to which they came dose to ‘Sinmyung-Puli’. At first, it appears that the concept of ‘Sinmyung’ is concerned with the kind of religious human activity accompanied by art, play, labor etc. But if we consider the nature of the human being, ‘Sinmyung’ is the original power of life that has been repressed by civilization and human culture. Therefore ‘Sinmyung-Puli’ is to liberate ‘Sinmyung’. The most representative characteristic of folk-art is ‘Hong-Dongzi’(features a completely liberated and physically strong character in the image of a nude hero) in ‘Ggoduggacsi-noleum’(A kind of Korean puppet play). ‘Sinmyung’ has an order of increasing to decreasing intensity. At the peak of ‘Sinmyung-Puli’ one feels ecstasy. This peak experience is similar to the ‘flow experience’(as described by M. Csikszentmihali). On the one hand, ‘Sinmyung-Puli’ can exist in variations, depending on the different genre of folk-art in which it is achieved. These variation appear in the form and content of ‘Sinmyung-Puli’. The expression of ‘Sinmyung-Puli’ can be roughly categorized in to two types: ‘Gut’ and ‘Noli’. Going one step further, within the ‘Gut’ type, one can make an additional distinction between spontaneous and passive genres. The spontaneous category encompasses the following genres ‘Poongmul’(farmer’s traditional holistic arc - mainly use a percussion instrument), ‘Talchum’(mask drama), ’Minyo’(folk song) that has form by reciprocating. The passive(or steady) category encompasses the following: ‘Pansori’(traditional musical performed by solo), ‘Sinawhi and Sanzo’(the improvisational play of instruments such as ‘Daegum’, ‘gayagum’, etc.). ‘Sinawhi’ is an orchestral form, whereas ‘Sanzo’ is a solo form, ‘Gyobangchum’(dances in a traditional amusement quarter). ‘Sinmyung-Puli’ has the character of infection and liberating power in the context of folk-arcs that are performed as a communal activity. There are several conditions that must be met by each of the three components of a performance - the performing artist, the spectator, and the stage. Although this article has not solved all problems on ‘Sinmyung-Puli’, it provides a foundation on which further, detailed study of this concept may proceed.