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1920년대 조선에서의 신일본음악(新日本音樂)의 전개 -도잔류(都山流) 샤쿠하치(尺八),사토 레이잔(佐藤令山)의 활동을 중심으로-
김지선 ( Jie Sun Kim[chi Son Kim] ),후쿠다치에 ( Fukuda Chie ) 한국음악사학회 2016 韓國音樂史學報 Vol.56 No.-
본고는 조선에서 전개 된 신일본음악(新日本音樂: 신니혼온가쿠)에 대해 도잔류(都山流) 샤쿠하치(尺八)의 사토 레이잔(佐藤令山)의 활동실태를 통해 고찰 한 것이다. 일본에서 활동을 한 각 유파의 이에모토들은 조선에서도 성대한 연주회를 개최하는 등 그 활동을 전개하였다. 도잔류 샤쿠하치의 경우 먼저 이에 모토가 조선에서 연주여행을 한 것을 계기로 조선에서 활동을 넓히게 되었는데, 그 후의 전개는 사토 레이잔이 중심이 되어 이루어진다. 사토 레이잔은 1916년에 경성을 거점을 두고 활동을 하였는데 부산, 평양 등 조선 각지에서 연주회를 열어 재조선 일본인들에게 도잔류를 알렸다. 도잔류 샤쿠하치의 음악은 새로운 양식으로 작곡(신일본음악)되었는데 이 도잔류의 곡들과 당시 일본에서도 많은 인기가 있었던 소쿄쿠 중심의 「신일본음악」이 사토 레이잔의 연주회활동과 교수활동을 통해서 조선에 바로전해졌다. 레이잔은 많은 연주회를 통해서 조선에서 활동하고 있었던 일본 인 음악가, 조선인 음악가와도 교류를 하였다. 그 외에도 오선보표기에 의한 신음보를 창작하였고, 신문기고, 방송국에서의 샤쿠하치 강좌를 여는 등그 활동범위는 다양했다. 본고를 통해서 1916년부터 1930년까지 15년간에 걸친 레이잔의 도잔류 샤쿠하치 활동실태를 고찰하였는데, 레이잔은 신일본음악을 조선에 알리는데 일단의 역할을 한 것으로 평가된다. This paper aimed to clarify the deployment of Shin nihon ongaku, the new Japanese music in colonial Korea through the activities of Sato Reizan, a shakuhachi (Japanese bamboo flute) performer of the Tozan-ryu School. The Shin nihon ongaku style incorporated Western methods into the traditional Japanese method of composition. It was widely used by Japanese traditional musicians, mainly in the 1920s. Shin nihon ongaku spread not only in Japan, but also to colonial Korea by the Ikuta School koto (Japanese zither) performer Miyagi Michio and the Tozan-Ryu School shakuhachi performer Nakao Tozan. These musicians were among those who held composer recitals and introduced the new repertoires. In the case of the Tozan-ryu School shakuhachi, first, a concert tour in Korea by the schoolmaster Nakao Tozan introduced the activities of the Tozan-ryu School to Korea. Second, the activities of his disciple, Sato Reizan, supported the subsequent deployment of the school in Korea. Sato Reizan began his activity based in Kyongsong from 1916 and played in various locations throughout Korea, including Pusan and Pyongyang. Through his musical activities, such as performance and dissemination, the new music style of the Tozan-ryu School spread to various locations outside the mainland. In addition, the koto pieces of the new style, popular in the mainland at that time, spread to Korea as well. In holding koto concerts, Sato Reizan and his disciples performed shakuhachi together, which led to the concerts`` success. The activity of Sato Reizan was so widespread that he performed not only with other Japanese musicians, but also with Koreans. In addition, he created the new musical notation by using staff notation he also contributed to newspapers and gave lectures on the shakuhachi courses on radio broadcasts. Finally, this paper clarified that through the spread of the Tozan-ryu School shakuhachi for 15 years from 1916 to 1930, Sato Reizan played an important role in spreading the activities of Shin nihon ongaku to Korea.
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High-resolution crystal structure of the catalytic domain of human dual-specificity phosphatase 26.
Won, Eun Young,Xie, Yong,Takemoto, Chie,Chen, Lirong,Liu, Zhi Jie,Wang, Bi Cheng,Lee, Daeyoup,Woo, Eui Jeon,Park, Sung Goo,Shirouzu, Mikako,Yokoyama, Shigeyuki,Kim, Seung Jun,Chi, Seung Wook Wiley-Blackwell 2013 Acta crystallographica. Section D, Biological crys Vol.69 No.6
<P>Dual-specificity phosphatases (DUSPs) play an important role in regulating cellular signalling pathways governing cell growth, differentiation and apoptosis. Human DUSP26 inhibits the apoptosis of cancer cells by dephosphorylating substrates such as p38 and p53. High-resolution crystal structures of the DUSP26 catalytic domain (DUSP26-C) and its C152S mutant [DUSP26-C (C152S)] have been determined at 1.67 and 2.20 ? resolution, respectively. The structure of DUSP26-C showed a novel type of domain-swapped dimer formed by extensive crossover of the C-terminal α7 helix. Taken together with the results of a phosphatase-activity assay, structural comparison with other DUSPs revealed that DUSP26-C adopts a catalytically inactive conformation of the protein tyrosine phosphate-binding loop which significantly deviates from that of canonical DUSP structures. In particular, a noticeable difference exists between DUSP26-C and the active forms of other DUSPs at the hinge region of a swapped C-terminal domain. Additionally, two significant gaps were identified between the catalytic core and its surrounding loops in DUSP26-C, which can be exploited as additional binding sites for allosteric enzyme regulation. The high-resolution structure of DUSP26-C may thus provide structural insights into the rational design of DUSP26-targeted anticancer drugs.</P>
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