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크로아티아 건축가 드라고 갈리치의 집합주거의 건축특성과 유니테 다비타시옹과의 상관성에 관한 연구
윤선희,박진호,백승연,Yoon, Sunhee,Park, Jin-Ho,Baik, Seung Yeon 한국건축역사학회 2015 건축역사연구 Vol.24 No.5
Drago $Gali{\acute{c}}$ (1907-1992) has been acknowledged as one of most important modern Croatia architects of the 20th century and noted for his controversial apartment buildings at 35-35a and 43-43a blocks on Vukovar Street in Zagreb, Croatia. Although the two housings were highly regarded as the best examples of the post-war housing design in Croatia, a plagiarism controversy arose due to its similar exterior looks to Le Corbusier's $Unit{\acute{e}}$ d'Habitation in Marseille in 1952. This research intends to comparatively analyze architectural features implemented on the works of apartment of Drago $Gali{\acute{c}}$ and Le Corbusier's $Unit{\acute{e}}$ d'Habitation. The analysis focuses on architectural characteristics categorized in three parts: unit plan, community space, and unit combinations. The site survey was carried out to yield more useful information for the analysis. During this process, written and photographic documentations are collected for the further interpretation. In addition, scale drawings are reconstructed for the in-depth analysis of the project.
쿠마 켄코의 건축에 나타나는 목재 접합방식에 관한 연구
엄희춘(Uhm, Heechoon),백승연(Baik, Seung-Yeon),박진호(Park, Jin-Ho) 한국실내디자인학회 2015 한국실내디자인학회논문집 Vol.24 No.4
This study deals with a comparative analysis of wooden assembly methods between Japanese traditional architecture and Kuma, Kengo`s works. Kuma, Kengo has know as an architect who pursues Japanese architectural traditions with integrated solutions for built and natural environments, and expresses a deep commitment to unexpected use of materials such as stone and wood with the clarity of structural solutions. Accordingly, his architecture focuses on the appreciation of the spatial relationship with the surrounding, its local characters, and the selection of materials. This article first examines two of wooden assembly methods that have been shown in Japanese traditional architecture such as `two-way system` and `one-way system`. And then, Kuma, Kengo`s wooden assembly methods in his works are analyzed and compared in relation to Japanese wooden assembly methods to find out similarities and differences between them. Then, it concludes that Kuma, Kengo`s approach is not only relying on the methods of Japanese traditional architecture, but also exploring creative ways beyond traditional assembly methods.